This paper examines the depiction of the guitar and musette in the fêtes galantes of Watteau by considering the theoretical, musical and literary evidence for the reception of these instruments in Watteau’s culture. Documentary evidence suggests that the presence of the guitar and musette in the fêtes galantes may provide a tool for reading the nuances of these contested images.
John Weretka
the guitar the musette and meaning in the fetes galantes of watteau
http://www.melbourneartjournal.unimelb.edu.au/E-MAJ/pdf/issue3/weretka.pdf
