The guitar and plucked string instruments
Blog by the guitarist Nacho Bellido
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Methods and pedagogy
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Entradas anteriores
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Content Analysis of Guitar Repertoire for Young People: The Michelson and Suzuki Collection
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Music Performance Anxiety on the Classical Guitar: Expert Strategies in Psychology and Pedagogy
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Alternatives in Guitar Notation: Towards a Practical Implementation of Clef and Score Reading on the Guitar
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Creating an improviser ‘s system for jazz standards on the classical guitar
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Creating Tablature and Arranging Music for Guitar with Genetic Algorithms and Artificial Neural Networks
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Legato and glissando identification in classical guitar
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The approach to tango, by classical guitarist
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The Guitar as an Accompaniment Instrument
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Stringshift. Solo Guitar Improvisation: Process, Methodology and Practice
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The portuguese guitar: History and transformation of an instrument associates with fado
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The development and validation of an instrument for measuring the music sight-reading skills of classical guitarists at the college entry level
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Continuo for lutenist and guitarrist: A tutor and music theory supplement
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The guitar as a teaching tool in the elementary general music classroom.
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The guitar as a teaching tool in the elementary general music classroom
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Guitar fingerboard theory for high school students : an annotated instruction book
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Classic guitar : methods for the evaluation of technique and the gradation of repertoire
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Professional Profiles, Pedagogic Practices, and the Future of Guitar Education –
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The Chromatic Guitar Method
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A Practical Guide for Composing and Performing Guitar-Piano Chamber Music
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Body, mimesis and image : a gesture based approach to interpretation in contemporary guitar performing practice
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The russian seven-string guitar
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A comparison of selected classical guitar theaching methods and a review of the implications for guitar education
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Methodology of guitar instruction
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Cognitive and metacognitive learning strategies for skill acquisition among conservatory guitarists
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The Development of a Method for Teaching Fundamentals of Guitar to College Students in Music Education and Music Terapy Curricula
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Becoming a healthier guitarist: Understanding and addressing injuries
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Some observations on the origins and authorship of Aguado’s Escuela
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To Prelude (v.): The Art of Preluding and Applications for the Modern Classical Guitarist
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The solo classical guitar concerto : a soloist’s preparatory guide to selected works
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The Early Nineteenth Century Guitar: An Interpretive Context for the Contemporary Performer
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The development and validation of an instrument for measuring the music sight-reading skills of classical guitarists at the college entry level
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Creating an improviser ‘s system for jazz standards on the classical guitar
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Adapting Traditional Kentucky Thumbpicking Repertoire for the Classical Guitar
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The relevance of the teaching methods of Dionisio Aguado, Fernando Sor and Andres Segovia for guitara technique in the late 20th century
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Biomechanical modelling of musical performance : a case study of the guitar
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Classical Guitar Method Volume I (Beginner)
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Guitar Performance in the Nineteenth Centuries and Twentieth Centuries
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Paradigm for effective pre-college classical guitar methodology: a case study of two models of effective instruction
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Music Theory For Flamenco
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Toque Flamenco: The Flamenco Guitar
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The Flamenco Guitar lessons
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The How and the Tao of Folk Guitar: Volume One
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19th Century North American Guitar Music
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Rischel & Birket-Smith´s Collection of guitar music • The hypertext catalog of facsimile sources
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Entradas anteriores
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THE ELECTRIC GUITAR
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CATEGORIES
GENERAL
Articles about music
Historical studies related to the guitar
THE ELECTRIC GUITAR
Construction and repair
Jazz / Blues guitar
Maintenance
pickups
Sound
THE LUTE
THE PLUCKED STRING INSTRUMENTS
THE SPANISH GUITAR
Acoustic and tuning
Analisys of musical works
Construction and repair
Guitar technique
Historical research
Methods and pedagogy
THE VIHUELA
Tablature