The guitar and plucked string instruments
Blog by the guitarist Nacho Bellido
nachobellido.com
Skip to content
Home
About…
http://www.libraryofguitar.com
www.laguitarra-blog.com
Categoría:
THE SPANISH GUITAR
←
Entradas anteriores
Entradas posteriores
→
-
The Emergence of Leo Brouwer’s Compositional Periods: The Guitar, Experimental Leanings, and New Simplicity
-
The Progression of Villa-Lobos Compositional Style from the Suite Popular Brasileiro to the Doze Estudo
-
An Analysis of Phrase Structures in the first movement of Leo Brouwer´s Elogio de la Danza – Bogdan Vasile Focsaneanu
-
Manuel M. Ponce: A critical study of his concierto romantico
-
The music of Alberto Ginastera transcribed for guitar. A performance edition of danzas argentinas for guitar quartet – Philip Jason Snyder
-
The Early Nineteenth Century Guitar: An Interpretive Context for the Contemporary Performer
-
The Influence of Miguel Llobet on the Pedagogy Repertoire and Stature of the Guitar in the Twentieth Century
-
Pierre de Breville’s Fantaisie
-
Lennox Berkeley’s Quatre Pieces Pour La Guitare
-
The classical guitar: a study in structural, technical and musical evolution (1974)
-
The History of the Guitar: Its Origins and Evolution
-
The guitar in the sixteen-seventies Baroque guitar stringing for the works of Francesco Corbetta and Gaspar Sanz
-
An Analysis of Villa Lobos’s’ Twelve Etudes for Guitar
-
The development and validation of an instrument for measuring the music sight-reading skills of classical guitarists at the college entry level
-
Creating an improviser ‘s system for jazz standards on the classical guitar
-
Design of a composite guitar
-
Legato and glissando identification in classical guitar
-
Adapting Traditional Kentucky Thumbpicking Repertoire for the Classical Guitar
-
Franz Schubert’s Chamber Music with Guitar: A Study of the Guitar’s Role in Biedermeier Vienna.
-
A Survey of the Solo Guitar Works Written for Julian Bream
-
Guide to the Interpretation of John Dowland’s “Queen Elizabeth’s Galliard P.41,” “Lachrimae Pavan P.15,” “Farewell Fantasy P.3,” and “Forlorn Hope Fancy P.2″ Transcribed for Guitar
-
Primary Sources and Editions of Suite Popular Brasileira, Choros No. 1, and Five Preludes, by Heitor Villa-Lobos: A Comparative Survey of Differences
-
The Birth of the Classic Guitar and Its Cultivation in Vienna Reflected in the Career and Composition of Mauro Giuliani.
-
The technique and artistry of melodic phrasing in the spanish classical guitar tradition
-
The developement of the solo classical guitar repertoire 1800-1950
-
The relevance of the teaching methods of Dionisio Aguado, Fernando Sor and Andres Segovia for guitara technique in the late 20th century
-
Exploring the patterns, figures and flowing ideas of Leo Brouwer
-
Towards Overcoming the Guitar’s Color Research Gap
-
Preservation and Study of Historical Guitars Museu de la Musica, Catalunya : Methodology Proposal to Play the Unplayable
-
Sound radiation measurements on guitars and other stringed musical instruments
-
The guitar works of Mario Castelnuovo-Tedesco : editorial principles, comparative source studies and critical editions of selected works
-
Biomechanical modelling of musical performance : a case study of the guitar
-
Acoustic guitar practice and acousticity : establishing modalities of creative practice
-
Cuban Artist, Leo Brouwer, and his solo guitar works: Pieza Sin Titulo To Elogio de la Danza. A contextual-analytical study
-
A suggestopaedia-based method of guitar instruction
-
Music for Classical guitar By South African Composers. A historical survey, notes on selected works and a general catalogue
-
Designing and Evaluating a Tablet Application for Guitar Effect Control
-
Rethinking tradition : towards an ethnomusicology of contemporary flamenco guitar
-
Classical Guitar Method Volume I (Beginner)
-
New optical process of making a guitar
-
Marco Pereira: Brazilian Guitar virtuoso
-
Villa-Lobos´s Cinq Preludes: An analysis of influences
-
Analytical Perpectiveson on Three Groundbreaking Composers for Guitar: Villa-Lobos, Martin and Britten
-
An Analysis of Astor Piazzolla’s Histoire du Tango for Flute and Guitar and the Influence of Latin Music on Flute Repertoire
←
Entradas anteriores
Entradas posteriores
→
Search for:
Drop Down Menu
Select Category
GENERAL
Articles about music
Historical studies related to the guitar
THE ELECTRIC GUITAR
Construction and repair
Jazz / Blues guitar
Maintenance
pickups
Sound
THE LUTE
THE PLUCKED STRING INSTRUMENTS
THE SPANISH GUITAR
Acoustic and tuning
Analisys of musical works
Construction and repair
Guitar technique
Historical research
Methods and pedagogy
THE VIHUELA
Tablature
CATEGORIES
GENERAL
Articles about music
Historical studies related to the guitar
THE ELECTRIC GUITAR
Construction and repair
Jazz / Blues guitar
Maintenance
pickups
Sound
THE LUTE
THE PLUCKED STRING INSTRUMENTS
THE SPANISH GUITAR
Acoustic and tuning
Analisys of musical works
Construction and repair
Guitar technique
Historical research
Methods and pedagogy
THE VIHUELA
Tablature