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	<title>The guitar and plucked string instruments &#187; Acoustic and tuning</title>
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	<description>Blog by the guitarist Nacho Bellido</description>
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		<title>Robert de Visée and the French tuning</title>
		<link>https://theguitar-blog.com/?p=4123&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=robert-de-visee-and-the-french-tuning</link>
		<comments>https://theguitar-blog.com/?p=4123#comments</comments>
		<pubDate>Sat, 20 Jan 2024 20:32:57 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Acoustic and tuning]]></category>
		<category><![CDATA[Historical research]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Lex Eisenhardt https://www.lexeisenhardt.com/ In our time, it is taken for granted that guitarist Robert de Visée exclusively made use of the so-called ‘French’ tuning, which only has a low octave string (a bourdon) on the fourth course, while both strings &#8230; <a href="https://theguitar-blog.com/?p=4123">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Adoption of Phīn tuning on Classical Guitar</title>
		<link>https://theguitar-blog.com/?p=4093&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=adoption-of-phin-tuning-on-classical-guitar</link>
		<comments>https://theguitar-blog.com/?p=4093#comments</comments>
		<pubDate>Tue, 31 Oct 2023 21:16:24 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Acoustic and tuning]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Te Herenga Waka—Victoria University of Wellington Degree: Theses, 2020, Victoria University of Wellington / Te Herenga Waka URL: http://hdl.handle.net/10.26686/wgtn.20409477 Traditional Thai music has received little attention in academic study. Additionally, the repertoire for classical guitar is not as wide as &#8230; <a href="https://theguitar-blog.com/?p=4093">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Scordatura on the Classical Guitar: Implications for Practice and Performance</title>
		<link>https://theguitar-blog.com/?p=4056&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=scordatura-on-the-classical-guitar-implications-for-practice-and-performance</link>
		<comments>https://theguitar-blog.com/?p=4056#comments</comments>
		<pubDate>Thu, 14 Sep 2023 10:43:51 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Acoustic and tuning]]></category>
		<category><![CDATA[Guitar technique]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Thesis (Ph.D.) &#8212; University of Adelaide, Elder Conservatorium of Music, 2023 Megan Anne Robson https://hdl.handle.net/2440/138972 This performance-based project explores how scordatura (alternate tuning) challenges practice and performance on the classical guitar. A range of scordatura works have been examined to &#8230; <a href="https://theguitar-blog.com/?p=4056">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The Significant Role of the Fingernails in the Production of Tone on the Classical Guitar</title>
		<link>https://theguitar-blog.com/?p=4035&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-significant-role-of-the-fingernails-in-the-production-of-tone-on-the-classical-guitar</link>
		<comments>https://theguitar-blog.com/?p=4035#comments</comments>
		<pubDate>Fri, 10 Mar 2023 11:18:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Acoustic and tuning]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[&#160; Daniel Nistico https://www.danielnistico.net/ &#160; In the 21 st century , tone production plays a vital role in the communicative and expressive powers of the classical guitar and fingernails form a core part of a guitarist’s means of providing this &#8230; <a href="https://theguitar-blog.com/?p=4035">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Recording the Classical Guitar: A Documentation and Sound Analysis of Great Classical Guitar Recordings with a Guide for Sonic Emulation</title>
		<link>https://theguitar-blog.com/?p=3957&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=recording-the-classical-guitar-a-documentation-and-sound-analysis-of-great-classical-guitar-recordings-with-a-guide-for-sonic-emulation</link>
		<comments>https://theguitar-blog.com/?p=3957#comments</comments>
		<pubDate>Fri, 19 Aug 2022 11:52:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Acoustic and tuning]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Philip Eugene Logan https://diginole.lib.fsu.edu/islandor Professional musicians have become increasingly independent of record companies and other investors that would seek to make a financial gain from the artist’s success. With the availability of relatively inexpensive professional recording equipment, musicians can now &#8230; <a href="https://theguitar-blog.com/?p=3957">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The acoustics and psychoacoustics of the guitar</title>
		<link>https://theguitar-blog.com/?p=3896&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-acoustics-and-psychoacoustics-of-the-guitar</link>
		<comments>https://theguitar-blog.com/?p=3896#comments</comments>
		<pubDate>Wed, 17 Aug 2022 09:28:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Acoustic and tuning]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[The work presented in this thesis is concerned with the relationships between the perceived tone quality of classical guitars and the vibrational behaviour of the guitar body.Anumerical model is described which calculates the sound pressure response of a guitar when &#8230; <a href="https://theguitar-blog.com/?p=3896">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>An Analysis of Villa Lobos&#8217;s&#8217; Twelve Etudes for Guitar</title>
		<link>https://theguitar-blog.com/?p=3846&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=an-analysis-of-villa-loboss-twelve-etudes-for-guitar-2</link>
		<comments>https://theguitar-blog.com/?p=3846#comments</comments>
		<pubDate>Sat, 13 Aug 2022 12:31:19 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Acoustic and tuning]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Turbenson, Mitchell Lee arizona.openrepository.com/ This study aims to compare the differences between the Max Eschig 1990 edition of Heitor Villa-Lobos’s Twelve Études for Guitar and the recently-discovered 1928 manuscript of this piece  by Villa-Lobos. Heitor Villa-Lobos (1887-1959) is a notable &#8230; <a href="https://theguitar-blog.com/?p=3846">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Tuning the classical guitar: a commentary and guide</title>
		<link>https://theguitar-blog.com/?p=3827&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=tuning-the-classical-guitar-a-commentary-and-guide</link>
		<comments>https://theguitar-blog.com/?p=3827#comments</comments>
		<pubDate>Sun, 07 Aug 2022 13:10:03 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Acoustic and tuning]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Anthony Field https://minerva-access.unimelb.ed Detailed discussion of tuning the classical guitar within the context of equal temperament&#8217;s development. Alternative models for tuning systems are discussed along with accurate and practical guidelines on how to tune the conventional classical guitar using equal &#8230; <a href="https://theguitar-blog.com/?p=3827">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Altered states of performance: scordatura in the classical guitar repertoire</title>
		<link>https://theguitar-blog.com/?p=3782&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=altered-states-of-performance-scordatura-in-the-classical-guitar-repertoire</link>
		<comments>https://theguitar-blog.com/?p=3782#comments</comments>
		<pubDate>Fri, 29 Jul 2022 21:03:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Acoustic and tuning]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Corey James Flowers http://purl.galileo.usg.edu/uga_etd/ Scordatura is commonplace in the guitar repertoire, though there are relatively few resources available that explain the approach to its use, either from a performer’s or a composer’s perspective. Through examination of specific selections in the &#8230; <a href="https://theguitar-blog.com/?p=3782">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Analysis and synthesis of expressive guitar performance</title>
		<link>https://theguitar-blog.com/?p=3732&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=analysis-and-synthesis-of-expressive-guitar-performance</link>
		<comments>https://theguitar-blog.com/?p=3732#comments</comments>
		<pubDate>Sun, 24 Jul 2022 11:29:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Acoustic and tuning]]></category>
		<category><![CDATA[Historical research]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Raymond Vincent Migneco https://idea.library.drexel.edu/is The guitar is one of the most popular and versatile instruments used in Western music cultures. Dating back to the Renaissance era, the guitar can be heard in nearly every genre of Western music, and is &#8230; <a href="https://theguitar-blog.com/?p=3732">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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