<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>The guitar and plucked string instruments &#187; Historical studies related to the guitar</title>
	<atom:link href="http://theguitar-blog.com/?cat=4&#038;feed=rss2" rel="self" type="application/rss+xml" />
	<link>https://theguitar-blog.com</link>
	<description>Blog by the guitarist Nacho Bellido</description>
	<lastBuildDate>Tue, 14 Apr 2026 11:53:08 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.2</generator>
		<item>
		<title>The new school of Russian Eastern and European classical guitar: The Post-Soviet rise of a global contributor</title>
		<link>https://theguitar-blog.com/?p=4224&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-new-school-of-russian-eastern-and-european-classical-guitar-the-post-soviet-rise-of-a-global-contributor</link>
		<comments>https://theguitar-blog.com/?p=4224#comments</comments>
		<pubDate>Wed, 14 May 2025 11:13:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Historical research]]></category>
		<category><![CDATA[Historical studies related to the guitar]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=4224</guid>
		<description><![CDATA[Middle Tennessee State University May 2018 Christopher E. Pfeifer This thesis traces the developments in the Russian and Eastern European classical guitar community after the dissolution of the Soviet Union in 1991, after which political circumstances supported increased access to &#8230; <a href="https://theguitar-blog.com/?p=4224">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>https://theguitar-blog.com/?feed=rss2&#038;p=4224</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sixteenth centuary accidentals and ornamentation in selected motets of Josquin. Desprez: a comparative study of the printed intabulations with the vocal sources</title>
		<link>https://theguitar-blog.com/?p=3704&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=sixteenth-centuary-accidentals-and-ornamentation-in-selected-motets-of-josquin-desprez-a-comparative-study-of-the-printed-intabulations-with-the-vocal-sources</link>
		<comments>https://theguitar-blog.com/?p=3704#comments</comments>
		<pubDate>Wed, 06 Jul 2022 10:32:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Historical studies related to the guitar]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=3704</guid>
		<description><![CDATA[Robert Eric Toft https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.490961 One of the major problems in Renaissance music scholarship has been to establish a precise understanding of the structure and development of pretonal polyphony. Scholars working toward this end have long been plagued by the ambiguities &#8230; <a href="https://theguitar-blog.com/?p=3704">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>https://theguitar-blog.com/?feed=rss2&#038;p=3704</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Evolution and Structure in Flamenco Harmony</title>
		<link>https://theguitar-blog.com/?p=3267&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=3267</link>
		<comments>https://theguitar-blog.com/?p=3267#comments</comments>
		<pubDate>Tue, 19 Apr 2022 11:00:41 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Articles about music]]></category>
		<category><![CDATA[GENERAL]]></category>
		<category><![CDATA[Historical studies related to the guitar]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=3267</guid>
		<description><![CDATA[Peter Manuel https://currentmusicology.columbia This article addresses certain aspects of the development and present form of flamenco harmony. In brief, it advances two hypotheses: first, that flamenco harmony is a syncretic product of Arab modal practice and European harmony, and second, &#8230; <a href="https://theguitar-blog.com/?p=3267">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>https://theguitar-blog.com/?feed=rss2&#038;p=3267</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Form in Paul Simon’s music</title>
		<link>https://theguitar-blog.com/?p=2830&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=form-in-paul-simons-music-2</link>
		<comments>https://theguitar-blog.com/?p=2830#comments</comments>
		<pubDate>Sat, 29 Oct 2016 08:35:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Articles about music]]></category>
		<category><![CDATA[Historical studies related to the guitar]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=2830</guid>
		<description><![CDATA[&#160; &#160; Songwriter and performer Paul Simon has been actively creating music for over five decades. While he has embraced elements of a variety of musical styles, at least one element has remained constant – his attention to formal construction &#8230; <a href="https://theguitar-blog.com/?p=2830">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>https://theguitar-blog.com/?feed=rss2&#038;p=2830</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Improvisation and learning processes in organizations: A metaphor applying the brazilian rhythm choro</title>
		<link>https://theguitar-blog.com/?p=2810&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=improvisation-and-learning-processes-in-organizations-a-metaphor-applying-the-brazilian-rhythm-choro</link>
		<comments>https://theguitar-blog.com/?p=2810#comments</comments>
		<pubDate>Mon, 24 Oct 2016 09:44:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[GENERAL]]></category>
		<category><![CDATA[Historical studies related to the guitar]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=2810</guid>
		<description><![CDATA[&#160; &#160; Whereas improvisation has been discussed in international literature mainly from the metaphor of jazz and theater, this essay discusses how the  henomenon of improvisation can contribute to new interpretations of Organizational Learning. We use the metaphor of improvisation &#8230; <a href="https://theguitar-blog.com/?p=2810">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>https://theguitar-blog.com/?feed=rss2&#038;p=2810</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Impact of Anatolian Music on Classical Guitar Repertoire</title>
		<link>https://theguitar-blog.com/?p=2780&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-impact-of-anatolian-music-on-classical-guitar-repertoire</link>
		<comments>https://theguitar-blog.com/?p=2780#comments</comments>
		<pubDate>Thu, 13 Oct 2016 23:25:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Historical research]]></category>
		<category><![CDATA[Historical studies related to the guitar]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=2780</guid>
		<description><![CDATA[Today, classical guitar music in Turkey isa lively area compared to the period before the 1980s. There are many universitiesand conservatories that have classical guitar departments as well as private institutions offering classical guitar courses. In this musical climate, while &#8230; <a href="https://theguitar-blog.com/?p=2780">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>https://theguitar-blog.com/?feed=rss2&#038;p=2780</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Confluence of jazz and classical music from 1950 to 1970</title>
		<link>https://theguitar-blog.com/?p=2700&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-confluence-of-jazz-and-classical-music-from-1950-to-1970</link>
		<comments>https://theguitar-blog.com/?p=2700#comments</comments>
		<pubDate>Tue, 08 Mar 2016 16:30:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Articles about music]]></category>
		<category><![CDATA[Historical studies related to the guitar]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=2700</guid>
		<description><![CDATA[&#160; &#160; Confluent music is music in which there is a flowing together of musical elements normally associated with the classical tradition and those normally associated with the pop music tradition. This study concentrates on confluent works which illustrate the &#8230; <a href="https://theguitar-blog.com/?p=2700">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>https://theguitar-blog.com/?feed=rss2&#038;p=2700</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Form in Paul Simon’s music</title>
		<link>https://theguitar-blog.com/?p=2674&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=form-in-paul-simons-music</link>
		<comments>https://theguitar-blog.com/?p=2674#comments</comments>
		<pubDate>Tue, 26 Jan 2016 22:37:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Historical studies related to the guitar]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=2674</guid>
		<description><![CDATA[Songwriter and performer Paul Simon has been actively creating music for over five decades. While he has embraced elements of a variety of musical styles, at least one element has remained constant – his attention to formal construction as an &#8230; <a href="https://theguitar-blog.com/?p=2674">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>https://theguitar-blog.com/?feed=rss2&#038;p=2674</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Francois Campion&#8217;s alternate tunings</title>
		<link>https://theguitar-blog.com/?p=2292&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=francois-campions-alternate-tunings</link>
		<comments>https://theguitar-blog.com/?p=2292#comments</comments>
		<pubDate>Sun, 21 Apr 2013 18:58:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Historical studies related to the guitar]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=2292</guid>
		<description><![CDATA[Francois Campion&#8217;s alternate tunings The first half, roughly, of Nouvelles Decouvertes is devoted to pieces in 7 alternate tunings. The second half of the book is all in standard tuning. Campion specifies each &#8220;accord nouveau&#8221; by showing how to match &#8230; <a href="https://theguitar-blog.com/?p=2292">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>https://theguitar-blog.com/?feed=rss2&#038;p=2292</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Instrumental Music in Europe: 1520-1640</title>
		<link>https://theguitar-blog.com/?p=2312&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=instrumental-music-in-europe-1520-1640</link>
		<comments>https://theguitar-blog.com/?p=2312#comments</comments>
		<pubDate>Wed, 17 Apr 2013 08:34:19 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Historical studies related to the guitar]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=2312</guid>
		<description><![CDATA[&#160; By Victor Coelho and Kenith Polk Instrumental Music in Europe 1520-1640 In European Music, 1520-1640. Ed. James Haar. Woodbridge: Boydell and Brewer, 2006, 527-55. http://people.bu.edu/blues/acad_pub.html Share]]></description>
		<wfw:commentRss>https://theguitar-blog.com/?feed=rss2&#038;p=2312</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
