Categoría: Analisys of musical works

- The Toccatas of Johannes Hieronymus Kapsberger’s Libro Primo D’Intavolatura Di Lauto: Analysis, Performance Practice, and Transcription for Modern Classical Guitar

- Henri Sauguet’s unpublished guitar music

- Divergence and convergence in Spanish classical and flamenco guitar traditions (1850-2016) -

- Grand Solo Op.14 & Rondo Op2. N3: The Sonority of the Classical Era

- Six Keyboard Sonatas of Manuel Blasco de Nebra: Transcriptions for Guitar and Analysis of Spanish Folk Music Influences, and Use of Keyboard Techniques that Imitate the Guitar, as Inspired by Domenico Scarlatti

- J.S. Bach’s Suite in G Minor, BWV 995: A Comparison of Manuscripts for Violoncello, Lute and Lute Intabulation as a Model for a Guitar Arrangement of the Suite in D Major BWV 1012

- Concerto for Guitar and Small Orchestra by Heitor Villa-Lobos: Critical Commentary and Transcription for Two Guitars

- The folia: Manuel Ponce and his variations

- Broadening the Repertoire for Guitar and Piano: An Arrangement of Bachianas Brasileiras No. 1 by Heitor Villa-Lobos

- The first three guitar sonatas of David del Puerto –

- The Influence of Neoclassicism in Selected Guitar Works by Joaquín Rodrigo: Implications for Performance

- Homenaje. An Analysis of Manuel de Falla’s Le Tombeau de Claude Debussy

- An Overview and Performance Guide to the 10 Etudes for Guitar by Giulio Regondi – Stephen Lochbaum

- François le Cocq’s Music for the 5-course Guitar: Consideration of Composition and Performance Style

- Counterpoint and Performance of Guitar Music – Historical and Contemporary Case Studies

- The Progression of Villa-Lobos Compositional Style from the Suite Popular Brasileiro to the Doze Estudo

- An Analysis of Phrase Structures in the first movement of Leo Brouwer´s Elogio de la Danza – Bogdan Vasile Focsaneanu

- Manuel M. Ponce: A critical study of his concierto romantico

- The music of Alberto Ginastera transcribed for guitar. A performance edition of danzas argentinas for guitar quartet – Philip Jason Snyder

- Pierre de Breville’s Fantaisie

- Lennox Berkeley’s Quatre Pieces Pour La Guitare

- An Analysis of Villa Lobos’s’ Twelve Etudes for Guitar

- Franz Schubert’s Chamber Music with Guitar: A Study of the Guitar’s Role in Biedermeier Vienna.

- A Survey of the Solo Guitar Works Written for Julian Bream

- Guide to the Interpretation of John Dowland’s “Queen Elizabeth’s Galliard P.41,” “Lachrimae Pavan P.15,” “Farewell Fantasy P.3,” and “Forlorn Hope Fancy P.2″ Transcribed for Guitar

- Primary Sources and Editions of Suite Popular Brasileira, Choros No. 1, and Five Preludes, by Heitor Villa-Lobos: A Comparative Survey of Differences

- The developement of the solo classical guitar repertoire 1800-1950

- Exploring the patterns, figures and flowing ideas of Leo Brouwer

- The guitar works of Mario Castelnuovo-Tedesco : editorial principles, comparative source studies and critical editions of selected works

- Cuban Artist, Leo Brouwer, and his solo guitar works: Pieza Sin Titulo To Elogio de la Danza. A contextual-analytical study

- Music for Classical guitar By South African Composers. A historical survey, notes on selected works and a general catalogue

- Villa-Lobos´s Cinq Preludes: An analysis of influences

- Analytical Perpectiveson on Three Groundbreaking Composers for Guitar: Villa-Lobos, Martin and Britten

- An Analysis of Astor Piazzolla’s Histoire du Tango for Flute and Guitar and the Influence of Latin Music on Flute Repertoire

- A Survey of Four Original Works for Clarinet and Guitar and Their Effect on Compositional Output for the Repertoire

- The Solo Guitar Music of Carlo Domeniconi: An exploration of the diverses influences

- An Annotated Bibliography of Works by the Brazilian Composer Sérgio Assad

- Sérgio Assad’s Aquarelle and Fantasia Carioca: A Performer’s Guide

- Guidelines for Transcribing Baroque Lute Music for the Modern Guitar, Using Silvius Leopold Weiss’s Sonata

- Contemporary Mexican Classical Guitar Music at the Turn of the Twenty-First Century: Selected Compositions 1988-2003

- Mauro Giuliani: Instrumental and Vocal Style in Le Sei Rossiniane

- Turkish Musical Influences upon Carlo Domeniconi’s Variations on an Anatolian Folk Song and Koyunbaba: Implications for Performance

- A performance edition with critical commentary on Joaquin Rodrigo’s “Invocación y Danza”

- A comparative analysis of two guitar transcription of Isaac Albeniz´s Granada