Categoría: GENERAL

- Imitative and Associative Learning of Complex Finger Actions

- Rhythm versus tempo

- Baroque Guitar for the Modern Performer A Practical Compromise

- The development of right hand guitar technique with reference to sound production

- Buying a nylon string guitar

- Making the transition from guitar to lute

- Justin Holland(1819-1887): Black guitarrist in the western reserve

- Guitar Making.The Acoustician´s Tale

- Mode studies of plucked stringed instruments

- Make Your Own Spanish Guitar

- Designing a Guitar family

- Significant peak of guitar

- The Belchior Dias 1581 Vihuela (Notes to the drawing and other observations)

- An instructional guide to converting the guitar to a microtonal guitar or a fretless guitar

- Measuring and documenting the FE 18 by Antonio de Torres

- The Definitive Elements of the Hermann Hauser Spanish Guitar

- An historic- hermeneutic critique about luthiery with specific reference to selected south african guitar builders

- The restoration of a guitar made by Antonio Stradivari in Cremona in 1679: the “Sabionari”

- Restoration of a baroque guitar made in Venice (Italy) about 1640

- The Presence and Absence of Music as a Cue for the Reciprocal Inhibition of Guitar Performance Anxiety

- The Significance of Justin Holland’s Modern Method for the Guitar

- A Performer’s Guide to Toru Takemitsu’s In the Woods

- Protected: Restoration of a Selmer guitar, number 882

- Aspects regarding dynamic behaviour of ligno-cellulose plates

- Classical guitar intonation

- Guitar’s Intonation

- Microtonal systems and guitar composition

- Guitar resonances and Chladni patterns

- Modal analysis of different types of classical guitar bodies

- Function,construction and quality of the guitar

- A history of the six string bass and the evolution of the baritone guitar

- The Early History of the Guitar in America

- The Ashborn Banjo

- Classics of the Russian guitar