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	<title>The guitar and plucked string instruments &#187; THE VIHUELA</title>
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	<description>Blog by the guitarist Nacho Bellido</description>
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		<title>Extremities: the Vihuela in Development and Decline</title>
		<link>https://theguitar-blog.com/?p=4183&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=extremities-the-vihuela-in-development-and-decline</link>
		<comments>https://theguitar-blog.com/?p=4183#comments</comments>
		<pubDate>Thu, 27 Feb 2025 13:15:15 +0000</pubDate>
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				<category><![CDATA[THE VIHUELA]]></category>

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		<description><![CDATA[John Griffiths A study of the vihuela in Spain at the extremities of its central history, 1465-1535 and 1575-1625, and the need to reassess conventionally accepted notions of the instrument and its practice. In its early life, the vihuela was &#8230; <a href="https://theguitar-blog.com/?p=4183">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Printing the Art of Orpheus: Vihuela Tablatures in Sixteenth-Century Spain</title>
		<link>https://theguitar-blog.com/?p=4167&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=printing-the-art-of-orpheus-vihuela-tablatures-in-sixteenth-century-spain</link>
		<comments>https://theguitar-blog.com/?p=4167#comments</comments>
		<pubDate>Sat, 21 Dec 2024 11:32:35 +0000</pubDate>
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				<category><![CDATA[THE VIHUELA]]></category>

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		<description><![CDATA[J. Griffiths. “Printing the Art of Orpheus: Vihuela Tablatures in Sixteenth-Century Spain”. Early Music Printing and Publishing in the Iberian World. Ed. Iain Fenlon and Tess Knighton. De Musica 11. Kassel: Edition Reichenberger, 2006. 181-214. ISBN 3-937734-38-4 https://www.lavihuela.com Printing the &#8230; <a href="https://theguitar-blog.com/?p=4167">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The vihuela music of Diego Pisador</title>
		<link>https://theguitar-blog.com/?p=3709&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-vihuela-music-of-diego-pisador</link>
		<comments>https://theguitar-blog.com/?p=3709#comments</comments>
		<pubDate>Wed, 06 Jul 2022 10:39:21 +0000</pubDate>
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				<category><![CDATA[THE VIHUELA]]></category>

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		<description><![CDATA[Loving Hutchinson https://urresearch.rochester.edu/in Table of Contents The Vihuela Life of Diego Pisador El Libro de Musica de Vihuela Appendices: I. Present Location of Vihuela Books II. Fuenllana, Orphenica Lyra, Table of Contents III. Provisional Catalogue of Available Transcriptions IV. List &#8230; <a href="https://theguitar-blog.com/?p=3709">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>A Historical and Performance Companion to the Art Song of the 16 th Century Spanish Vihuelistas With Texts and Translations</title>
		<link>https://theguitar-blog.com/?p=3667&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-historical-and-performance-companion-to-the-art-song-of-the-16-th-century-spanish-vihuelistas-with-texts-and-translations</link>
		<comments>https://theguitar-blog.com/?p=3667#comments</comments>
		<pubDate>Sat, 18 Jun 2022 10:10:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE VIHUELA]]></category>

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		<description><![CDATA[Mark David Covey http://www.alexandria.ucsb.edu/lib/a The purpose of this document is to provide guidance in the repertoire and performance practice of the art songs of the 16 th century Spanish vihuela composers. The document begins with historical information on the music, &#8230; <a href="https://theguitar-blog.com/?p=3667">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The Changing Sound of the Vihuela</title>
		<link>https://theguitar-blog.com/?p=3458&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-changing-sound-of-the-vihuela</link>
		<comments>https://theguitar-blog.com/?p=3458#comments</comments>
		<pubDate>Thu, 05 May 2022 09:57:59 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE VIHUELA]]></category>

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		<description><![CDATA[- John Griffiths https://www.lavihuela.com Jane Hardie often speaks with pride of her activity as a practical musician, not only the virtuosity of her recorder playing in her youth, but also her continuous involvement with practical music making throughout the length &#8230; <a href="https://theguitar-blog.com/?p=3458">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Reconstruction of a Sixteenth-century Vihuela with Historical Making Techniques</title>
		<link>https://theguitar-blog.com/?p=3456&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=reconstruction-of-a-sixteenth-century-vihuela-with-historical-making-techniques</link>
		<comments>https://theguitar-blog.com/?p=3456#comments</comments>
		<pubDate>Thu, 05 May 2022 09:55:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE VIHUELA]]></category>

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		<description><![CDATA[- Marcos Kaiser Mori I envisaged a format for this report as a register of the process of making a vihuelausing traditional techniques. This structure is used as a background to introduce and develop the various subjects. In essence, I &#8230; <a href="https://theguitar-blog.com/?p=3456">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>A Humanistic Reading of Gaspar Sanz &#8220;Instruccion de música sobre la guitarra Española&#8221;</title>
		<link>https://theguitar-blog.com/?p=2777&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-humanistic-reading-of-gaspar-sanz-instruccion-de-musica-sobre-la-guitarra-espanola</link>
		<comments>https://theguitar-blog.com/?p=2777#comments</comments>
		<pubDate>Thu, 13 Oct 2016 23:10:42 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Historical research]]></category>
		<category><![CDATA[THE VIHUELA]]></category>

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		<description><![CDATA[&#160; &#160; On December 7,1546, the first published piece of music for the guitar, a fantasia composed  by  Spaniard  Alonso  Mudarra  (ca.  1510-1580),  was  taken  to  the  press  in Seville.1 With Mudarra’s work, instrumental music took a step toward bridging &#8230; <a href="https://theguitar-blog.com/?p=2777">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>A transcription and style analysis of the fantasias of Esteban Daza&#8217;s Libro de musica en cifras para Vihuela intitulado el Parnasso</title>
		<link>https://theguitar-blog.com/?p=2768&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-transcription-and-style-analysis-of-the-fantasias-of-esteban-dazas-libro-de-musica-en-cifras-para-vihuela-intitulado-el-parnasso</link>
		<comments>https://theguitar-blog.com/?p=2768#comments</comments>
		<pubDate>Thu, 13 Oct 2016 11:18:25 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE VIHUELA]]></category>

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		<description><![CDATA[&#160; El  Parnasso  (1576)  by  Esteban Daza  (dates  unknown) is  the  seventh  known book of  music  for  the vihuela.  The vihuela,  which was  shaped  like  a  guitar,  strung  in  courses and tuned  to  the  intervals  of  the  lute  (4  4  &#8230; <a href="https://theguitar-blog.com/?p=2768">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>At Court and at Home with the Vihuela de mano: Current Perspectives of the Instrument, its Music and its World</title>
		<link>https://theguitar-blog.com/?p=2753&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=at-court-and-at-home-with-the-vihuela-de-mano-current-perspectives-of-the-instrument-its-music-and-its-world</link>
		<comments>https://theguitar-blog.com/?p=2753#comments</comments>
		<pubDate>Mon, 10 Oct 2016 11:39:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE VIHUELA]]></category>

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		<description><![CDATA[&#160; &#160; The vihuela de mano was the most prominent solo instrument in sixteenth-century Spain. It enjoyed a popularity that extended across a broadsocial spectrum and—much more than has generally been recognised—was equally familiar to the middle-classes as to royalty &#8230; <a href="https://theguitar-blog.com/?p=2753">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Santa Maria and the Printing of Instrumental Music in Sixteenth-Century Spain</title>
		<link>https://theguitar-blog.com/?p=2751&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=santa-maria-and-the-printing-of-instrumental-music-in-sixteenth-century-spain</link>
		<comments>https://theguitar-blog.com/?p=2751#comments</comments>
		<pubDate>Mon, 10 Oct 2016 11:37:56 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE VIHUELA]]></category>

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		<description><![CDATA[&#160; &#160; J. Griffiths and W. E. Hultberg. “Santa Maria and the Printing of Instrumental Music in Sixteenth-Century Spain”. Livro de homenagem a Macario Santiago Kastner. Ed. Maria Fernanda Cidrais Rodrigues, Manuel Morais, Rui Veiera Nery. Lisbon: Fundaçao Calouste Gulbenkian, &#8230; <a href="https://theguitar-blog.com/?p=2751">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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