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Blog by the guitarist Nacho Bellido
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Entradas anteriores
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Bembo to Barbetta: Lutes, Lutenists and Luthiers in Cinquecento Padua
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An Attractive and Varied Repertoire. The Guitar Revival of 1860–1900 and Victorian Song
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Luigi Legnani’s Missing Opus 9
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The Guitar Music Collection of Justin Holland
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Of Self & Circumstance Music and Representation in the Works of Rodrigo
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Fine-Tuning Ferdinand Rebay’s Second Sonata in E major for Guitar
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How to play allegro BWV 1003 for classical guitar according to baroque standards
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The Guitar at the Opera: An Investigation into Guitar Repertoire Inspired by the Operas of Vincenzo Bellini
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Sacred Geometry: An analysis of Pat Martino’s guitar improvisations on Welcome To A Prayer
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Fretboard Navigation Strategies in Jazz Guitar Improvisation Theory and Practice
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The 19th Century Song Cycle and the European Classical Guitar
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Women and the guitar in Spain’s upper classes
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Robert de Visée and the French tuning
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An Investigative Analysis of Fernando Sor’s Introduction and Variations on “O Cara Armonia” From Mozart’s The Magic Flute
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Appalachian Dreams: Traditional Folk Songs in Concert Literature for Classical Guitar
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Incorporating Classical Persian Performance Practice into the Delivery of Modern Compositions for Classical Guitar .
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Sound engineers and Guitarists Perception of the Timbre of the Electric Guitar Amplifier as Dependent on Microphone Distance
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Transcription for guitar trio of Joaquín Rodrigo’s Cuatro piezas para piano
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Adoption of Phīn tuning on Classical Guitar
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Angel Ferrera Iglesias. A Great Spanish Guitar Virtuoso and the Danish Odeon Recordings
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Albeniz’s Leyenda (Preludio-Asturias)
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Albeniz and the Guitar
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Content Analysis of Guitar Repertoire for Young People: The Michelson and Suzuki Collection
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Otra cosa es con guitarra: Representation and Significance of the Guitar in Tango Literature
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Music Performance Anxiety on the Classical Guitar: Expert Strategies in Psychology and Pedagogy
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Manuel Y. Ferrer and Miguel S. Arévalo: Premier Guitarist-Composers in Nineteenth-Century California
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From Commission to Publication: a Study of Mario Castelnuovo-Tedesco’s Guitar Repertoire Informed by his Correspondence with Andrés Segovia
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Effective arranging practices for solo classical guitar
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Scordatura on the Classical Guitar: Implications for Practice and Performance
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Sor’s Allegro in the Spanish style, Natalie Houzé, and key dates in European cultural and political history
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Formal Aspects of Mauro Giuliani’s Gran Sonata Eroica in A Major
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The Reception of Lute Pieces by the Silesian Lutenist Esaias Reusner Junior in the Levoča Manuscripts. The scribe case of Jacques Bittner
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Exploring a Modified Fifths Tuning as a Vehicle for Composition for Jazz Guitar
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Colombia’s Classical Guitar Repertoire: Traditional, Traditional-Popular, and Art Music Idioms
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Are replicas of Nicolás del Valle’s pear-shaped guitar from 1850 acoustically matching the original?
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Studying Torres guitars
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The Significant Role of the Fingernails in the Production of Tone on the Classical Guitar
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Revisiting the Music-Printing Market in Seventeenth-Century Italy and the Peculiar Case of Pietro Millioni’s Guitar Books
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Oral transmission and the production of guitar tablature books in seventeenth-century Italy
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Transcription, performance and recording of Johann Sebastian Bach’s works for lute on a ten-string guitar
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Barrios’s encyclopedic approach to the guitar
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19th century Performance Practice Miguel Llobet’s Interpretation of J.S. Bach
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Violeta Parra: Life and Work
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François de Fossa, Louis Picquot and the transmission of Luigi Boccherini’s guitar quintets
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Entradas anteriores
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CATEGORIES
GENERAL
Articles about music
Historical studies related to the guitar
THE ELECTRIC GUITAR
Construction and repair
Jazz / Blues guitar
Maintenance
pickups
Sound
THE LUTE
THE PLUCKED STRING INSTRUMENTS
THE SPANISH GUITAR
Acoustic and tuning
Analisys of musical works
Construction and repair
Guitar technique
Historical research
Methods and pedagogy
THE VIHUELA
Tablature