Daniel C. Tompkins
https://www.academia.edu/25212957/Formal_Aspects_of_Mauro_Giulianis_Gran_Sonata_Eroica_in_A_Major
This paper investigates Mauro Giuliani’s approach to blending Veinnese sonata form with the Italian bel canto. Special attention will be paid to the conflict between A major and C major and its role in the medial caesura and the recapitulation. This paper also explores the question of the Gran Sonata’s authenticity and the role of the Classical guitar’s idiomatic key areas in the structure and design of the sonata.
Formal Aspects of Mauro Giuliani’s Gran Sonata Eroica in A Major
