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	<title>The guitar and plucked string instruments &#187; Analisys of musical works</title>
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	<link>https://theguitar-blog.com</link>
	<description>Blog by the guitarist Nacho Bellido</description>
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		<title>Performance Guide to Selected Jazz Arrangements of Roland Dyens</title>
		<link>https://theguitar-blog.com/?p=4254&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=performance-guide-to-selected-jazz-arrangements-of-roland-dyens-2</link>
		<comments>https://theguitar-blog.com/?p=4254#comments</comments>
		<pubDate>Fri, 21 Nov 2025 19:34:25 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Analisys of musical works]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[&#160; Lougheed, B. W. P. (2019). A Performance Guide to Selected Jazz Arrangements of Roland Dyens. Retrieved from http://purl.flvc.org/fsu/fd/2019_Spring_Lougheed_fsu_0071E_15155 The following is an exploration of Roland Dyens arrangements of “Nuages,” “Round Midnight,” “Over the Rainbow,” “Take the A Train,” and &#8230; <a href="https://theguitar-blog.com/?p=4254">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Allan Willcocks&#8217; 12 Studies for Guitar: An Examination of the Allan Willcocks Pseudonym and His Impressionistic Studies for Guitar</title>
		<link>https://theguitar-blog.com/?p=4252&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=allan-willcocks-12-studies-for-guitar-an-examination-of-the-allan-willcocks-pseudonym-and-his-impressionistic-studies-for-guitar-justin-t-lindley</link>
		<comments>https://theguitar-blog.com/?p=4252#comments</comments>
		<pubDate>Fri, 21 Nov 2025 19:33:17 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Analisys of musical works]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Lindley, J. T. (2024). Allan Willcocks&#8217; 12 Studies for Guitar: An Examination of the Allan Willcocks Pseudonym and His Impressionistic Studies for Guitar. Retrieved from https://purl.lib.fsu.edu/diginole/Lindley_fsu_0071E_18727 This treatise will briefly explore the reasons a composer would accredit their own works &#8230; <a href="https://theguitar-blog.com/?p=4252">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Imitating and imagining la guitarra española: Manuel de Falla´s El Sombrero de tres picos</title>
		<link>https://theguitar-blog.com/?p=4233&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=imitating-and-imagining-la-guitarra-espanola-manuel-de-falla%25c2%25b4s-el-sombrero-de-tres-picos</link>
		<comments>https://theguitar-blog.com/?p=4233#comments</comments>
		<pubDate>Mon, 09 Jun 2025 10:50:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Analisys of musical works]]></category>
		<category><![CDATA[Historical research]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[This essay explores the themes of imitation and imagination surrounding the Spanish guitar in the works of Manuel de Falla, specifically his adaptations of Pedro Antonio de Alarcón&#8217;s &#8220;El sombrero de tres picos.&#8221; The discussion contextualizes Falla&#8217;s orchestral use of &#8230; <a href="https://theguitar-blog.com/?p=4233">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Performance Guide to Selected Jazz Arrangements of Roland Dyens</title>
		<link>https://theguitar-blog.com/?p=4231&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=performance-guide-to-selected-jazz-arrangements-of-roland-dyens</link>
		<comments>https://theguitar-blog.com/?p=4231#comments</comments>
		<pubDate>Mon, 09 Jun 2025 10:49:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Analisys of musical works]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Lougheed, B. W. P. (2019). A Performance Guide to Selected Jazz Arrangements of Roland Dyens. Retrieved from http://purl.flvc.org/fsu/fd/2019_Spring_Lougheed_fsu_0071E_15155 The following is an exploration of Roland Dyens arrangements of “Nuages,” “Round Midnight,” “Over the Rainbow,” “Take the A Train,” and “A &#8230; <a href="https://theguitar-blog.com/?p=4231">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Allan Willcocks&#8217; 12 Studies for Guitar: An Examination of the Allan Willcocks Pseudonym and His Impressionistic Studies for Guitar</title>
		<link>https://theguitar-blog.com/?p=4228&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=iniciobibliotecaresultados-busqueda-performance-guide-to-selected-jazz-arrangements-of-roland-dyens-editions-for-classical-guitar-a-philologically-based-method-volve</link>
		<comments>https://theguitar-blog.com/?p=4228#comments</comments>
		<pubDate>Mon, 09 Jun 2025 10:47:26 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Analisys of musical works]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Lindley, J. T. (2024). Allan Willcocks&#8217; 12 Studies for Guitar: An Examination of the Allan Willcocks Pseudonym and His Impressionistic Studies for Guitar. Retrieved from https://purl.lib.fsu.edu/diginole/Lindley_fsu_0071E_18727 This treatise will briefly explore the reasons a composer would accredit their own works &#8230; <a href="https://theguitar-blog.com/?p=4228">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The solo guitar works of Emilia de Zubeldia: Towards a performing edition</title>
		<link>https://theguitar-blog.com/?p=4220&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-solo-guitar-works-of-emilia-de-zubeldia-towards-a-performing-edition</link>
		<comments>https://theguitar-blog.com/?p=4220#comments</comments>
		<pubDate>Thu, 27 Mar 2025 12:13:20 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Analisys of musical works]]></category>
		<category><![CDATA[Historical research]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Digital Object Identifier (DOI) https://doi.org/10.13023/etd.2024.342 Quijada, Erick, &#8220;THE SOLO GUITAR WORKS OF EMILIANA DE ZUBELDIA: TOWARDS A PERFORMING EDITION&#8221; (2024). Theses and Dissertations&#8211;Music. 256. https://uknowledge.uky.edu/music_etds/256 This project lays the groundwork for a performing edition of Emiliana de Zubeldia&#8217;s solo guitar &#8230; <a href="https://theguitar-blog.com/?p=4220">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>An Analysis of Manuel Ponce&#8217;s Sonata III</title>
		<link>https://theguitar-blog.com/?p=4218&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=an-analysis-of-manuel-ponces-sonata-iii</link>
		<comments>https://theguitar-blog.com/?p=4218#comments</comments>
		<pubDate>Thu, 27 Mar 2025 12:12:30 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Analisys of musical works]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Thesis or Dissertation  An Analysis of Manuel Ponce&#8217;s Sonata III Klassen, Michael 2024-07-22 California State University, Northridge  https://scholarworks.calstate.edu/ This thesis will provide a brief historical background and analysis on my extended program notes. The following comprises the composers and musical &#8230; <a href="https://theguitar-blog.com/?p=4218">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The Operatic Guitar: A Study of Selected Pieces From Opern-Revue, Op. 8 by Josef Kaspar Mertz</title>
		<link>https://theguitar-blog.com/?p=4216&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-operatic-guitar-a-study-of-selected-pieces-from-opern-revue-op-8-by-josef-kaspar-mertz</link>
		<comments>https://theguitar-blog.com/?p=4216#comments</comments>
		<pubDate>Thu, 27 Mar 2025 12:11:18 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Analisys of musical works]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Hunter, Lee Halbert. (2023). The Operatic Guitar: A Study of Selected Pieces From Opern-Revue, Op. 8 by Josef Kaspar Mertz (Doctoral dissertation, University of Arizona, Tucson, USA). https://www.cglib.org/category/renaissance/fuenllana-miguel-de/ Josef Kaspar Mertz was one of the premier guitarists and composers of &#8230; <a href="https://theguitar-blog.com/?p=4216">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>The Orchestration of the Guitar Concerto: A Comparison of the Concerto in A Major,Op.30, by Mauro Giuliani and the Concierto del Sur by Manuel Ponce</title>
		<link>https://theguitar-blog.com/?p=4213&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-orchestration-of-the-guitar-concerto-a-comparison-of-the-concerto-in-a-majorop-30-by-mauro-giuliani-and-the-concierto-del-sur-by-manuel-ponce</link>
		<comments>https://theguitar-blog.com/?p=4213#comments</comments>
		<pubDate>Wed, 19 Mar 2025 12:54:25 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Analisys of musical works]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Hudson, Roger, &#8220;The Orchestration of the Guitar Concerto: A Comparison of the Concerto in A Major,Op.30, by Mauro Giuliani and the Concierto del Sur by Manuel Ponce.&#8221; Thesis, Georgia State University, 1992. doi: https://doi.org/10.57709/0v24-na33 The purpose of this study was &#8230; <a href="https://theguitar-blog.com/?p=4213">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Transcription and performance of Franz Schubert&#8217;s music for guitar</title>
		<link>https://theguitar-blog.com/?p=4208&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=transcription-and-performance-of-franz-schuberts-music-for-guitar</link>
		<comments>https://theguitar-blog.com/?p=4208#comments</comments>
		<pubDate>Wed, 12 Mar 2025 11:14:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Analisys of musical works]]></category>
		<category><![CDATA[Historical research]]></category>
		<category><![CDATA[THE SPANISH GUITAR]]></category>

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		<description><![CDATA[Sasha Savaloni Royal Conservatoire of Scotland Theses URI https://hdl.handle.net/10023/30288 Performance of songs with guitar accompaniment has been in great demand since the 18th century. Naturally, the Lieder of Franz Schubert has provided immense interest to guitarists throughout history and as &#8230; <a href="https://theguitar-blog.com/?p=4208">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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