<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>The guitar and plucked string instruments &#187; Articles about music</title>
	<atom:link href="http://theguitar-blog.com/?cat=3&#038;feed=rss2" rel="self" type="application/rss+xml" />
	<link>https://theguitar-blog.com</link>
	<description>Blog by the guitarist Nacho Bellido</description>
	<lastBuildDate>Tue, 14 Apr 2026 11:53:08 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.2</generator>
		<item>
		<title>Evolution and Structure in Flamenco Harmony</title>
		<link>https://theguitar-blog.com/?p=3267&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=3267</link>
		<comments>https://theguitar-blog.com/?p=3267#comments</comments>
		<pubDate>Tue, 19 Apr 2022 11:00:41 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Articles about music]]></category>
		<category><![CDATA[GENERAL]]></category>
		<category><![CDATA[Historical studies related to the guitar]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=3267</guid>
		<description><![CDATA[Peter Manuel https://currentmusicology.columbia This article addresses certain aspects of the development and present form of flamenco harmony. In brief, it advances two hypotheses: first, that flamenco harmony is a syncretic product of Arab modal practice and European harmony, and second, &#8230; <a href="https://theguitar-blog.com/?p=3267">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>https://theguitar-blog.com/?feed=rss2&#038;p=3267</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>John Dowland, celebrity lute teacher</title>
		<link>https://theguitar-blog.com/?p=2832&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=john-dowland-celebrity-lute-teacher</link>
		<comments>https://theguitar-blog.com/?p=2832#comments</comments>
		<pubDate>Sat, 29 Oct 2016 08:37:36 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Articles about music]]></category>
		<category><![CDATA[THE LUTE]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=2832</guid>
		<description><![CDATA[Two manuscripts apparently connected with John Dowland’s lute-teaching activities survive, but little attempt has been made to situate this aspect of the composer’s professional activity within a broader biographical narrative. This study begins by sifting through the fragmentary evidence concerning &#8230; <a href="https://theguitar-blog.com/?p=2832">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>https://theguitar-blog.com/?feed=rss2&#038;p=2832</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Form in Paul Simon’s music</title>
		<link>https://theguitar-blog.com/?p=2830&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=form-in-paul-simons-music-2</link>
		<comments>https://theguitar-blog.com/?p=2830#comments</comments>
		<pubDate>Sat, 29 Oct 2016 08:35:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Articles about music]]></category>
		<category><![CDATA[Historical studies related to the guitar]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=2830</guid>
		<description><![CDATA[&#160; &#160; Songwriter and performer Paul Simon has been actively creating music for over five decades. While he has embraced elements of a variety of musical styles, at least one element has remained constant – his attention to formal construction &#8230; <a href="https://theguitar-blog.com/?p=2830">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>https://theguitar-blog.com/?feed=rss2&#038;p=2830</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Confluence of jazz and classical music from 1950 to 1970</title>
		<link>https://theguitar-blog.com/?p=2700&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-confluence-of-jazz-and-classical-music-from-1950-to-1970</link>
		<comments>https://theguitar-blog.com/?p=2700#comments</comments>
		<pubDate>Tue, 08 Mar 2016 16:30:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Articles about music]]></category>
		<category><![CDATA[Historical studies related to the guitar]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=2700</guid>
		<description><![CDATA[&#160; &#160; Confluent music is music in which there is a flowing together of musical elements normally associated with the classical tradition and those normally associated with the pop music tradition. This study concentrates on confluent works which illustrate the &#8230; <a href="https://theguitar-blog.com/?p=2700">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>https://theguitar-blog.com/?feed=rss2&#038;p=2700</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Authenticity in musical performance an analytical performance</title>
		<link>https://theguitar-blog.com/?p=2501&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=authenticity-in-musical-performance-an-analytical-performance</link>
		<comments>https://theguitar-blog.com/?p=2501#comments</comments>
		<pubDate>Sat, 08 Mar 2014 11:23:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Articles about music]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=2501</guid>
		<description><![CDATA[By Nicholas luby authenticity in musical performance an analytical performance http://wesscholar.wesleyan.edu/cgi/viewcontent.cgi?article=1651&#038;context=etd_hon_theses Share]]></description>
		<wfw:commentRss>https://theguitar-blog.com/?feed=rss2&#038;p=2501</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Imagination,books and community in medieval europe</title>
		<link>https://theguitar-blog.com/?p=1243&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=imaginationbooks-and-community-in-medieval-europe</link>
		<comments>https://theguitar-blog.com/?p=1243#comments</comments>
		<pubDate>Fri, 27 Jul 2012 20:26:48 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Articles about music]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=1243</guid>
		<description><![CDATA[By John Griffiths imagination,books and community in medieval europe http://www.lavihuela.com/Vihuela/My_publications_files/GRIFFITHS%202010%20alfonso.pdf Share]]></description>
		<wfw:commentRss>https://theguitar-blog.com/?feed=rss2&#038;p=1243</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Music in new worlds</title>
		<link>https://theguitar-blog.com/?p=942&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=music-in-new-worlds</link>
		<comments>https://theguitar-blog.com/?p=942#comments</comments>
		<pubDate>Wed, 11 Jul 2012 09:43:13 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Articles about music]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=942</guid>
		<description><![CDATA[Author: Victor Coelho music-in-new-worlds http://people.bu.edu/blues/documents/Coelho.newworlds.pdf Share]]></description>
		<wfw:commentRss>https://theguitar-blog.com/?feed=rss2&#038;p=942</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
