Categoría: GENERAL

- Santiago de Murcia: The French Connection in Baroque Spain

- Jazz guitar, the history, the players

- Jazz guitar improvisation:Beguining with guide-notes

- Wes Montgomery-Round midnight: Expressions and interpretations

- Gitara gasy:Guitar Music of Madagascar

- Little Dots:A study of melodies of the guitarist Frank Zappa

- The Musicologist Behind the Composer: The Impact of Historical Studies upon the Creative Life in Joaquín Rodrigo’s Guitar Compositions

- The influence of Flamenco on the guitar works of Joaquin Turina.

- The Arrangements of Roland Dyens and Sérgio Assad: Innovations in Adapting Jazz Standards and Jazz-influenced Popular Works to the Solo Classical Guitar

- The early guitar in Paris: A comparative study of the music of Adrian Le Roy and Guillaume Morlaye

- Elements of Symmetry and Flamenco Tradition in Loris O. Chobanian’s “Concerto del Fuego”

- Luigi Rinaldo Legnani: His life and position in European music , with an annotated performance edition of selections from 36 Capricci Opus 20.

- A History of Bluegrass Guitar in Western North Carolina

- Agustin Barrios Mangore:A study in the articulation of cultural identity

- Hillbilly music and the roots of Bluegrass guitar

- An Unknown French Song by Fernando Sor in Sweden

- Two unknow guitar works by Fernando Sor

- Georgina Gregory guitar manuscript.Edimburg c.1830-40

- J. A. Hudleston (1799-1865) A Guitarist in Nineteenth Century India

- Jazz guitar, the history, the players

- Pat Metheny:Composing to exploit the sound of guitar

- Intuition and fretboard intimacy:approaching improvisation on the guitar (jazz,blues,rock)

- Transcribing the gamba music of Marin Marais to the guitar

- Solo Lyra Viol music of Tobias Hume (1579-1645):Historical context and transcription for modern guitar

- Fantasia X from El Maestro By Luis Milán. Historical Background, Modal Analysis, and Transcription for Guitar Solo

- The role of development of the guitar and the changing performance techniques on evolution of “folia variations” writen for the guitar

- Bach’s Lute Suites: This Myth is Busted

- The form of the preludes to bach´s unaccompanied cello suites

- From the Blues to Hip Hop

- Aspects of interpretation and improvisation in the performance of brazilian guitar music

- The genius of Joe Pass (1929-1994)

- Modernist representation of the guitar and the instrument´s classical revival in the 1920s

- An overview of the six-course guitar

- Performer’s Guide to Michael Tippett’s The Blue Guitar

- The guitar, the musette and meaning in the “fêtes galantes” of Watteau

- La folía de España:Dances for guitar

- Fretboard Harmony for University Study: Method and Historical Context

- Carlo Milanuzzi’s Quarto Scherzo and the Climate of Venetian Popular Music in the 1620

- House music for recusants in Elizabethan England: performance practice in the music collection of Edward Paston (1550-1630)

- The guitar and the mandolin: Biographies of Celebrated Masters and Composers for these instruments

- Schizophonic Performance: Guitar Hero, Rock Band, and Virtual Virtuosity

- The Transcriber’s Art articles

- Stalking the oldest six-string guitar

- Mysteries in the history of the spanish guitar