Comments for The guitar and plucked string instruments

Comment on How to make a Humbucking Pickup for a Guitar by Teo Humar

Teo Humar — Sun, 15 Dec 2024 15:23:07 +0000

Arent coils supposed to be wound in different directions? So one CW and the otherone CCW?

Comment on An Investigative Analysis of Fernando Sor’s Introduction and Variations on “O Cara Armonia” From Mozart’s The Magic Flute by Teknik telekomunkasi

Teknik telekomunkasi — Mon, 22 Jan 2024 04:56:02 +0000

What impact did Fernando Sor's Introduction and Variations have on subsequent interpretations and performances of Mozart's "O Cara Armonia" within the classical guitar community? Greeting : Telkom University

Comment on Incorporating Classical Persian Performance Practice into the Delivery of Modern Compositions for Classical Guitar . by Teknik Informatika

Teknik Informatika — Mon, 22 Jan 2024 04:54:47 +0000

How can collaboration between composers and classical guitarists with expertise in Classical Persian music contribute to a more authentic and nuanced incorporation of performance practices in contemporary compositions? Greeting : Telkom University

Comment on Appalachian Dreams: Traditional Folk Songs in Concert Literature for Classical Guitar by Telkom University

Telkom University — Mon, 22 Jan 2024 04:54:07 +0000

What role does "Appalachian Dreams" play in bridging the gap between classical guitar repertoire and the rich heritage of traditional Appalachian music? Greeting : Telkom University

Comment on Turkish Oud Construction (1) by Ahmed

Ahmed — Wed, 13 Dec 2023 23:41:50 +0000

Great work, and detail.

Just one question/request: can you show how you roughed out the neck piece using the bandsaw ?

Thanks.

Comment on Baroque Guitar for the Modern Performer A Practical Compromise by admin

admin — Sun, 03 Dec 2023 21:00:10 +0000

try again

Comment on Baroque Guitar for the Modern Performer A Practical Compromise by Zach

Zach — Wed, 15 Nov 2023 16:28:35 +0000

The images on this article no longer display, which prevented me from following the discussion of musical examples…

Comment on The Guitar in Arnold Schoenberg´s Serenade, Opus 24: Antecedents and Legacy by Adele 520

Adele 520 — Tue, 17 Oct 2023 17:20:30 +0000

Great work on your blog post! I found the information you shared to be insightful and applicable. I appreciated the additional resources you provided, which allowed me to further expand my understanding.

Comment on Turkish Oud Construction (1) by Claudio Mbayed

Claudio Mbayed — Wed, 09 Aug 2023 12:19:20 +0000

Estimado maestro FELICiTACIONES por su trabajo y su generosidad. Quería hacerle una pregunta.
Como se llega a la medida correcta de las costillas en su parte mas ancha y ¿ dónde queda ese ancho máximo dentro del largo de la costilla?
Desde ya Agradezco mucho su generosidad!
Claudio

Cher professeur BRAVO pour votre travail et votre générosité. Je voulais vous poser une question.
Comment arrivez-vous à la mesure correcte des côtes dans leur partie la plus large et où se situe cette largeur maximale dans la longueur de la côte ?
Merci beaucoup d’avance pour votre générosité !
Claudio

Comment on Baroque Guitar for the Modern Performer A Practical Compromise by Arash

Arash — Tue, 01 Aug 2023 15:12:38 +0000

suech a greate article for guitare baroque lovers thanks so much