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Blog by the guitarist Nacho Bellido
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Analisys of musical works
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Effective arranging practices fors solo classical guitar
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Sor’s Allegro in the Spanish style, Natalie Houzé, and key dates in European cultural and political history
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Formal Aspects of Mauro Giuliani’s Gran Sonata Eroica in A Major
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Transcription, performance and recording of Johann Sebastian Bach’s works for lute on a ten-string guitar
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19th century Performance Practice Miguel Llobet’s Interpretation of J.S. Bach
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Reginald Smith Brindle’s Concept of Tonal-Atonal Equilibrium in Theory and Practice
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Monitored Freedom: Swing Rhythm in the Jazz Arrangements of Roland Dyens
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“For Andrés Segovia”: Francisco de Lacerda’s Suite goivos (1924)
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Villa-Lobos Etudes for the Guitar: The 1928 Manuscript
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Recent Sonata Theory and the Performance of Early Nineteenth-Century Guitar Sonatas
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Style, Structure, and Performance in Three Portraits for Solo Guitar (2004–2020) by Sérgio Assad
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Exploration of Late Twentieth Century American Flute and Guitar Works with Emphasis on Robert Beaser’s Mountain Songs and Lowell Liebermann’s Sonata for Flute and Guitar
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The Guitar in Arnold Schoenberg´s Serenade, Opus 24: Antecedents and Legacy
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Aspects of Villa-Lobos’s Tonal Style in Some of His Studies for Guitar
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A look at form and pitch content in Toru Takemitsu’s “Equinox”
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A Survey of the Solo Guitar Works Written for Julian Bream
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Guide to the Interpretation of John Dowland’s “Queen Elizabeth’s Galliard P.41,” “Lachrimae Pavan P.15,” “Farewell Fantasy P.3,” and “Forlorn Hope Fancy P.2″ Transcribed for Guitar
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The Art of Transcription: Original Transcriptions of Erik Satie’s Five Nocturnes for Two Guitars Camille Saint-Saëns’ Danse Macabre, Op. 40 for Four Guitars
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Primary Sources and Editions of Suite Popular Brasileira, Choros No. 1, and Five Preludes, by Heitor Villa-Lobos: A Comparative Survey of Differences
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Leo Brouwer’s Elogio de la danza (1964): Im prints of Dance, Stravinsky, & the Unison of Contraries
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The Afro-Cuban and the Avant-Garde unification os the style and gesture in the guitar music of Leo Brouwer
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Some rhythmic theories compared and applied in an analysis of El decameron negro by Leo Brouwer
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Aguacero: A Semiotic Analysis of Paisaje Cubano con Lluvia by Leo Brouwer
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The process of transcription for guitar of J.S.Bach Chaconne from partita II for violin without accompaniment BWV 1004
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Christian Gotthilf Four sonatas transcribed for guitar duo
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The approach to tango, by classical guitarist
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The Spanish guitar influence on the piano music of Isaac Albéniz and Enrique Granados: a detailed study of Granada and Asturias of Suite española by Albéniz and Andaluza and Danza triste of Doce danzas españolas by Granados
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Fernando Sor’s Theory of Harmony Applied to the Guitar: History, Bibliography and Context
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Stefano Landi’ s Arie a una voce and Early Seventeenth-century Italian Guitar Music with Alfabeto Notation
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Historically informed interpretation: a process in relation to the Deuxi ` eme Grande Sonate op.25 for solo guitar by Fernando Sor
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Mario Castelnuovo-Tedesco´s The Divan of Moses-Ibn-Ezra A cycle of Songs for Voice and Guitar op. 207 (1966)
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Franco Margola ‘ s Chamber Works with Guitar: A Guide and Annotated Catalog
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Pride, Pedagogy, and Performance: Getaran Jiwa, Variations on a Malaysian Song, Op. 125 by John Duarte
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El Murciano´s “Rondeña” and early flamenco guitar music: New findings and perspectives
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Esteban Daza, “El Parnasso”
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The early guitar in Paris: A comparative study of the music of Adrian Le Roy and Guillaume Morlaye
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Flute partita a-minor BWV 1013: arrangement for guitar
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Theme and Variations for guitar Op. 77: an analysis and background of Lennox Berkeley’s brilliant composition for the guitar
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Agustín Barrios and musical identity: Tangos in early twentieth-century guitar repertory
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An Expert System for Guitar Sheet Music to Guitar Tablature
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Two Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Solo Guitar
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Joaquín Rodrigo´s “Cuatro piezas para piano” transcribed for guitar trio
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Participating in the musical tradition of prejjem: Transmitting the guitar culture of għana within and between insular musical communities of islanders in Malta and the Maltese-Australian diaspora
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A Practical Guide for Composing and Performing Guitar-Piano Chamber Music
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CATEGORIES
GENERAL
Articles about music
Historical studies related to the guitar
THE ELECTRIC GUITAR
Construction and repair
Jazz / Blues guitar
Maintenance
pickups
Sound
THE LUTE
THE PLUCKED STRING INSTRUMENTS
THE SPANISH GUITAR
Acoustic and tuning
Analisys of musical works
Construction and repair
Guitar technique
Historical research
Methods and pedagogy
THE VIHUELA
Tablature