<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>The guitar and plucked string instruments &#187; Renaissance</title>
	<atom:link href="http://theguitar-blog.com/?feed=rss2&#038;tag=renaissance" rel="self" type="application/rss+xml" />
	<link>https://theguitar-blog.com</link>
	<description>Blog by the guitarist Nacho Bellido</description>
	<lastBuildDate>Tue, 14 Apr 2026 11:53:08 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.2</generator>
		<item>
		<title>Was Francisco da Milano a Viola da Mano Player</title>
		<link>https://theguitar-blog.com/?p=2618&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=was-francisco-da-milano-a-viola-da-mano-player</link>
		<comments>https://theguitar-blog.com/?p=2618#comments</comments>
		<pubDate>Fri, 08 Jan 2016 15:09:51 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE VIHUELA]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Renaissance]]></category>
		<category><![CDATA[spanish]]></category>
		<category><![CDATA[vihuela]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=2618</guid>
		<description><![CDATA[“Was Francesco da Milano a Viola da Mano Player?” The Lute: The Journal of the Lute Society 38 (1998): 58-64. Hiroyuki Miramino Was Francisco da Milano a Viola da Mano Player &#160; &#160; http://escholarship.org/uc/item/3q31x9dn?query=lute#page-5 &#160; &#160; Share]]></description>
		<wfw:commentRss>https://theguitar-blog.com/?feed=rss2&#038;p=2618</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A perfomance edition of the six solo romances of Luys Milán and Luys de Narváez</title>
		<link>https://theguitar-blog.com/?p=2590&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-perfomance-edition-of-the-six-solo-romances-of-luys-milan-and-luys-de-narvaez</link>
		<comments>https://theguitar-blog.com/?p=2590#comments</comments>
		<pubDate>Wed, 30 Dec 2015 10:02:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE VIHUELA]]></category>
		<category><![CDATA[guita]]></category>
		<category><![CDATA[r music]]></category>
		<category><![CDATA[Renaissance]]></category>
		<category><![CDATA[spanish]]></category>
		<category><![CDATA[vihuela]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=2590</guid>
		<description><![CDATA[The purpose of this document is to provide a performance edition of the six soloromances of Luys Milan and Luys de Narvaez. The document begins with briefhistorical information on the solo romances as a genre and includes a discussion ofperformance &#8230; <a href="https://theguitar-blog.com/?p=2590">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>https://theguitar-blog.com/?feed=rss2&#038;p=2590</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>At Court and at Home with the Vihuela de mano: Current Perspectives of the Instrument, its Music and its World</title>
		<link>https://theguitar-blog.com/?p=2587&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=2587</link>
		<comments>https://theguitar-blog.com/?p=2587#comments</comments>
		<pubDate>Wed, 30 Dec 2015 09:58:51 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE VIHUELA]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Renaissance]]></category>
		<category><![CDATA[spanish]]></category>
		<category><![CDATA[vihuela]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=2587</guid>
		<description><![CDATA[The vihuela de mano was the most prominent solo instrument in sixteenth-century Spain. It enjoyed a popularity that extended across a broadsocial spectrum and—much more than has generally been recognised—was equally familiar to the middle-classes as to royalty and the &#8230; <a href="https://theguitar-blog.com/?p=2587">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>https://theguitar-blog.com/?feed=rss2&#038;p=2587</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
