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	<title>The guitar and plucked string instruments</title>
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	<link>https://theguitar-blog.com</link>
	<description>Blog by the guitarist Nacho Bellido</description>
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		<title>Performance Guide to Selected Jazz Arrangements of Roland Dyens</title>
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		<comments>https://theguitar-blog.com/?p=4254#comments</comments>
		<pubDate>Fri, 21 Nov 2025 19:34:25 +0000</pubDate>
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				<category><![CDATA[Analisys of musical works]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[&#160; Lougheed, B. W. P. (2019). A Performance Guide to Selected Jazz Arrangements of Roland Dyens. Retrieved from http://purl.flvc.org/fsu/fd/2019_Spring_Lougheed_fsu_0071E_15155 The following is an exploration of Roland Dyens arrangements of “Nuages,” “Round Midnight,” “Over the Rainbow,” “Take the A Train,” and &#8230; <a href="https://theguitar-blog.com/?p=4254">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Allan Willcocks&#8217; 12 Studies for Guitar: An Examination of the Allan Willcocks Pseudonym and His Impressionistic Studies for Guitar</title>
		<link>https://theguitar-blog.com/?p=4252&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=allan-willcocks-12-studies-for-guitar-an-examination-of-the-allan-willcocks-pseudonym-and-his-impressionistic-studies-for-guitar-justin-t-lindley</link>
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		<pubDate>Fri, 21 Nov 2025 19:33:17 +0000</pubDate>
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				<category><![CDATA[Analisys of musical works]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Lindley, J. T. (2024). Allan Willcocks&#8217; 12 Studies for Guitar: An Examination of the Allan Willcocks Pseudonym and His Impressionistic Studies for Guitar. Retrieved from https://purl.lib.fsu.edu/diginole/Lindley_fsu_0071E_18727 This treatise will briefly explore the reasons a composer would accredit their own works &#8230; <a href="https://theguitar-blog.com/?p=4252">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Editions for Classical Guitar a Philologically Based Method</title>
		<link>https://theguitar-blog.com/?p=4249&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=editions-for-classical-guitar-a-philologically-based-method-2</link>
		<comments>https://theguitar-blog.com/?p=4249#comments</comments>
		<pubDate>Tue, 07 Oct 2025 10:50:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Methods and pedagogy]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Jorge Luiz De Oliveira Júnior De Oliveira Júnior, J. L. (2022). Editions for Classical Guitar a Philologically Based Method. Retrieved from https://purl.lib.fsu.edu/diginole/OliveiraJxFAnior_fsu_0071E_17597 The written record of music (the score) has an extremely important role in the development of music in &#8230; <a href="https://theguitar-blog.com/?p=4249">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The new school of Russian Eastern and European classical guitar: The Post-Soviet rise of a global contributor</title>
		<link>https://theguitar-blog.com/?p=4247&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-new-school-of-russian-eastern-and-european-classical-guitar-the-post-soviet-rise-of-a-global-contributor-2</link>
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		<pubDate>Tue, 07 Oct 2025 10:49:33 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Historical research]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Christopher E. Pfeifer Middle Tennessee State University May 2018 https://jewlscholar.mtsu.edu/items/cf56050d-d39f-4a83-a8bd-ac92862c80c5 This thesis traces the developments in the Russian and Eastern European classical guitar community after the dissolution of the Soviet Union in 1991, after which political circumstances supported increased access &#8230; <a href="https://theguitar-blog.com/?p=4247">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Imitating and imagining la guitarra española: Manuel de Falla´s El Sombrero de tres picos</title>
		<link>https://theguitar-blog.com/?p=4233&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=imitating-and-imagining-la-guitarra-espanola-manuel-de-falla%25c2%25b4s-el-sombrero-de-tres-picos</link>
		<comments>https://theguitar-blog.com/?p=4233#comments</comments>
		<pubDate>Mon, 09 Jun 2025 10:50:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Analisys of musical works]]></category>
		<category><![CDATA[Historical research]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=4233</guid>
		<description><![CDATA[This essay explores the themes of imitation and imagination surrounding the Spanish guitar in the works of Manuel de Falla, specifically his adaptations of Pedro Antonio de Alarcón&#8217;s &#8220;El sombrero de tres picos.&#8221; The discussion contextualizes Falla&#8217;s orchestral use of &#8230; <a href="https://theguitar-blog.com/?p=4233">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Performance Guide to Selected Jazz Arrangements of Roland Dyens</title>
		<link>https://theguitar-blog.com/?p=4231&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=performance-guide-to-selected-jazz-arrangements-of-roland-dyens</link>
		<comments>https://theguitar-blog.com/?p=4231#comments</comments>
		<pubDate>Mon, 09 Jun 2025 10:49:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Analisys of musical works]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Lougheed, B. W. P. (2019). A Performance Guide to Selected Jazz Arrangements of Roland Dyens. Retrieved from http://purl.flvc.org/fsu/fd/2019_Spring_Lougheed_fsu_0071E_15155 The following is an exploration of Roland Dyens arrangements of “Nuages,” “Round Midnight,” “Over the Rainbow,” “Take the A Train,” and “A &#8230; <a href="https://theguitar-blog.com/?p=4231">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Allan Willcocks&#8217; 12 Studies for Guitar: An Examination of the Allan Willcocks Pseudonym and His Impressionistic Studies for Guitar</title>
		<link>https://theguitar-blog.com/?p=4228&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=iniciobibliotecaresultados-busqueda-performance-guide-to-selected-jazz-arrangements-of-roland-dyens-editions-for-classical-guitar-a-philologically-based-method-volve</link>
		<comments>https://theguitar-blog.com/?p=4228#comments</comments>
		<pubDate>Mon, 09 Jun 2025 10:47:26 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Analisys of musical works]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=4228</guid>
		<description><![CDATA[Lindley, J. T. (2024). Allan Willcocks&#8217; 12 Studies for Guitar: An Examination of the Allan Willcocks Pseudonym and His Impressionistic Studies for Guitar. Retrieved from https://purl.lib.fsu.edu/diginole/Lindley_fsu_0071E_18727 This treatise will briefly explore the reasons a composer would accredit their own works &#8230; <a href="https://theguitar-blog.com/?p=4228">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Editions for Classical Guitar a Philologically Based Method</title>
		<link>https://theguitar-blog.com/?p=4226&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=editions-for-classical-guitar-a-philologically-based-method</link>
		<comments>https://theguitar-blog.com/?p=4226#comments</comments>
		<pubDate>Mon, 09 Jun 2025 10:46:34 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Historical research]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=4226</guid>
		<description><![CDATA[De Oliveira Júnior, J. L. (2022). Editions for Classical Guitar a Philologically Based Method. Retrieved from https://purl.lib.fsu.edu/diginole/OliveiraJxFAnior_fsu_0071E_17597 The written record of music (the score) has an extremely important role in the development of music in its various forms of action &#8230; <a href="https://theguitar-blog.com/?p=4226">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The new school of Russian Eastern and European classical guitar: The Post-Soviet rise of a global contributor</title>
		<link>https://theguitar-blog.com/?p=4224&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-new-school-of-russian-eastern-and-european-classical-guitar-the-post-soviet-rise-of-a-global-contributor</link>
		<comments>https://theguitar-blog.com/?p=4224#comments</comments>
		<pubDate>Wed, 14 May 2025 11:13:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Historical research]]></category>
		<category><![CDATA[Historical studies related to the guitar]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

		<guid isPermaLink="false">http://theguitar-blog.com/?p=4224</guid>
		<description><![CDATA[Middle Tennessee State University May 2018 Christopher E. Pfeifer This thesis traces the developments in the Russian and Eastern European classical guitar community after the dissolution of the Soviet Union in 1991, after which political circumstances supported increased access to &#8230; <a href="https://theguitar-blog.com/?p=4224">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The solo guitar works of Emilia de Zubeldia: Towards a performing edition</title>
		<link>https://theguitar-blog.com/?p=4220&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-solo-guitar-works-of-emilia-de-zubeldia-towards-a-performing-edition</link>
		<comments>https://theguitar-blog.com/?p=4220#comments</comments>
		<pubDate>Thu, 27 Mar 2025 12:13:20 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Analisys of musical works]]></category>
		<category><![CDATA[Historical research]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Digital Object Identifier (DOI) https://doi.org/10.13023/etd.2024.342 Quijada, Erick, &#8220;THE SOLO GUITAR WORKS OF EMILIANA DE ZUBELDIA: TOWARDS A PERFORMING EDITION&#8221; (2024). Theses and Dissertations&#8211;Music. 256. https://uknowledge.uky.edu/music_etds/256 This project lays the groundwork for a performing edition of Emiliana de Zubeldia&#8217;s solo guitar &#8230; <a href="https://theguitar-blog.com/?p=4220">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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