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	<title>The guitar and plucked string instruments &#187; lute baroque music</title>
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	<description>Blog by the guitarist Nacho Bellido</description>
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		<title>The lute and the polyphonist</title>
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		<pubDate>Sun, 29 Jul 2012 09:41:21 +0000</pubDate>
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				<category><![CDATA[THE LUTE]]></category>
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		<category><![CDATA[music Renaissance]]></category>

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		<description><![CDATA[by John Griffiths the lute and the polyphonist Studi Musicali 31 (2002), 71-90. http://www.lavihuela.com/Vihuela/My_publications_files/GRIFFITHS%202002%20lute%20polyphonist.pdf Share]]></description>
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		<title>The History of Transcriptions of Lute Tablature —1679 to the Present</title>
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		<pubDate>Wed, 04 Jul 2012 08:29:54 +0000</pubDate>
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		<description><![CDATA[Published by Legacy of Matanya Ophee on March 14, 2022 By Matanya Ophee[1] It is evident that neither tablature nor transcription, however explicit the instructions, can ensure replication of a performance. So, how have different transcribers, with pen in hand, &#8230; <a href="https://theguitar-blog.com/?p=437">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The music of castrato lutenist at the time of Caravaggio</title>
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		<pubDate>Tue, 19 Jun 2012 08:20:54 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE LUTE]]></category>
		<category><![CDATA[lute baroque music]]></category>

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		<description><![CDATA[This article is the extended version of a paper presented in the Conference La Musica al tempo di Caravaggio held on 29 September 2010 in the Biblioteca Ambrosiana in Milan as part of the commemoration of the fourth centenary of &#8230; <a href="https://theguitar-blog.com/?p=508">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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