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Historical research
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From Commission to Publication: a Study of Mario Castelnuovo-Tedesco’s Guitar Repertoire Informed by his Correspondence with Andrés Segovia
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Effective arranging practices fors solo classical guitar
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Sor’s Allegro in the Spanish style, Natalie Houzé, and key dates in European cultural and political history
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Colombia’s Classical Guitar Repertoire: Traditional, Traditional-Popular, and Art Music Idioms
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Are replicas of Nicolás del Valle’s pear-shaped guitar from 1850 acoustically matching the original?
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Revisiting the Music-Printing Market in Seventeenth-Century Italy and the Peculiar Case of Pietro Millioni’s Guitar Books
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Oral transmission and the production of guitar tablature books in seventeenth-century Italy
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Transcription, performance and recording of Johann Sebastian Bach’s works for lute on a ten-string guitar
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Barrios’s encyclopedic approach to the guitar
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19th century Performance Practice Miguel Llobet’s Interpretation of J.S. Bach
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Violeta Parra: Life and Work
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François de Fossa, Louis Picquot and the transmission of Luigi Boccherini’s guitar quintets
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The Guitarist behind La Guitaromanie : Charles de Marescot
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Giuliani’s Naples: A Walking Tour
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Breaking the Matrix: Transcribing Bartók and Ligeti for the Guitar Using a New Capo System
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Spanish Guitarists in Nineteenth-Century São Paulo
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The Guitar as an “Open-Air” Instrument in the Early Romantic Era
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An Uncatalogued Piece by Fernando Sor?
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Henry Worrall (1825–1902): Anglo-American Guitarist
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Concepción Gómez de Jacoby: Tárrega’s Enigmatic Patron and Recuerdos de la Alhambra
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New Light on Mauro Giuliani’s Vienna Years
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The Life and Times of Josef Kaspar Mertz: New Biographical Insights
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Andrés Segovia’s Unfinished Guitar Method: Placing His “Scales” in Historical Context
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Guitar Music Manuscripts in the Senate Library of Madrid: The Canción patriótica de la Alianza and Its Experimental Notation
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Dating Trille Labarre’s Nouvelle méthode: Caught Between Printing and Publishing?
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“The Lutenist!”: Anxieties, Ambiguities, and Deviations in Julian Bream’s Discography
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Recent Sonata Theory and the Performance of Early Nineteenth-Century Guitar Sonatas
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Exploration of Late Twentieth Century American Flute and Guitar Works with Emphasis on Robert Beaser’s Mountain Songs and Lowell Liebermann’s Sonata for Flute and Guitar
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So that the soul would dance in you. The guitar in Finland before the twentieth century
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The Guitar’s Apostle: Imaginaries and Narratives Surrounding Andrés Segovia’s Religious Redemption of the Classical Guitar
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The Guitar in Arnold Schoenberg´s Serenade, Opus 24: Antecedents and Legacy
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A Survey of the Solo Guitar Works Written for Julian Bream
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Minimalism and the guitar
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The process of transcription for guitar of J.S.Bach Chaconne from partita II for violin without accompaniment BWV 1004
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Christian Gotthilf Four sonatas transcribed for guitar duo
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The Use of Guitar in Anton Webern’s Op. 18 and its Influence on His Late Works
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The Spanish guitar influence on the piano music of Isaac Albéniz and Enrique Granados: a detailed study of Granada and Asturias of Suite española by Albéniz and Andaluza and Danza triste of Doce danzas españolas by Granados
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Towards an Ethnomusicology of Contemporary Flamenco Guitar
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Fernando Sor’s Theory of Harmony Applied to the Guitar: History, Bibliography and Context
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The Guittar in the British Isles, 1750-1810
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Guitar style, open tunings and stringband music in Papua New Guinea
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Tracing the Segovia style: Collaboration and composition in the guitar Sonatinas of Mario Ponce
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Franco Margola ‘ s Chamber Works with Guitar: A Guide and Annotated Catalog
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Guitar music by japanese composers
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CATEGORIES
GENERAL
Articles about music
Historical studies related to the guitar
THE ELECTRIC GUITAR
Construction and repair
Jazz / Blues guitar
Maintenance
pickups
Sound
THE LUTE
THE PLUCKED STRING INSTRUMENTS
THE SPANISH GUITAR
Acoustic and tuning
Analisys of musical works
Construction and repair
Guitar technique
Historical research
Methods and pedagogy
THE VIHUELA
Tablature