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	<title>The guitar and plucked string instruments &#187; Jazz / Blues guitar</title>
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	<link>https://theguitar-blog.com</link>
	<description>Blog by the guitarist Nacho Bellido</description>
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		<title>The Adaptation of Saxophone-Like Phrasing into the Improvisatory and Compositional Vocabulary of Jazz Guitar</title>
		<link>https://theguitar-blog.com/?p=4203&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=4203</link>
		<comments>https://theguitar-blog.com/?p=4203#comments</comments>
		<pubDate>Mon, 10 Mar 2025 12:51:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Jazz / Blues guitar]]></category>
		<category><![CDATA[THE ELECTRIC GUITAR]]></category>

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		<description><![CDATA[University of North Texas Publisher Info: www.unt.edu  Place of Publication: Denton, Texas https://doi.org/10.12794/metadc1703322 Daniel Pinilla This study investigates how different guitarists introduced saxophone-like phrasing into the improvisatory and compositional vocabulary of jazz guitar through their collaborations with saxophonists. This research &#8230; <a href="https://theguitar-blog.com/?p=4203">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Sacred Geometry: An analysis of Pat Martino’s guitar improvisations on Welcome To A Prayer</title>
		<link>https://theguitar-blog.com/?p=4138&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=sacred-geometry-an-analysis-of-pat-martinos-guitar-improvisations-on-welcome-to-a-prayer</link>
		<comments>https://theguitar-blog.com/?p=4138#comments</comments>
		<pubDate>Fri, 03 May 2024 10:23:28 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Jazz / Blues guitar]]></category>
		<category><![CDATA[THE ELECTRIC GUITAR]]></category>

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		<description><![CDATA[Milton Mermikides The Royal Musical Association Conference (University of Surrey, 04/01/2008) 04/01/2008 http://www.miltonline.com/ Pat Martino commands high status in the world of jazz, for his prodigious talents as a teenage jazz phenomenon, numerous awards, recording output and his remarkable recovery &#8230; <a href="https://theguitar-blog.com/?p=4138">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Fretboard Navigation Strategies in Jazz Guitar Improvisation Theory and Practice</title>
		<link>https://theguitar-blog.com/?p=4136&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=fretboard-navigation-strategies-in-jazz-guitar-improvisation-theory-and-practice</link>
		<comments>https://theguitar-blog.com/?p=4136#comments</comments>
		<pubDate>Fri, 03 May 2024 10:15:15 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Jazz / Blues guitar]]></category>
		<category><![CDATA[THE ELECTRIC GUITAR]]></category>

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		<description><![CDATA[James Christian Roger Dean University of Surrey Doctor of Philosophy (PhD), University of Surrey 29/03/2024 DOI: https://doi.org/10.15126/thesis.901025 This thesis explores how the standard guitar fretboard may be navigated during common-practice jazz improvisation through the analysis of expert practitioners and the &#8230; <a href="https://theguitar-blog.com/?p=4136">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Exploring a Modified Fifths Tuning as a Vehicle for Composition for Jazz Guitar</title>
		<link>https://theguitar-blog.com/?p=4045&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=exploring-a-modified-fifths-tuning-as-a-vehicle-for-composition-for-jazz-guitar</link>
		<comments>https://theguitar-blog.com/?p=4045#comments</comments>
		<pubDate>Fri, 28 Apr 2023 12:23:36 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Jazz / Blues guitar]]></category>
		<category><![CDATA[THE ELECTRIC GUITAR]]></category>

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		<description><![CDATA[Andrea Vocaturo https://research-repository.griffith Throughout the history of the guitar, alternate tuning configurations have been extensively used as a creative vehicle in both performance and composition across a variety of musical genres, styles, and settings. This research examines the influence of &#8230; <a href="https://theguitar-blog.com/?p=4045">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Identification and analysis of Wes Montgomery&#8217;s solo phrases used in ‘West Coast Blues’</title>
		<link>https://theguitar-blog.com/?p=3932&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=identification-and-analysis-of-wes-montgomerys-solo-phrases-used-in-west-coast-blues-2</link>
		<comments>https://theguitar-blog.com/?p=3932#comments</comments>
		<pubDate>Fri, 19 Aug 2022 11:27:30 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Jazz / Blues guitar]]></category>
		<category><![CDATA[THE ELECTRIC GUITAR]]></category>

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		<description><![CDATA[Joshua Hindmarsh https://ses.library.usyd.edu.au/han The thesis investigates Wes Montgomery&#8217;s improvisational style, with the aim of uncovering the inner workings of Montgomery&#8217;s improvisational process, specifically his sequencing and placement  of  musical  elements  on  a  phrase  by  phrase basis.  The  material  chosen  for  &#8230; <a href="https://theguitar-blog.com/?p=3932">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Techniques for solo jazz guitar: Compiling and analysing six techniques crucial in creating a sense of broad harmony and rhythmic feel in unaccompanied jazz guitar</title>
		<link>https://theguitar-blog.com/?p=3905&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=techniques-for-solo-jazz-guitar-compiling-and-analysing-six-techniques-crucial-in-creating-a-sense-of-broad-harmony-and-rhythmic-feel-in-unaccompanied-jazz-guitar</link>
		<comments>https://theguitar-blog.com/?p=3905#comments</comments>
		<pubDate>Thu, 18 Aug 2022 11:23:57 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Jazz / Blues guitar]]></category>
		<category><![CDATA[THE ELECTRIC GUITAR]]></category>

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		<description><![CDATA[Diego Villalta-Lazo www.diegovillalta.com/Resources/T (&#8230;The  methodological  material  I  have  relied  upon  which  relates  directly to  solo jazz guitar includes texts and video such as Tuck Andress’ Fingerstyle Mastery and certain  chapters of Ralph Towner’s Improvisation and Performance Techniques for Classical  and &#8230; <a href="https://theguitar-blog.com/?p=3905">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Ted Greene: Sound, time, and unlimited possibility</title>
		<link>https://theguitar-blog.com/?p=3903&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ted-greene-sound-time-and-unlimited-possibility</link>
		<comments>https://theguitar-blog.com/?p=3903#comments</comments>
		<pubDate>Thu, 18 Aug 2022 11:23:05 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Jazz / Blues guitar]]></category>
		<category><![CDATA[THE ELECTRIC GUITAR]]></category>

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		<description><![CDATA[Terrence R. Mc Manus https://rucore.libraries.rutgers.edu One of the most important yet relatively unknown guitarists, Ted Greene occupied a unique space as both guitarist and educator, revered by a large number of guitarists from many styles of music. What becomes evident &#8230; <a href="https://theguitar-blog.com/?p=3903">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Wes Montgomery’s “Three Tiered Approach”: Texture Development in Jazz Guitar Improvisation</title>
		<link>https://theguitar-blog.com/?p=3901&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=wes-montgomerys-three-tiered-approach-texture-development-in-jazz-guitar-improvisation</link>
		<comments>https://theguitar-blog.com/?p=3901#comments</comments>
		<pubDate>Thu, 18 Aug 2022 11:21:44 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Jazz / Blues guitar]]></category>
		<category><![CDATA[THE ELECTRIC GUITAR]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=3901</guid>
		<description><![CDATA[Sebastián Acosta repositorio.educacionsuperior.gob.ec This thesis will describe three  guitar techniques that Wes Montgomery used regularly in his solos and their textural effect on his improvised work. I will emphasize his approach, considered to be innovative for the period between1959 and &#8230; <a href="https://theguitar-blog.com/?p=3901">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The blending of African-American and European aesthetics in the guitar performance of British blues from 1965 to 1967.</title>
		<link>https://theguitar-blog.com/?p=3881&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=an-analysis-of-villa-loboss-twelve-etudes-for-guitar-3</link>
		<comments>https://theguitar-blog.com/?p=3881#comments</comments>
		<pubDate>Tue, 16 Aug 2022 10:40:29 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Jazz / Blues guitar]]></category>
		<category><![CDATA[THE ELECTRIC GUITAR]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=3881</guid>
		<description><![CDATA[Kelly, Patrick T. (Patrick Thomas) https://baylor-ir.tdl.org/baylor-i British blues guitarists emerging in the mid-1960s incorporated a musical vocabulary which borrowed heavily from recordings of the modern blues&#8217; African-American, postwar originators. Crucial differences in the way the British interpreted this material in &#8230; <a href="https://theguitar-blog.com/?p=3881">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Jazz guitarist Jimmy Ponder: A Case Study of Creative Processes and Identity Formation in American Popular Music</title>
		<link>https://theguitar-blog.com/?p=3878&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=jazz-guitarist-jimmy-ponder-a-case-study-of-creative-processes-and-identity-formation-in-american-popular-music-2</link>
		<comments>https://theguitar-blog.com/?p=3878#comments</comments>
		<pubDate>Tue, 16 Aug 2022 10:38:04 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Jazz / Blues guitar]]></category>
		<category><![CDATA[THE ELECTRIC GUITAR]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=3878</guid>
		<description><![CDATA[Colter Harper http://d-scholarship.pitt.edu/9879/ This study examines musical and social processes in American popular music through the creative life of Pittsburgh born jazz guitarist Jimmy Ponder. I contextualize Ponder&#8217;s technical and conceptual approaches with a historical analysis of developments in jazz &#8230; <a href="https://theguitar-blog.com/?p=3878">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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