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THE LUTE
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The Reception of Lute Pieces by the Silesian Lutenist Esaias Reusner Junior in the Levoča Manuscripts. The scribe case of Jacques Bittner
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The Late baroque lute Seen through S.L. Weiss
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The Dowland lute-songs : studies in hermetic form
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Selected Lute Music from Paris, Rés. Vmd. Ms. 27 from the Bibliothèque Nationale: Reconstruction, Edition, and Commentary
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The Reputation of Francesco da Milano (1497-1543) and the Ricercars in the Cavalcanti Lute Book
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The Renaissance thumb-under lute technique
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The Kraków Lute Tablature: A Source Analysis
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From Facsimile to Content Based Retrieval: the Electronic Corpus of Lute Music
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Giovanni Antonio Terzi and the lute intabulations of late sixteenth-century Italy
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Lute music in sixteenth-century German speaking countries: a study of the manuscripts Pl-Lzu M6983, Ch-Bu F.IX.70 and D-Si G.1.4.
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Sylvius Leopold Weiss (1687–1750) A catalogue raisonné of recordings on the lute
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The Solo Lute Music of John Dowland
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Lachrimae, or Seaven Teares by John Dowland: Tears of Lost Innocence
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Making Lutes in Quattrocento Venice: Nicolò Sconvelt and his German Colleagues
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Reconstructing a lute by Sixtus Rauwolf
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Learning the lute in early modern England, c.1550-c.1640
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Embellishing lute music: Using the Renaissance Italian passaggi practice as a model and pedagogical tool for an increased improvisation vocabulary in the Baroque style
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The popular lute: an investigation of the function and performance of music in France between 1650 and 1700
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Lute tuning and temperament in the sixteenth and seventeenth centuries
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A Beginner’s Guide to the Renaissance Lute
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Approaching a Concept and Biology of Tone Production on Early Modern Lute Instruments
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“Folies d’Espagne” As A Show Of Iberistic-French Reception In Lute Tablature Compositions Preserved And Kept In Poland
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A newly discovered dutch lute book MS Enkhuizen 1667-1
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A Week in the Blacksmith’s Life: Lutenists from Silesia and Bohemia around Count Losy von Losinthal (1650–1721)
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Polythematic fantasias in Wurstisen lute book
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Imitative Fantasias in Wurstisen Lute Book (CH-BU MS. F.IX.70)
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The compositions of Francesco da Milano in the Castelfranco Veneto manuscript further considerations
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“The court, which is nothing but a show, now comic and more often tragic’: new documents on the last years of Francesco da Milano
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The Memory of Paper. An Incomplete History of the Libro Terzo d’Intavolatura di Chitarone by Gio. Girolamo Kapsperger – Franco Pavan
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Emanuel Wurstisen’s manuscript (CH-Bu Ms. F.IX.70) as a source of German lute tablature
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Intabulations of Protestant Sacred Songs and Psalms in Wurstisen lute book. Adaptation and arrangement of the chorale models
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Singer Songwriters, the Lute, and the Stile nuovo
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Baroque Tuning Aesthetics in the Music of J.S. Bach: Variety between the Well-tempered Clavier and the Works for Lute Solo
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Emanuel Wurstisen’s manuscript (CH-Bu Ms. F.IX.70) as a source of German lute tablature
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The arrangements of motets in Wurstisen lute book. More about the process of intabulation
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The Lute in the Dutch Golden Age: Musical Culture in the Netherlands 1580-1670
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The Seventeenth-Century Battaglie for Lute in Italy
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John Dowland, celebrity lute teacher
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Interpretive Left-Hand Fingerings for Lute in Nicholas Vallet’s “Le Secret des Muses”
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Lute Realizations for the English Cavalier Songs (1630 – 1670) A Guide for Performers
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Intabulations of Music by Josquin des Prez in Lute Books Published by Pierre Phalèse, 1547-1574.
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John Dowland, celebrity lute teacher
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Harpsichord and lute music in seventeenth-century France : an assessment of the influence of lute on keyboard repertoire
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English Lute manuscripts and scribes 1530-1630
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GENERAL
Articles about music
Historical studies related to the guitar
THE ELECTRIC GUITAR
Construction and repair
Jazz / Blues guitar
Maintenance
pickups
Sound
THE LUTE
THE PLUCKED STRING INSTRUMENTS
THE SPANISH GUITAR
Acoustic and tuning
Analisys of musical works
Construction and repair
Guitar technique
Historical research
Methods and pedagogy
THE VIHUELA
Tablature