Categoría: Analisys of musical works

- The solo guitar works of Emilia de Zubeldia: Towards a performing edition

- An Analysis of Manuel Ponce’s Sonata III

- The Operatic Guitar: A Study of Selected Pieces From Opern-Revue, Op. 8 by Josef Kaspar Mertz

- The Orchestration of the Guitar Concerto: A Comparison of the Concerto in A Major,Op.30, by Mauro Giuliani and the Concierto del Sur by Manuel Ponce

- Transcription and performance of Franz Schubert’s music for guitar

- Beyond Nothingness: A Broader Nihilism in Cinema Paradiso by Stephen Goss

- Lost in Translation? A Comparison of the Anna Magdalena Bach Manuscript and John W. Duarte Arrangement of Cello Suite No. 3, BWV 1009 by Johann Sebastian Bach

- Luigi Legnani’s Missing Opus 9

- The Guitar Music Collection of Justin Holland

- Fine-Tuning Ferdinand Rebay’s Second Sonata in E major for Guitar

- How to play allegro BWV 1003 for classical guitar according to baroque standards

- The Guitar at the Opera: An Investigation into Guitar Repertoire Inspired by the Operas of Vincenzo Bellini

- The 19th Century Song Cycle and the European Classical Guitar

- An Investigative Analysis of Fernando Sor’s Introduction and Variations on “O Cara Armonia” From Mozart’s The Magic Flute

- Appalachian Dreams: Traditional Folk Songs in Concert Literature for Classical Guitar

- Incorporating Classical Persian Performance Practice into the Delivery of Modern Compositions for Classical Guitar .

- Transcription for guitar trio of Joaquín Rodrigo’s Cuatro piezas para piano

- Albeniz’s Leyenda (Preludio-Asturias)

- Albeniz and the Guitar

- Effective arranging practices for solo classical guitar

- Sor’s Allegro in the Spanish style, Natalie Houzé, and key dates in European cultural and political history

- Formal Aspects of Mauro Giuliani’s Gran Sonata Eroica in A Major

- Transcription, performance and recording of Johann Sebastian Bach’s works for lute on a ten-string guitar

- 19th century Performance Practice Miguel Llobet’s Interpretation of J.S. Bach

- Reginald Smith Brindle’s Concept of Tonal-Atonal Equilibrium in Theory and Practice

- Monitored Freedom: Swing Rhythm in the Jazz Arrangements of Roland Dyens

- “For Andrés Segovia”: Francisco de Lacerda’s Suite goivos (1924)

- Villa-Lobos Etudes for the Guitar: The 1928 Manuscript

- Recent Sonata Theory and the Performance of Early Nineteenth-Century Guitar Sonatas

- Style, Structure, and Performance in Three Portraits for Solo Guitar (2004–2020) by Sérgio Assad

- Exploration of Late Twentieth Century American Flute and Guitar Works with Emphasis on Robert Beaser’s Mountain Songs and Lowell Liebermann’s Sonata for Flute and Guitar

- The Guitar in Arnold Schoenberg´s Serenade, Opus 24: Antecedents and Legacy

- Aspects of Villa-Lobos’s Tonal Style in Some of His Studies for Guitar

- A look at form and pitch content in Toru Takemitsu’s “Equinox”

- A Survey of the Solo Guitar Works Written for Julian Bream

- Guide to the Interpretation of John Dowland’s “Queen Elizabeth’s Galliard P.41,” “Lachrimae Pavan P.15,” “Farewell Fantasy P.3,” and “Forlorn Hope Fancy P.2″ Transcribed for Guitar

- The Art of Transcription: Original Transcriptions of Erik Satie’s Five Nocturnes for Two Guitars Camille Saint-Saëns’ Danse Macabre, Op. 40 for Four Guitars

- Primary Sources and Editions of Suite Popular Brasileira, Choros No. 1, and Five Preludes, by Heitor Villa-Lobos: A Comparative Survey of Differences

- Leo Brouwer’s Elogio de la danza (1964): Im prints of Dance, Stravinsky, & the Unison of Contraries

- The Afro-Cuban and the Avant-Garde unification os the style and gesture in the guitar music of Leo Brouwer

- Some rhythmic theories compared and applied in an analysis of El decameron negro by Leo Brouwer

- Aguacero: A Semiotic Analysis of Paisaje Cubano con Lluvia by Leo Brouwer

- The process of transcription for guitar of J.S.Bach Chaconne from partita II for violin without accompaniment BWV 1004

- Christian Gotthilf Four sonatas transcribed for guitar duo