Categoría: THE SPANISH GUITAR

- The Development of a Method for Teaching Fundamentals of Guitar to College Students in Music Education and Music Terapy Curricula

- A critical and performance edition of Agustin Barrios´s Cueca

- Extra fine Guitars after the newest Fashion’: guitar- and cittern-making in the northern Netherlands, 1750–1800

- The Guitar in Tudor London

- Buying, selling and owning guitars in Elisabethan England – Christopher Page

- The Guitar in the Age of Charles I

- An Englishman (wich a guitar) abroad

- The Guitar at the Restoration Court

- Left-Hand Injuries in Guitarists: Literature Review and Some Solutions

- Basic Left Hand Position and Technique

- Becoming a healthier guitarist: Understanding and addressing injuries

- Comparison of the “Méthode Pour La Guitare” by Fernando Sor with the “Méthode Complète Pour La Guitare Par Ferdinand Sor, Rédigée Et Augmentée De Nombreux Exemples Et Leçons Suivis D’une Notice Sur La 7e Corde” by Napoléon Coste

- Revising the Origins of the Brazilian Seven-string Guitar Through Musical Analysis

- The Impact of Print Technology on the Early Guitar Repertoire – Gideon Brettler

- Early Seventeenth-Century Harmonic Practice: A Corpus Study of Tonality, Modality, and Harmonic Function in Italian Secular Song with Baroque Guitar Accompaniment in Alfabeto Tablature

- Guitar Passacagli and Vocal Arie

- Villa-Lobos 12 Études: how the manuscripts affect the performance

- Evolution of a “National Linguagen” in the Guitar Music of H. Villa-Lobos

- Phrase Structure and Linear Progression in Villa-Lobos Preludes 1, ,2 and 5 for Guitar

- Santiago de Murcia: a survey of his Baroque guitar books

- William Walton’s Five Bagateles for Guitar

- A comparison of the piano and guitar version of Isaac Albeniz´s Spanish Suite Op.47

- Gaspar Sanz and the Stringing of the Italian Baroque Guitar Masters – Samuel Zachary Vierra

- Modern Guitar Techniques; a view of History, Convergence of Musical Traditions and Contemporary Works (A guide for composers and guitarists)

- The Just Intonation Guitar Works of Lou Harrison, James Tenney, and Larry Polansky

- Expressing Ourselves: Carcassi Op. 60

- Warlock, Dowland and Segovia

- Cyril Scott, Segovia and the Sonatina for Guitar

- Segovia and the Russians

- Italian Guitar Music in the second half of the eighteenth century

- New Light on the Provenance of the Guitar Quintets by Luigi Boccherini

- Some observations on the origins and authorship of Aguado’s Escuela

- Two Madeiran Manuscripts from the 19th Century for Classical Guitar” in Música para Viola

- Towards a classificatory organology of the viola and the violão in nineteenth-century Rio de Janeiro

- Records, radios and guitars in Brazil (1902-2013)

- The Seven-String Guitar in 19th-Century Russian Culture

- To Prelude (v.): The Art of Preluding and Applications for the Modern Classical Guitarist

- The Toccatas of Johannes Hieronymus Kapsberger’s Libro Primo D’Intavolatura Di Lauto: Analysis, Performance Practice, and Transcription for Modern Classical Guitar

- A Brief History of the Russian Seven-String Guitar

- FRETworks Idiomatic Voice Leading on the Guitar

- Alla [vera] spagnola: Hearing Spain and Playing Guitar in Early Modern Italy

- In search of François de Fossa

- Henri Sauguet’s unpublished guitar music

- Divergence and convergence in Spanish classical and flamenco guitar traditions (1850-2016) -