guitarraraul

The process of transcription for guitar of J.S.Bach Chaconne from partita II for violin without accompaniment BWV 1004

Heber Manuel Pérez Torres

https://digital.library.unt.edu/

Our concern in this Thesis is to study gestures in classic guitar, it covers research   made in the Mields of  gestures analysis, sensors, gesture acquisition models and   guitar gestures. Recent papers and books along with other Thesis are presented as   scientiMic background for this project which is mainly inspired by the research of   Guitar Lab , in fact their gesture acquisition model is used as a starting point, with   the goals of  (1) improving the gesture acquisition system and (2) get a deeper   analysis of gestures that could help Guitar Lab’s research towards expressivity.

With regard to the gesture acquisition prototype, it is based on capacitive sensors   that are able to detect the presence and pressure over a fret of the guitar a brief   analysis   of   the  original  model  is   made  to   demonstrate  it’s   capabilities   and   its   weakness,   the   capacitive   sensors   were   renewed   using   new   components,   an   addition to the hardware was made by placing a linear potentiometer that detects   the position of the thumb in the back of the neck of the guitar.

The renewed prototype was probed  and  an deep analysis of the achievements and   failures of the model is presented. Towards one of the aims of the Guitar lab to use   the prototype for an application different to the gesture analysis, we created an   augmented guitar using the sensors as controllers to generate sound and trigger   music samples.

The process of transcription for guitar of J.S.Bach Chaconne from partita II for violin without accompaniment BWV 1004

This entry was posted in Analisys of musical works, Historical research, THE SPANISH GUITAR. Bookmark the permalink.


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