The guitar and plucked string instruments
Blog by the guitarist Nacho Bellido
nachobellido.com
Skip to content
Home
About…
http://www.libraryofguitar.com
www.laguitarra-blog.com
Categoría:
Construction and repair
←
Entradas anteriores
-
Studying Torres guitars
-
Resource-Sensitive Global Production Networks: Reconfigured Geographies of Timber and Acoustic Guitar Manufacturing
-
Numerical Simulation of guitar radiation fields using the boundary element method
-
Materials-inspired innovation for acoustic guitar design
-
Rise and fall of iconic guitar tonewoods and evaluation of alternative species
-
Historical analysis and remaking of two German keyed guitars from the Romantic period using traditional and digital technologies
-
Experimental Approaches on Vibratory and Acoustic Characterization of Harp-Guitars
-
Finite Element Design and Manufacturing of a Nylon-String Guitar Soundboard from Sandwich-Structured Composites
-
Design of a composite guitar
-
Towards Overcoming the Guitar’s Color Research Gap
-
Preservation and Study of Historical Guitars Museu de la Musica, Catalunya : Methodology Proposal to Play the Unplayable
-
Sound radiation measurements on guitars and other stringed musical instruments
-
New optical process of making a guitar
-
Modal parameter variability in industrial electric guitar making: Manufacturing process, wood variability, and lutherie decisions
-
The Sound of Trees: Wood Selection in Guitars and Other Chordophones
-
Towards a physical model of the guitar
-
Acoustic Guitar Repair
-
Classic Guitar Construction
-
Classical Guitar Construction in the style Antonio Torres replicating La Suprema 1864 (2) Body Assembly Install Neck,Banding and Purfeling,Fingerboard.
-
Building an acoustic steel-string
-
Luthierie Software Resources
-
Classical Guitar Construction in the style Antonio Torres replicating La Suprema 1864 (1) Hide Glue Preparation, Solera, Neck, Rosette.
-
Design of a Classical Guitar
-
A method for specifing contours of an arched plate
-
Guitar Builders 1770-1850
-
Spanish guitar bridges evolution
-
During the restoration of a Lacote Guitar Observations and reflections brought us to construct a facsimile of the famous “tripodison”
-
Lacote á Paris
-
Louis David Pons, Paris 1827 Guitar with adjustable neck
-
Spanish guitar history
-
The restoration of antique instruments deontologies and techiques
-
The Tiled Rosette of the Flattop Guitar
-
An overview of the six-course guitar
-
Mode studies of plucked stringed instruments
-
Make Your Own Spanish Guitar
-
Designing a Guitar family
-
Significant peak of guitar
-
The Belchior Dias 1581 Vihuela (Notes to the drawing and other observations)
-
An instructional guide to converting the guitar to a microtonal guitar or a fretless guitar
-
Measuring and documenting the FE 18 by Antonio de Torres
-
The Definitive Elements of the Hermann Hauser Spanish Guitar
-
An historic- hermeneutic critique about luthiery with specific reference to selected south african guitar builders
-
The restoration of a guitar made by Antonio Stradivari in Cremona in 1679: the “Sabionari”
-
Restoration of a baroque guitar made in Venice (Italy) about 1640
←
Entradas anteriores
Search for:
Drop Down Menu
Select Category
GENERAL
Articles about music
Historical studies related to the guitar
THE ELECTRIC GUITAR
Construction and repair
Jazz / Blues guitar
Maintenance
pickups
Sound
THE LUTE
THE PLUCKED STRING INSTRUMENTS
THE SPANISH GUITAR
Acoustic and tuning
Analisys of musical works
Construction and repair
Guitar technique
Historical research
Methods and pedagogy
THE VIHUELA
Tablature
CATEGORIES
GENERAL
Articles about music
Historical studies related to the guitar
THE ELECTRIC GUITAR
Construction and repair
Jazz / Blues guitar
Maintenance
pickups
Sound
THE LUTE
THE PLUCKED STRING INSTRUMENTS
THE SPANISH GUITAR
Acoustic and tuning
Analisys of musical works
Construction and repair
Guitar technique
Historical research
Methods and pedagogy
THE VIHUELA
Tablature