Categoría: Jazz / Blues guitar

- Sacred Geometry: An analysis of Pat Martino’s guitar improvisations on Welcome To A Prayer

- Fretboard Navigation Strategies in Jazz Guitar Improvisation Theory and Practice

- Exploring a Modified Fifths Tuning as a Vehicle for Composition for Jazz Guitar

- Identification and analysis of Wes Montgomery’s solo phrases used in ‘West Coast Blues’

- Techniques for solo jazz guitar: Compiling and analysing six techniques crucial in creating a sense of broad harmony and rhythmic feel in unaccompanied jazz guitar

- Ted Greene: Sound, time, and unlimited possibility

- Wes Montgomery’s “Three Tiered Approach”: Texture Development in Jazz Guitar Improvisation

- The blending of African-American and European aesthetics in the guitar performance of British blues from 1965 to 1967.

- Jazz guitarist Jimmy Ponder: A Case Study of Creative Processes and Identity Formation in American Popular Music

- A comprehensive approach to teaching the Blues in the music classroom

- The Life and Music of Freddie King

- Jazz guitarist Jimmy Ponder: A Case Study of Creative Processes and Identity Formation in American Popular Music

- Production and evaluation of a self-instructional method for teaching jazz guitar

- Post-Genre: Understanding The Classical-Jazz Hybrid Of Third Stream Music Through The Guitar Works Of Frederic Hand, Ralph Towner, And Ken Hatfield

- Billy Bauer: A Life in the Bebop Guitar Business

- Jazz Standards Arranged for Classical Guitar in the Style of Art Tatum

- Blues Guitar – Legacy Learning Systems

- Jazz Guitarist Charlie Christian’s Influence on Wes Montgomery’s Improvisational Style Using Imitation to Develop Innovation

- The Reception and Impact of Wes Montgomery’s Music

- Expressive performance cues in Gypsy swing guitar style: A case study and novel analytic approach

- Stringing it all together: A study in harmony and counterpoint for solo jazz guitar

- The Rosenwinkel Introductions: Stylistic Tendencies in 10 Introductions Recorded by Jazz Guitarist Kurt Rosenwinkel

- Dissertation The Continuation of a Lineage: Applying The Afro-Cuban Son Tradition to Contemporary Jazz Guitar – Gregory David Diamond

- Creating an improviser ‘s system for jazz standards on the classical guitar

- Identification and analysis of Wes Montgomery’s solo phrases used in ‘West Coast Blues’

- Strategies in jazz guitar improvisation

- Melodic improvisation on a twelve bar blues model : an investigation of physical and historical aspects and their contribution to performance

- The Role of the Jazz Guitarist in Adapting to the Jazz Trio , the Jazz Quartet, and the Jazz Quintet

- The assimilation of jazz aesthetics in the work of post 1970′s electric guitarist composers

- The Confluence of jazz and classical music from 1950 to 1970

- Jazz Guitar Chord Melody Basics

- Strategies in jazz guitar improvisation

- Teaching materials (jazz guitar)

- Jazz Etudes for guitar

- The assimilation of jazz aesthetics in the work of post 1970′s electric guitarist composers

- Strategies in jazz guitar improvisation

- The Role of the Jazz Guitarist in Adapting to the Jazz Trio , the Jazz Quartet, and the Jazz Quintet

- Handbook for the jazz guitarist

- Imitation, assimilation and innovation : Charlie Christian’s influence on Wes Montgomery’s improvisational style in his early recordings (1957-1960)

- Blues improvisation recources. Analysis and applications in clinical improvisation

- Modeling Embellishment, Duration and Energy Expressive Transformations in Jazz Guitar

- Joes Guitar Method -Toward a jazz improver´s technique

- 5500 Guitar Chords

- The art of picking