Categoría: GENERAL

- Analysis and synthesis of expressive guitar performance

- The electric guitar in contemporary arts music

- Charlatans, Saltimbanques, and Lumpen Songs: The Emergence of the Guitar from the Ghetto of Western Art Music

- Real-time software electric guitar audio transcription

- The russian seven-string guitar

- The five-course guitar, alfabeto song and the villanella spagnola in Italy, ca. 1590 to 1630

- Electric guitar performance techniques : meaning and identity in written discourse

- Numerical Simulation of guitar radiation fields using the boundary element method

- The Viennese guitar and its influence in North America : form, use, stringing, and social associations

- The acoustics of the guitary

- The vihuela music of Diego Pisador

- The Reputation of Francesco da Milano (1497-1543) and the Ricercars in the Cavalcanti Lute Book

- The Renaissance thumb-under lute technique

- The Kraków Lute Tablature: A Source Analysis

- From Facsimile to Content Based Retrieval: the Electronic Corpus of Lute Music

- Computer Vision Methods for Guitarist Left-Hand Fingering Recognition

- Classical Guitar and Playing-Related Musculoskeletal Problems – A Systematic Review

- The Electric Guitar. product phases analysis & industrial design evaluation analysis

- Digitally moving an electric guitar pickup

- The unligigated case: A study of the legality of guitar tablatures

- Engineering vs. Craftsmanship: Innovation in the Electric Guitar Industry (1945-1984)

- Patented Electric Guitar Pickups and the Creation of Modern Music Genres

- Giovanni Antonio Terzi and the lute intabulations of late sixteenth-century Italy

- Lute music in sixteenth-century German speaking countries: a study of the manuscripts Pl-Lzu M6983, Ch-Bu F.IX.70 and D-Si G.1.4.

- John Dowland’s Printed Ayres: Texts, Contexts, Intertexts

- A Historical and Performance Companion to the Art Song of the 16 th Century Spanish Vihuelistas With Texts and Translations

- A conductor’s guide to the poetical and musical style of the “cante jondo” based in the work of Mario Castelnuovo-Tedesco’s “Romancero Gitano”, op.152

- The Siguiriyas song form in flamenco guitar : a historical and comparative study

- English terminology of classical and rock guitar music: an analysis

- On the structural and acoustic desing of soundboards

- Materials-inspired innovation for acoustic guitar design

- A study of multiculturalism in 20th century guitar music and the the Brazilian elements in the music of Roland Dyens

- The cadenzas of the first modern guitar concertos

- Sylvius Leopold Weiss (1687–1750) A catalogue raisonné of recordings on the lute

- The Guitar and Hausmusik in the Late 18th and Early 19th Centuries

- Post-Genre: Understanding The Classical-Jazz Hybrid Of Third Stream Music Through The Guitar Works Of Frederic Hand, Ralph Towner, And Ken Hatfield

- The Conscious Guitarist: Alexander Technique and Body Mapping for Guitarists

- Giulio Regondi in Ireland

- The Acoustic of the Steel String Guitar

- A Performance Guide to Latin-American Guitar Quartets: The Quartets of Ernesto Cordero, Leo Brouwer, and Sérgio Assad

- Alberto Ginastera’s Sonata for Guitar Op. 47: an analysis

- Antonio Jose Martinez Palacios’ “Sonata para Guitarra” (1933), an analysis, performer’s guide, and new edition – Whitehead, Corey E.

- A comparison of selected classical guitar theaching methods and a review of the implications for guitar education