Categoría: Construction and repair

- Design of a composite guitar

- Towards Overcoming the Guitar’s Color Research Gap

- Preservation and Study of Historical Guitars Museu de la Musica, Catalunya : Methodology Proposal to Play the Unplayable

- Sound radiation measurements on guitars and other stringed musical instruments

- New optical process of making a guitar

- Modal parameter variability in industrial electric guitar making: Manufacturing process, wood variability, and lutherie decisions

- The Sound of Trees: Wood Selection in Guitars and Other Chordophones

- Towards a physical model of the guitar

- Acoustic Guitar Repair

- Luthierie Software Resources

- Classical Guitar Construction in the style Antonio Torres replicating La Suprema 1864 (1) Hide Glue Preparation, Solera, Neck, Rosette.

- Design of a Classical Guitar

- Spanish guitar bridges evolution

- During the restoration of a Lacote Guitar Observations and reflections brought us to construct a facsimile of the famous “tripodison”

- Lacote á Paris

- Louis David Pons, Paris 1827 Guitar with adjustable neck

- Spanish guitar history

- The restoration of antique instruments deontologies and techiques

- The Tiled Rosette of the Flattop Guitar

- An overview of the six-course guitar

- Mode studies of plucked stringed instruments

- Make Your Own Spanish Guitar

- Designing a Guitar family

- Significant peak of guitar

- The Belchior Dias 1581 Vihuela (Notes to the drawing and other observations)

- An instructional guide to converting the guitar to a microtonal guitar or a fretless guitar

- Measuring and documenting the FE 18 by Antonio de Torres

- The Definitive Elements of the Hermann Hauser Spanish Guitar

- An historic- hermeneutic critique about luthiery with specific reference to selected south african guitar builders

- Restoration of a baroque guitar made in Venice (Italy) about 1640

- Protected: Restoration of a Selmer guitar, number 882