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	<title>The guitar and plucked string instruments &#187; THE LUTE</title>
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	<description>Blog by the guitarist Nacho Bellido</description>
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		<title>A Trip to Venice in 1530 by Francesco da Milano</title>
		<link>https://theguitar-blog.com/?p=4170&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=4170</link>
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		<pubDate>Mon, 20 Jan 2025 13:28:50 +0000</pubDate>
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				<category><![CDATA[THE LUTE]]></category>

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		<description><![CDATA[A Trip to Venice in 1530 by Francesco da Milano. Journal of the Lute Society of America XXXIV (2001) [pubbl. 2005]: 1-36. By Mariagrazia Carlone Link Academia.edu In 1997 in Milan, an important symposium organized by the University and the &#8230; <a href="https://theguitar-blog.com/?p=4170">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Bembo to Barbetta: Lutes, Lutenists and Luthiers in Cinquecento Padua</title>
		<link>https://theguitar-blog.com/?p=4165&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=bembo-to-barbetta-lutes-lutenists-and-luthiers-in-cinquecento-padua</link>
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		<pubDate>Sun, 01 Dec 2024 12:14:57 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE LUTE]]></category>

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		<description><![CDATA[John Griffiths https://www.academia.edu/125843565/Bembo_to_Barbetta_Lutes_Lutenists_and_Luthiers_in_Cinquecento_Padua?email_work_card=title A survey of the lute in Padua during the sixteenth century: makers, lutenists, composers, especially during the lifetime of Pietro Bembo (d. 1547) and in conjunction with humanist tendencies. It highlights the presence in Padua of German &#8230; <a href="https://theguitar-blog.com/?p=4165">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The Reception of Lute Pieces by the Silesian Lutenist Esaias Reusner Junior in the Levoča Manuscripts. The scribe case of Jacques Bittner</title>
		<link>https://theguitar-blog.com/?p=4047&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-reception-of-lute-pieces-by-the-silesian-lutenist-esaias-reusner-junior-in-the-levoca-manuscripts-the-scribe-case-of-jacques-bittner</link>
		<comments>https://theguitar-blog.com/?p=4047#comments</comments>
		<pubDate>Fri, 28 Apr 2023 12:24:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE LUTE]]></category>

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		<description><![CDATA[Grzegorz Joachimiak https://www.academia.edu/40482343 2018, The Musical Sources of Spiš / Zips and Central Europe, edited by Janka Petőczová While learning the history of Spiš and Silesia we can note that, since the Middle Ages, these two regions had been getting &#8230; <a href="https://theguitar-blog.com/?p=4047">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The Late baroque lute Seen through S.L. Weiss</title>
		<link>https://theguitar-blog.com/?p=3886&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-late-baroque-lute-seen-through-s-l-weiss</link>
		<comments>https://theguitar-blog.com/?p=3886#comments</comments>
		<pubDate>Tue, 16 Aug 2022 10:46:53 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE LUTE]]></category>

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		<description><![CDATA[Michel Cardin The Late baroque lute Seen through This article should help to get a deeper understanding of our process of perception and mental  organisation  when  we  listen  to  a  late  Baroque  lute  interpretation,  by  examining  the fundamental  elements  that  &#8230; <a href="https://theguitar-blog.com/?p=3886">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The Dowland lute-songs : studies in hermetic form</title>
		<link>https://theguitar-blog.com/?p=3780&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-dowland-lute-songs-studies-in-hermetic-form</link>
		<comments>https://theguitar-blog.com/?p=3780#comments</comments>
		<pubDate>Fri, 29 Jul 2022 21:00:48 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE LUTE]]></category>

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		<description><![CDATA[Fischlin, Daniel Thomas http://spectrum.library.concordia.c This interdiciplinary thesis is an examination of the relatioships which exist between the music and poetry of the English lute Songs. Its focus is the foremost composer in this form, John Dowland, although frequent comparative references &#8230; <a href="https://theguitar-blog.com/?p=3780">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Selected Lute Music from Paris, Rés. Vmd. Ms. 27 from the Bibliothèque Nationale: Reconstruction, Edition, and Commentary</title>
		<link>https://theguitar-blog.com/?p=3777&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=selected-lute-music-from-paris-res-vmd-ms-27-from-the-bibliotheque-nationale-reconstruction-edition-and-commentary</link>
		<comments>https://theguitar-blog.com/?p=3777#comments</comments>
		<pubDate>Fri, 29 Jul 2022 20:55:53 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE LUTE]]></category>

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		<description><![CDATA[Héctor J. Sequera http://digital.library.unt.edu/ark:/67 Paris . Rés. Vmd. Ms. 27, known as Tl.1, or the Thibault Manuscript, is one of the earliest extant sources of lute music, containing twenty-four solos and eighty-six accompaniments for vocal compositions. The manuscript was copied &#8230; <a href="https://theguitar-blog.com/?p=3777">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The Reputation of Francesco da Milano (1497-1543) and the Ricercars in the Cavalcanti Lute Book</title>
		<link>https://theguitar-blog.com/?p=3707&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-reputation-of-francesco-da-milano-1497-1543-and-the-ricercars-in-the-cavalcanti-lute-book</link>
		<comments>https://theguitar-blog.com/?p=3707#comments</comments>
		<pubDate>Wed, 06 Jul 2022 10:35:59 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE LUTE]]></category>

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		<description><![CDATA[Victor Coelho http://www.jstor.org/stable/36870 How was a reputation formed during the Renaissance, and what were the modes by which it was sustained, enhanced, re-invented, or dissolved after a composer&#8217;s death? Which works of a composer were known by later generations, and &#8230; <a href="https://theguitar-blog.com/?p=3707">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The Renaissance thumb-under lute technique</title>
		<link>https://theguitar-blog.com/?p=3701&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-renaissance-thumb-under-lute-technique-2</link>
		<comments>https://theguitar-blog.com/?p=3701#comments</comments>
		<pubDate>Wed, 06 Jul 2022 10:25:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE LUTE]]></category>

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		<description><![CDATA[Bruce MacEvoy http://lutesocietyofamerica.org/ The Renaissance lute has claimed a handsome share of the popularity enjoyed by early music in the twentieth century, but until recently this was  at the cost of accurately recreating the building and playing techniques of old. &#8230; <a href="https://theguitar-blog.com/?p=3701">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The Kraków Lute Tablature: A Source Analysis</title>
		<link>https://theguitar-blog.com/?p=3697&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-krakow-lute-tablature-a-source-analysis</link>
		<comments>https://theguitar-blog.com/?p=3697#comments</comments>
		<pubDate>Mon, 27 Jun 2022 19:06:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE LUTE]]></category>

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		<description><![CDATA[Piotr Pozniak www.muzykologia.uj.edu.pl A document from historic times provides the researcher, on the one hand, with information about the individual case – typical or otherwise – represented by the source itself; and on the other hand, with information of a &#8230; <a href="https://theguitar-blog.com/?p=3697">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>From Facsimile to Content Based Retrieval: the Electronic Corpus of Lute Music</title>
		<link>https://theguitar-blog.com/?p=3695&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=from-facsimile-to-content-based-retrieval-the-electronic-corpus-of-lute-music</link>
		<comments>https://theguitar-blog.com/?p=3695#comments</comments>
		<pubDate>Mon, 27 Jun 2022 19:03:25 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[THE LUTE]]></category>

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		<description><![CDATA[Christoph Dalitz / Tim Crawford informatik.hsnr.de/~dalitz/data/pub In recent years many libraries have made their early music prints and manuscripts available online as ‘digital facsimiles’. These are raster images that are not amenable to automatic searches for content, but require a &#8230; <a href="https://theguitar-blog.com/?p=3695">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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