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	<title>The guitar and plucked string instruments &#187; Historical research</title>
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	<link>https://theguitar-blog.com</link>
	<description>Blog by the guitarist Nacho Bellido</description>
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		<title>The new school of Russian Eastern and European classical guitar: The Post-Soviet rise of a global contributor</title>
		<link>https://theguitar-blog.com/?p=4247&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-new-school-of-russian-eastern-and-european-classical-guitar-the-post-soviet-rise-of-a-global-contributor-2</link>
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		<pubDate>Tue, 07 Oct 2025 10:49:33 +0000</pubDate>
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				<category><![CDATA[Historical research]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Christopher E. Pfeifer Middle Tennessee State University May 2018 https://jewlscholar.mtsu.edu/items/cf56050d-d39f-4a83-a8bd-ac92862c80c5 This thesis traces the developments in the Russian and Eastern European classical guitar community after the dissolution of the Soviet Union in 1991, after which political circumstances supported increased access &#8230; <a href="https://theguitar-blog.com/?p=4247">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Imitating and imagining la guitarra española: Manuel de Falla´s El Sombrero de tres picos</title>
		<link>https://theguitar-blog.com/?p=4233&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=imitating-and-imagining-la-guitarra-espanola-manuel-de-falla%25c2%25b4s-el-sombrero-de-tres-picos</link>
		<comments>https://theguitar-blog.com/?p=4233#comments</comments>
		<pubDate>Mon, 09 Jun 2025 10:50:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Analisys of musical works]]></category>
		<category><![CDATA[Historical research]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[This essay explores the themes of imitation and imagination surrounding the Spanish guitar in the works of Manuel de Falla, specifically his adaptations of Pedro Antonio de Alarcón&#8217;s &#8220;El sombrero de tres picos.&#8221; The discussion contextualizes Falla&#8217;s orchestral use of &#8230; <a href="https://theguitar-blog.com/?p=4233">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Editions for Classical Guitar a Philologically Based Method</title>
		<link>https://theguitar-blog.com/?p=4226&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=editions-for-classical-guitar-a-philologically-based-method</link>
		<comments>https://theguitar-blog.com/?p=4226#comments</comments>
		<pubDate>Mon, 09 Jun 2025 10:46:34 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Historical research]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[De Oliveira Júnior, J. L. (2022). Editions for Classical Guitar a Philologically Based Method. Retrieved from https://purl.lib.fsu.edu/diginole/OliveiraJxFAnior_fsu_0071E_17597 The written record of music (the score) has an extremely important role in the development of music in its various forms of action &#8230; <a href="https://theguitar-blog.com/?p=4226">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The new school of Russian Eastern and European classical guitar: The Post-Soviet rise of a global contributor</title>
		<link>https://theguitar-blog.com/?p=4224&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-new-school-of-russian-eastern-and-european-classical-guitar-the-post-soviet-rise-of-a-global-contributor</link>
		<comments>https://theguitar-blog.com/?p=4224#comments</comments>
		<pubDate>Wed, 14 May 2025 11:13:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Historical research]]></category>
		<category><![CDATA[Historical studies related to the guitar]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Middle Tennessee State University May 2018 Christopher E. Pfeifer This thesis traces the developments in the Russian and Eastern European classical guitar community after the dissolution of the Soviet Union in 1991, after which political circumstances supported increased access to &#8230; <a href="https://theguitar-blog.com/?p=4224">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The solo guitar works of Emilia de Zubeldia: Towards a performing edition</title>
		<link>https://theguitar-blog.com/?p=4220&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-solo-guitar-works-of-emilia-de-zubeldia-towards-a-performing-edition</link>
		<comments>https://theguitar-blog.com/?p=4220#comments</comments>
		<pubDate>Thu, 27 Mar 2025 12:13:20 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Analisys of musical works]]></category>
		<category><![CDATA[Historical research]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Digital Object Identifier (DOI) https://doi.org/10.13023/etd.2024.342 Quijada, Erick, &#8220;THE SOLO GUITAR WORKS OF EMILIANA DE ZUBELDIA: TOWARDS A PERFORMING EDITION&#8221; (2024). Theses and Dissertations&#8211;Music. 256. https://uknowledge.uky.edu/music_etds/256 This project lays the groundwork for a performing edition of Emiliana de Zubeldia&#8217;s solo guitar &#8230; <a href="https://theguitar-blog.com/?p=4220">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Transcription and performance of Franz Schubert&#8217;s music for guitar</title>
		<link>https://theguitar-blog.com/?p=4208&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=transcription-and-performance-of-franz-schuberts-music-for-guitar</link>
		<comments>https://theguitar-blog.com/?p=4208#comments</comments>
		<pubDate>Wed, 12 Mar 2025 11:14:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Analisys of musical works]]></category>
		<category><![CDATA[Historical research]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Sasha Savaloni Royal Conservatoire of Scotland Theses URI https://hdl.handle.net/10023/30288 Performance of songs with guitar accompaniment has been in great demand since the 18th century. Naturally, the Lieder of Franz Schubert has provided immense interest to guitarists throughout history and as &#8230; <a href="https://theguitar-blog.com/?p=4208">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Corelli on the Guitar: Arranging &#8220;Tocata de Coreli&#8221; for Classical Guitar through the Lens of Spanish Baroque Guitarist Santiago de Murcia (1673-1739)</title>
		<link>https://theguitar-blog.com/?p=4190&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=corelli-on-the-guitar-arranging-tocata-de-coreli-for-classical-guitar-through-the-lens-of-spanish-baroque-guitarist-santiago-de-murcia-1673-1739</link>
		<comments>https://theguitar-blog.com/?p=4190#comments</comments>
		<pubDate>Mon, 10 Mar 2025 12:11:44 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Historical research]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[University of North Texas, Denton, Texas https://doi.org/10.12794/metadc2332562 Noe Garcia Jacinto Santiago de Murcia (1673-1739) was one of the most prominent figures of the baroque guitar, both as composer and theorist. Despite his notability, his music and arrangements rarely find their &#8230; <a href="https://theguitar-blog.com/?p=4190">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The Classical Guitar in Spain, Portugal, Italy &amp; Germany. A General Approach to Its History</title>
		<link>https://theguitar-blog.com/?p=4175&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-classical-guitar-in-spain-portugal-italy-germany-a-general-approach-to-its-history</link>
		<comments>https://theguitar-blog.com/?p=4175#comments</comments>
		<pubDate>Mon, 20 Jan 2025 13:36:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Historical research]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>
		<category><![CDATA[classical guitar]]></category>

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		<description><![CDATA[Martín-Gil, Damián (ed.), The Classical Guitar in Spain, Portugal, Italy &#38; Germany. A General Approach to Its History (Madrid: INAEM, 2023) https://www.musicadanza.es/es/publicaciones/colaboraciones/the-classical-guitar-in-spain-portugal-italy-germany-a-general-approach-to-its-history &#160; In November 2019, two guitar colleagues at the Conservatorio Profesional de Música ‘Hermanos Berzosa’ (Cáceres, Spain) encouraged &#8230; <a href="https://theguitar-blog.com/?p=4175">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>An Attractive and Varied Repertoire. The Guitar Revival of 1860–1900 and Victorian Song</title>
		<link>https://theguitar-blog.com/?p=4162&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=an-attractive-and-varied-repertoire-the-guitar-revival-of-1860-1900-and-victorian-song</link>
		<comments>https://theguitar-blog.com/?p=4162#comments</comments>
		<pubDate>Sun, 08 Sep 2024 10:45:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Historical research]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Page, Christopher. 2022. &#8220;“An Attractive and Varied Repertoire”: The Guitar Revival of 1860–1900 and Victorian Song.&#8221; Soundboard Scholar 8, (1). https://doi.org/10.56902/SBS.2022.8.7. https://digitalcommons.du.edu/sbs/vol8/iss1/3/ Most modern histories of the classical guitar are devoted to solo playing. They therefore forego a different kind &#8230; <a href="https://theguitar-blog.com/?p=4162">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Luigi Legnani’s Missing Opus 9</title>
		<link>https://theguitar-blog.com/?p=4160&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=luigi-legnanis-missing-opus-9</link>
		<comments>https://theguitar-blog.com/?p=4160#comments</comments>
		<pubDate>Fri, 30 Aug 2024 12:39:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Analisys of musical works]]></category>
		<category><![CDATA[Historical research]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Coldwell, Robert. 2022. &#8220;Luigi Legnani&#8217;s Missing Opus 9.&#8221; Soundboard Scholar 8, (1). https://doi.org/10.56902/SBS.2022.8.10. https://digitalcommons.du.edu/sbs/vol8/iss1/7/ The guitar composer Luigi Legnani (1790–1877) published some 250 works with opus number, most of them for solo guitar. His catalog, however, contains many gaps. This &#8230; <a href="https://theguitar-blog.com/?p=4160">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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