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	<title>The guitar and plucked string instruments &#187; music</title>
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	<link>https://theguitar-blog.com</link>
	<description>Blog by the guitarist Nacho Bellido</description>
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		<title>Francisco Tarrega, sheet music for Guitar</title>
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		<pubDate>Tue, 08 Mar 2016 16:24:50 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE SPANISH GUITAR]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[sheet]]></category>
		<category><![CDATA[tarrega]]></category>

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		<description><![CDATA[Robert Schumann- Feuilles variés op.99 Robert Schumann- Saint-Nicolas Robert Schumann- Fuga Franz Schubert- Menueto  Fantasia Op.78 J.S.Bach- Fuga de la sonata para violín solo BWV 1001 J.S.Bach- Tempo de Bourre, Segunsa sonata par violín solo J.S.Bach- Loure Suite para violonchelo solo &#8230; <a href="https://theguitar-blog.com/?p=2693">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Was Francisco da Milano a Viola da Mano Player</title>
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		<pubDate>Fri, 08 Jan 2016 15:09:51 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE VIHUELA]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Renaissance]]></category>
		<category><![CDATA[spanish]]></category>
		<category><![CDATA[vihuela]]></category>

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		<description><![CDATA[“Was Francesco da Milano a Viola da Mano Player?” The Lute: The Journal of the Lute Society 38 (1998): 58-64. Hiroyuki Miramino Was Francisco da Milano a Viola da Mano Player &#160; &#160; http://escholarship.org/uc/item/3q31x9dn?query=lute#page-5 &#160; &#160; Share]]></description>
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		<title>Solo Lute Practice in Italy before Petrucci</title>
		<link>https://theguitar-blog.com/?p=2605&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=solo-lute-practice-in-italy-before-petrucci</link>
		<comments>https://theguitar-blog.com/?p=2605#comments</comments>
		<pubDate>Thu, 31 Dec 2015 16:59:36 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE LUTE]]></category>
		<category><![CDATA[lute]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[technique]]></category>

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		<description><![CDATA[“Solo Lute Practice in Italy before Petrucci.” The Lute: The Journal of the Lute Society 51 (2011): 1-5. Hiroyuki Miramino Solo Lute Practice in Italy before Petrucci &#160; &#160; Share]]></description>
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		<title>The First Printed Lute Instruction, Petrucci&#8217;s Regola</title>
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		<comments>https://theguitar-blog.com/?p=2603#comments</comments>
		<pubDate>Thu, 31 Dec 2015 16:48:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE LUTE]]></category>
		<category><![CDATA[baroque]]></category>
		<category><![CDATA[lute]]></category>
		<category><![CDATA[music]]></category>

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		<description><![CDATA[The  Venetian  publisher  Ottaviano  Pecrucci&#8217;s  petition  of  1498,  submitted  to  the  Dogeand the  Signory  of  Venice,  requesting  the  exclusive  privilege  to  publish  music  booksin  the Venerian  dominions  for  twenty  years,  states  that  Petrucci  intended  to  publishbooks  of  &#8216;canto figuraco&#8217; (polyphonic &#8230; <a href="https://theguitar-blog.com/?p=2603">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>At Court and at Home with the Vihuela de mano: Current Perspectives of the Instrument, its Music and its World</title>
		<link>https://theguitar-blog.com/?p=2587&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=2587</link>
		<comments>https://theguitar-blog.com/?p=2587#comments</comments>
		<pubDate>Wed, 30 Dec 2015 09:58:51 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE VIHUELA]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Renaissance]]></category>
		<category><![CDATA[spanish]]></category>
		<category><![CDATA[vihuela]]></category>

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		<description><![CDATA[The vihuela de mano was the most prominent solo instrument in sixteenth-century Spain. It enjoyed a popularity that extended across a broadsocial spectrum and—much more than has generally been recognised—was equally familiar to the middle-classes as to royalty and the &#8230; <a href="https://theguitar-blog.com/?p=2587">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The african american experiences in Appalachia</title>
		<link>https://theguitar-blog.com/?p=884&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-african-american-experiences-in-appalachia</link>
		<comments>https://theguitar-blog.com/?p=884#comments</comments>
		<pubDate>Mon, 09 Jul 2012 07:59:50 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Historical studies related to the guitar]]></category>
		<category><![CDATA[bluegrass]]></category>
		<category><![CDATA[hillbilly music banjo]]></category>
		<category><![CDATA[music]]></category>

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		<description><![CDATA[by Ajay Kalra african american experiences appalachia http://www.berea.edu/hutchinslibrary/specialcollections/amfp/amfpkalrareport.pdf Share]]></description>
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