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Blog by the guitarist Nacho Bellido
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Incorporating Classical Persian Performance Practice into the Delivery of Modern Compositions for Classical Guitar .
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Sound engineers and Guitarists Perception of the Timbre of the Electric Guitar Amplifier as Dependent on Microphone Distance
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Transcription for guitar trio of Joaquín Rodrigo’s Cuatro piezas para piano
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Adoption of Phīn tuning on Classical Guitar
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Angel Ferrera Iglesias. A Great Spanish Guitar Virtuoso and the Danish Odeon Recordings
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Albeniz’s Leyenda (Preludio-Asturias)
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Albeniz and the Guitar
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Content Analysis of Guitar Repertoire for Young People: The Michelson and Suzuki Collection
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Otra cosa es con guitarra: Representation and Significance of the Guitar in Tango Literature
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Music Performance Anxiety on the Classical Guitar: Expert Strategies in Psychology and Pedagogy
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Manuel Y. Ferrer and Miguel S. Arévalo: Premier Guitarist-Composers in Nineteenth-Century California
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From Commission to Publication: a Study of Mario Castelnuovo-Tedesco’s Guitar Repertoire Informed by his Correspondence with Andrés Segovia
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Effective arranging practices for solo classical guitar
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Scordatura on the Classical Guitar: Implications for Practice and Performance
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Sor’s Allegro in the Spanish style, Natalie Houzé, and key dates in European cultural and political history
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Formal Aspects of Mauro Giuliani’s Gran Sonata Eroica in A Major
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The Reception of Lute Pieces by the Silesian Lutenist Esaias Reusner Junior in the Levoča Manuscripts. The scribe case of Jacques Bittner
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Exploring a Modified Fifths Tuning as a Vehicle for Composition for Jazz Guitar
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Colombia’s Classical Guitar Repertoire: Traditional, Traditional-Popular, and Art Music Idioms
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Are replicas of Nicolás del Valle’s pear-shaped guitar from 1850 acoustically matching the original?
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Studying Torres guitars
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The Significant Role of the Fingernails in the Production of Tone on the Classical Guitar
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Revisiting the Music-Printing Market in Seventeenth-Century Italy and the Peculiar Case of Pietro Millioni’s Guitar Books
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Oral transmission and the production of guitar tablature books in seventeenth-century Italy
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Transcription, performance and recording of Johann Sebastian Bach’s works for lute on a ten-string guitar
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Barrios’s encyclopedic approach to the guitar
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19th century Performance Practice Miguel Llobet’s Interpretation of J.S. Bach
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Violeta Parra: Life and Work
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François de Fossa, Louis Picquot and the transmission of Luigi Boccherini’s guitar quintets
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Tracking the Banjo: From Across the Water to the Stage and Up the Mountains
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The Guitarist behind La Guitaromanie : Charles de Marescot
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Giuliani’s Naples: A Walking Tour
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Reginald Smith Brindle’s Concept of Tonal-Atonal Equilibrium in Theory and Practice
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Breaking the Matrix: Transcribing Bartók and Ligeti for the Guitar Using a New Capo System
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Monitored Freedom: Swing Rhythm in the Jazz Arrangements of Roland Dyens
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Spanish Guitarists in Nineteenth-Century São Paulo
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“For Andrés Segovia”: Francisco de Lacerda’s Suite goivos (1924)
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The Guitar as an “Open-Air” Instrument in the Early Romantic Era
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An Uncatalogued Piece by Fernando Sor?
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Henry Worrall (1825–1902): Anglo-American Guitarist
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Concepción Gómez de Jacoby: Tárrega’s Enigmatic Patron and Recuerdos de la Alhambra
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New Light on Mauro Giuliani’s Vienna Years
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The Life and Times of Josef Kaspar Mertz: New Biographical Insights
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Andrés Segovia’s Unfinished Guitar Method: Placing His “Scales” in Historical Context
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Entradas anteriores
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CATEGORIES
GENERAL
Articles about music
Historical studies related to the guitar
THE ELECTRIC GUITAR
Construction and repair
Jazz / Blues guitar
Maintenance
pickups
Sound
THE LUTE
THE PLUCKED STRING INSTRUMENTS
THE SPANISH GUITAR
Acoustic and tuning
Analisys of musical works
Construction and repair
Guitar technique
Historical research
Methods and pedagogy
THE VIHUELA
Tablature