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	<title>The guitar and plucked string instruments &#187; THE PLUCKED STRING INSTRUMENTS</title>
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	<description>Blog by the guitarist Nacho Bellido</description>
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		<title>Tracking the Banjo: From Across the Water to the Stage and Up the Mountains</title>
		<link>https://theguitar-blog.com/?p=4013&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=tracking-the-banjo-from-across-the-water-to-the-stage-and-up-the-mountains</link>
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		<pubDate>Mon, 31 Oct 2022 18:27:09 +0000</pubDate>
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				<category><![CDATA[THE PLUCKED STRING INSTRUMENTS]]></category>

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		<description><![CDATA[Nuno Cristo https://www.academia.edu/2205017 It is a general idea nowadays that the banjo came from Africa to the Americas during the Atlantic slave trade, but was it a material object that crossed the Middle Passage or just an idea of the &#8230; <a href="https://theguitar-blog.com/?p=4013">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Style and Development in the Theorbo Works of Robert de Visée: An Introductory Study</title>
		<link>https://theguitar-blog.com/?p=3823&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=publico-style-and-development-in-the-theorbo-works-of-robert-de-visee-an-introductory-study</link>
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		<pubDate>Sun, 07 Aug 2022 13:07:31 +0000</pubDate>
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				<category><![CDATA[THE PLUCKED STRING INSTRUMENTS]]></category>

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		<description><![CDATA[Alexander Dunn http://alexanderdunn.ca/?page_id= Robert de Visée (ca. 1660-1732) was among the most outstanding exponents of the French Baroque guitar and theorbo. His corpus of works for the latter instrument have to date not received proper attention in either performance or &#8230; <a href="https://theguitar-blog.com/?p=3823">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The Acoustic of the Steel String Guitar</title>
		<link>https://theguitar-blog.com/?p=3630&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-acoustic-of-the-steel-string-guitar</link>
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		<pubDate>Fri, 17 Jun 2022 08:47:59 +0000</pubDate>
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				<category><![CDATA[THE PLUCKED STRING INSTRUMENTS]]></category>

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		<description><![CDATA[Ra Inta http://www.unsworks.unsw.edu.au To improve the replication of acoustic guitars, measurements of three Martin OOO style steel-string guitars were made at various stages of their construction. The guitars were constructed in parallel, as similar to each other as possible, with &#8230; <a href="https://theguitar-blog.com/?p=3630">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The acoustic guitar in American culture, 1880-1980</title>
		<link>https://theguitar-blog.com/?p=3600&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-acoustic-guitar-in-american-culture-1880-1980-andrew-durkota-augustine-bozanic</link>
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		<pubDate>Mon, 06 Jun 2022 10:13:24 +0000</pubDate>
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				<category><![CDATA[THE PLUCKED STRING INSTRUMENTS]]></category>

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		<description><![CDATA[Andrew Durkota / Augustine Bozanic http://udspace.udel.edu/handle/19 Once primarily a Victorian parlor instrument, the acoustic guitar emerged in the twentieth century as a key component of almost every major genre of popular American music. How did this happen? The path to &#8230; <a href="https://theguitar-blog.com/?p=3600">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The British Museum Citole: New Perspectives</title>
		<link>https://theguitar-blog.com/?p=3574&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-british-museum-citole-new-perspectives</link>
		<comments>https://theguitar-blog.com/?p=3574#comments</comments>
		<pubDate>Tue, 31 May 2022 09:39:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE PLUCKED STRING INSTRUMENTS]]></category>

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		<description><![CDATA[James Robinson, Naomi Speakman and Kathryn BuehlerMcWilliams https://www.britishmuseum.org/pdf Since its frst known mention in Sir John Hawkins’s A General History of the Science and Practice of Music of 1776, the British Museum citole has been a source of interest and &#8230; <a href="https://theguitar-blog.com/?p=3574">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Harp lutes in Britain, 1800-1830: study of the inventor, Edward Light and his instruments</title>
		<link>https://theguitar-blog.com/?p=3518&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=harp-lutes-in-britain-1800-1830-study-of-the-inventor-edward-light-and-his-instruments</link>
		<comments>https://theguitar-blog.com/?p=3518#comments</comments>
		<pubDate>Thu, 12 May 2022 10:38:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE PLUCKED STRING INSTRUMENTS]]></category>

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		<description><![CDATA[Hayato Sugimoto http://hdl.handle.net/1842/21079 The harp lute is a generic term given to certain types of plucked stringed instruments originally invented by an English musician-retailer, Edward Light, in London at the beginning of the nineteenth century. Combining elements of the highly &#8230; <a href="https://theguitar-blog.com/?p=3518">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Brief History of Hawaiian Slack Key Guitar</title>
		<link>https://theguitar-blog.com/?p=2766&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=brief-history-of-hawaiian-slack-key-guitar</link>
		<comments>https://theguitar-blog.com/?p=2766#comments</comments>
		<pubDate>Thu, 13 Oct 2016 11:16:59 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE PLUCKED STRING INSTRUMENTS]]></category>

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		<description><![CDATA[&#160; www.georgewinston.com/userfiles/files/HSKBook1.pdf &#160; Hawaiian Slack Key guitar (ki ho`alu) is one of the world’s great acoustic guitar traditions. However, due to Hawai`i’s isolation (the islands lie furthest in the world from any major land masses), ki ho`alu remains one of &#8230; <a href="https://theguitar-blog.com/?p=2766">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Catalogue des sources manuscrites en tablature, Luth et theorbe c1500 c1800</title>
		<link>https://theguitar-blog.com/?p=2156&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=catalogue-des-sources-manuscrites-en-tablature-luth-et-theorbe-c1500-c1800</link>
		<comments>https://theguitar-blog.com/?p=2156#comments</comments>
		<pubDate>Wed, 23 Jan 2013 22:30:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE PLUCKED STRING INSTRUMENTS]]></category>

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		<description><![CDATA[&#160; CATALOGUE-DES-SOURCES-MANUSCRITES-EN-TABLATURE-Luth-et-theorbe-c-1500-c-180 By Christian MEYER 46227401-REYNE-Gerard-•-Hypertext-Catalog-of-Documents-Collections-on-Scribd-110209-february-9-2011 &#160; &#160; &#160; &#160; Share]]></description>
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		<title>Turkish Oud Construction (2)</title>
		<link>https://theguitar-blog.com/?p=1760&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=turkish-oud-construction-2</link>
		<comments>https://theguitar-blog.com/?p=1760#comments</comments>
		<pubDate>Sun, 18 Nov 2012 12:30:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE PLUCKED STRING INSTRUMENTS]]></category>

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		<description><![CDATA[&#160; -The peg box The material for the peg box and the pattern. The wood is 7mm thick, but will be planed down to 5mm after assembly. The negative pattern is used in order to see the grain of the &#8230; <a href="https://theguitar-blog.com/?p=1760">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Turkish Oud Construction (1)</title>
		<link>https://theguitar-blog.com/?p=1551&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=turkish-oud-construction-1</link>
		<comments>https://theguitar-blog.com/?p=1551#comments</comments>
		<pubDate>Wed, 31 Oct 2012 14:03:18 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE PLUCKED STRING INSTRUMENTS]]></category>

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		<description><![CDATA[&#160; http://www.khalafoud.com In January 2002 I received an Oud as a gift. This was a Turkish oud made by Cankaya Music in Istanbul, Turkey. It was modified for better sound and playability by oud maker Najib Shaheen. A few weeks &#8230; <a href="https://theguitar-blog.com/?p=1551">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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