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	<title>The guitar and plucked string instruments &#187; baroque guitar performer</title>
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	<link>https://theguitar-blog.com</link>
	<description>Blog by the guitarist Nacho Bellido</description>
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		<title>The Baroque Suite</title>
		<link>https://theguitar-blog.com/?p=479&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-baroque-suite</link>
		<comments>https://theguitar-blog.com/?p=479#comments</comments>
		<pubDate>Tue, 19 Jun 2012 21:06:40 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Historical research]]></category>
		<category><![CDATA[baroque guitar performer]]></category>
		<category><![CDATA[guitar spanish classical]]></category>
		<category><![CDATA[scores analysis baroque music]]></category>

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		<description><![CDATA[The Baroque Suite If you have been to many guitar recitals or heard many guitar recordings the chances are you have been exposed to the baroque suite. You may even have had the chance to wonder what it is, why &#8230; <a href="https://theguitar-blog.com/?p=479">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The Five-Course Guitar:Alfabeto and Italian Songs</title>
		<link>https://theguitar-blog.com/?p=426&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-five-course-guitaralfabeto-and-italian-songs</link>
		<comments>https://theguitar-blog.com/?p=426#comments</comments>
		<pubDate>Sun, 17 Jun 2012 19:12:19 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[GENERAL]]></category>
		<category><![CDATA[baroque guitar performer]]></category>
		<category><![CDATA[Guitar music Italy 17th century History and criticism.; Harmony Italy History 17th century.; Guitar History 17th century Italy.; Songs Italy 17th century History and criticism.; Musical notation Italy]]></category>

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		<description><![CDATA[Abstract This dissertation examines the repertory of printed Italian song with the chordsymbol notation for five-course guitar known as alfabeto. This repertory spans the first half of the seventeenth century, representing the notated trace of a widespread unwritten tradition of &#8230; <a href="https://theguitar-blog.com/?p=426">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Transcribing the gamba music of Marin Marais to the guitar</title>
		<link>https://theguitar-blog.com/?p=237&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=transcribing-the-gamba-music-of-marin-marais-to-the-guitar</link>
		<comments>https://theguitar-blog.com/?p=237#comments</comments>
		<pubDate>Fri, 15 Jun 2012 13:42:48 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Historical research]]></category>
		<category><![CDATA[baroque guitar performer]]></category>

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		<description><![CDATA[Cem Duruoz transcribing the gamba music of marin marais to the guitar http://www.duruoz.com/ &#160; &#160; &#160; Share]]></description>
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		<title>Baroque Guitar for the Modern Performer A Practical Compromise</title>
		<link>https://theguitar-blog.com/?p=110&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=baroque-guitar-for-the-modern-performer-a-practical-compromise</link>
		<comments>https://theguitar-blog.com/?p=110#comments</comments>
		<pubDate>Thu, 14 Jun 2012 08:41:17 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Guitar technique]]></category>
		<category><![CDATA[baroque guitar performer]]></category>

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		<description><![CDATA[The following article is a product of my research and Mr. Rowe’s ingenuity. I have frequently regretted the small part baroque guitar music plays in the repertoire of the classic guitar. The first section of this article examines the historical &#8230; <a href="https://theguitar-blog.com/?p=110">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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