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Some observations on the origins and authorship of Aguado’s Escuela

Matanya Ophee

This article, originally read as a paper at the 2013 Lake Konstanze guitar history research meeting, presents data which tends to suggest that the entire text of Dionisio Aguado’s 1825 Escuela, was actually written by the person who translated it into French a year later — François de Fossa (1775-849).

Some observations on the origins and authorship of Aguado’s Escuela

This entry was posted in Historical research, Methods and pedagogy, THE SPANISH GUITAR. Bookmark the permalink.


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