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- Pat Metheny:Composing to exploit the sound of guitar

- Intuition and fretboard intimacy:approaching improvisation on the guitar (jazz,blues,rock)

- Transcribing the gamba music of Marin Marais to the guitar

- Solo Lyra Viol music of Tobias Hume (1579-1645):Historical context and transcription for modern guitar

- Fantasia X from El Maestro By Luis Milán. Historical Background, Modal Analysis, and Transcription for Guitar Solo

- The role of development of the guitar and the changing performance techniques on evolution of “folia variations” writen for the guitar

- Bach’s Lute Suites: This Myth is Busted

- The form of the preludes to bach´s unaccompanied cello suites

- From the Blues to Hip Hop

- Aspects of interpretation and improvisation in the performance of brazilian guitar music

- The genius of Joe Pass (1929-1994)

- Modernist representation of the guitar and the instrument´s classical revival in the 1920s

- An overview of the six-course guitar

- Performer’s Guide to Michael Tippett’s The Blue Guitar

- The guitar, the musette and meaning in the “fêtes galantes” of Watteau

- La folía de España:Dances for guitar

- Fretboard Harmony for University Study: Method and Historical Context

- Carlo Milanuzzi’s Quarto Scherzo and the Climate of Venetian Popular Music in the 1620

- House music for recusants in Elizabethan England: performance practice in the music collection of Edward Paston (1550-1630)

- The guitar and the mandolin: Biographies of Celebrated Masters and Composers for these instruments

- Schizophonic Performance: Guitar Hero, Rock Band, and Virtual Virtuosity

- The Transcriber’s Art articles

- Stalking the oldest six-string guitar

- Mysteries in the history of the spanish guitar

- Bossa Nova for guitar

- Complete Study of tremolo

- Juan Martin´s Guitar Method

- Rasgueos for everyone

- Modality and technique in guitar improvisation of Joe Satriani and Steve Vai

- Ornamentation and the guitar:An overview of Style and technique

- The art of ragtime guitar

- Rethinking guitar pedagogy

- Creating an improviser system for jazz standars on the classical guitar

- Single string scale technique and the classic guitar

- Some introductory remarks on 19th-century guitar performance practica

- Preludes, Cadences and Composition for Guitar in 19th-Century Teaching Practice

- Acoustics for violin and guitar makers

- 10 Reasons – Why most people fail to master the Classical Guitar

- Imitative and Associative Learning of Complex Finger Actions

- Rhythm versus tempo

- Baroque Guitar for the Modern Performer A Practical Compromise

- The development of right hand guitar technique with reference to sound production

- Buying a nylon string guitar

- Making the transition from guitar to lute