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- The arrangements of motets in Wurstisen lute book. More about the process of intabulation

- The classical guitar: a study in structural, technical and musical evolution (1974)

- The History of the Guitar: Its Origins and Evolution

- The guitar in the sixteen-seventies Baroque guitar stringing for the works of Francesco Corbetta and Gaspar Sanz

- The Spanish guitar influence on the piano music of Isaac Albéniz and Enrique Granados: a detailed study of Granada and Asturias of Suite española by Albéniz and Andaluza and Danza triste of Doce danzas españolas by Granados

- Paganini’s 24 Caprices Opus 1: A Transcription for Electric Guitar and analysis and development of the techniques required to perfrom them

- An Analysis of Villa Lobos’s’ Twelve Etudes for Guitar

- The development and validation of an instrument for measuring the music sight-reading skills of classical guitarists at the college entry level

- Creating an improviser ‘s system for jazz standards on the classical guitar

- Design of a composite guitar

- Legato and glissando identification in classical guitar

- Adapting Traditional Kentucky Thumbpicking Repertoire for the Classical Guitar

- Franz Schubert’s Chamber Music with Guitar: A Study of the Guitar’s Role in Biedermeier Vienna.

- A Survey of the Solo Guitar Works Written for Julian Bream

- Guide to the Interpretation of John Dowland’s “Queen Elizabeth’s Galliard P.41,” “Lachrimae Pavan P.15,” “Farewell Fantasy P.3,” and “Forlorn Hope Fancy P.2″ Transcribed for Guitar

- Primary Sources and Editions of Suite Popular Brasileira, Choros No. 1, and Five Preludes, by Heitor Villa-Lobos: A Comparative Survey of Differences

- Identification and analysis of Wes Montgomery’s solo phrases used in ‘West Coast Blues’

- The Birth of the Classic Guitar and Its Cultivation in Vienna Reflected in the Career and Composition of Mauro Giuliani.

- The Lute in the Dutch Golden Age: Musical Culture in the Netherlands 1580-1670

- The technique and artistry of melodic phrasing in the spanish classical guitar tradition

- The developement of the solo classical guitar repertoire 1800-1950

- The relevance of the teaching methods of Dionisio Aguado, Fernando Sor and Andres Segovia for guitara technique in the late 20th century

- The Classical Guitar in Paris: Composers and Performers c.1920-1960

- Exploring the patterns, figures and flowing ideas of Leo Brouwer

- The Seventeenth-Century Battaglie for Lute in Italy

- Towards Overcoming the Guitar’s Color Research Gap

- Preservation and Study of Historical Guitars Museu de la Musica, Catalunya : Methodology Proposal to Play the Unplayable

- Sound radiation measurements on guitars and other stringed musical instruments

- The guitar works of Mario Castelnuovo-Tedesco : editorial principles, comparative source studies and critical editions of selected works

- Biomechanical modelling of musical performance : a case study of the guitar

- Strategies in jazz guitar improvisation

- Acoustic guitar practice and acousticity : establishing modalities of creative practice

- Cuban Artist, Leo Brouwer, and his solo guitar works: Pieza Sin Titulo To Elogio de la Danza. A contextual-analytical study

- A suggestopaedia-based method of guitar instruction

- Music for Classical guitar By South African Composers. A historical survey, notes on selected works and a general catalogue

- Melodic improvisation on a twelve bar blues model : an investigation of physical and historical aspects and their contribution to performance

- Designing and Evaluating a Tablet Application for Guitar Effect Control

- Electric guitar pickup caracterization and modelling

- The Role of the Jazz Guitarist in Adapting to the Jazz Trio , the Jazz Quartet, and the Jazz Quintet

- Rethinking tradition : towards an ethnomusicology of contemporary flamenco guitar

- The assimilation of jazz aesthetics in the work of post 1970′s electric guitarist composers

- The Confluence of jazz and classical music from 1950 to 1970

- John Dowland, celebrity lute teacher

- Form in Paul Simon’s music