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	<title>Comments on: The restoration of a guitar made by Antonio Stradivari in Cremona in 1679: the “Sabionari”</title>
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	<link>https://theguitar-blog.com/?p=75&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-restoration-of-a-guitar-made-by-antonio-stradivari-in-cremona-in-1679-the-sabionari</link>
	<description>Blog by the guitarist Nacho Bellido</description>
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		<title>By: Robert St. Cyr</title>
		<link>https://theguitar-blog.com/?p=75#comment-37063</link>
		<dc:creator>Robert St. Cyr</dc:creator>
		<pubDate>Mon, 01 Apr 2019 18:46:55 +0000</pubDate>
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		<description>This is an awesome instrument and a great resource for those interested in historical playing.  Segovia was a great player and certainly did a great deal for the guitar world, his arrogance in believing that his signature was important enough to go on such an instrument is also amazing. This is the third historically significant instrument that I know of that he defaced (in my opinion) - the other 2 he actually signed on the face of the guitar - one a Torres the other a Hernandez.</description>
		<content:encoded><![CDATA[<p>This is an awesome instrument and a great resource for those interested in historical playing.  Segovia was a great player and certainly did a great deal for the guitar world, his arrogance in believing that his signature was important enough to go on such an instrument is also amazing. This is the third historically significant instrument that I know of that he defaced (in my opinion) &#8211; the other 2 he actually signed on the face of the guitar &#8211; one a Torres the other a Hernandez.</p>
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