Categoría: GENERAL

- The history of Boccherini’s quintets with guitar

- A Mauro Guiuliani guitar in London

- Johan Anton Losy (1645-1721):A lutenist of Prague

- The myth of Schubert and the guitar

- Strining and Tuning the renaissance four course guitar:Interpreting the primary sources

- How Barrios was rescued from obscurity

- The Teaching of the Guitar in England during the 19th Century

- The use of renaissance vocal polyphonic music in the vihuela and lute repertoire

- Isaac Albéniz –An essay on the man,his music and his relationship to the guitar

- The barroque guitar as an accompaniment instrument for song,dance and theatre

- Franz Schubert music with guitar:A study of the guitar´s role in Biedermeier Vienna

- Strining of the five course guitar

- Francisco Tarrega and the art of guitar transcription

- The Early History of the Guitar in America

- The Guitar and the Birth of American Music

- Santiago de Murcia (1673-1739):new contributions on his life and work

- The Royal College Dias – guitar or vihuela?

- Original printed music for the Spanish vihuela de mano

- The guitarra latina.Spain ca 1620 from the Cantigas de Santa María

- A new guitar teaching philosophy

- The Spanish Romance: From Street Music to Court Music

- The role of lute in sixteenth-century consorts: Evidences from Terzi´s Intabulations

- The siguiriyas song form in flamenco:a historical and comparative study

- Manuel Ponce and the Suite in A minor: Its Historical Significance and an Examination of Existing Editions

- Key factors that contributed to the guitar developing into a solo instrument in the early 19th century

- The progresion of Villa-Lobos compositional style from the Suite Popular Brasileiro to the Doze Estudos

- An Analysis of Mario Castelnuovo-Tedesco’s Vogelweide: Song Cycle for Baritone and Guitar

- Santiago de Murcia: The French Connection in Baroque Spain

- Jazz guitar, the history, the players

- Jazz guitar improvisation:Beguining with guide-notes

- Wes Montgomery-Round midnight: Expressions and interpretations

- Gitara gasy:Guitar Music of Madagascar

- Little Dots:A study of melodies of the guitarist Frank Zappa

- The Musicologist Behind the Composer: The Impact of Historical Studies upon the Creative Life in Joaquín Rodrigo’s Guitar Compositions

- The influence of Flamenco on the guitar works of Joaquin Turina.

- The Arrangements of Roland Dyens and Sérgio Assad: Innovations in Adapting Jazz Standards and Jazz-influenced Popular Works to the Solo Classical Guitar

- The early guitar in Paris: A comparative study of the music of Adrian Le Roy and Guillaume Morlaye

- Elements of Symmetry and Flamenco Tradition in Loris O. Chobanian’s “Concerto del Fuego”

- Luigi Rinaldo Legnani: His life and position in European music , with an annotated performance edition of selections from 36 Capricci Opus 20.

- A History of Bluegrass Guitar in Western North Carolina

- Agustin Barrios Mangore:A study in the articulation of cultural identity