The siguiriyas song form in flamenco:a historical and comparative study

This  thesis will discuss and analyze interpretation and structutures of the siguiriyas by two master flamenco guitarist.Mario Cordoba and Guillermo Rios.The differences in their interpretation exmeply change in flamenco guitar style as a a whole
By Benett Thomas Zussman

The siguiriyas song form in flamenco

This entry was posted in Historical research and tagged . Bookmark the permalink.

Leave a Reply

Your email address will not be published.


You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>