Acoustic guitar practice and acousticity : establishing modalities of creative practice

 

 

The contemporary  acoustic guitar has developed  from its origins in the ‘Spanish’ guitar to become a global instrument and the musical voice of a wide range of styles. The very ‘acousticity’ of the instrument positions it as a binary opposite to the electric guitar ano as a signifier for the organic and the natural world, artistry and maturity, eclecticism and the esoteric. In this concept-rooted submission,  the acoustic and guitaristic nature of the instrument  is considered in relation to a range of social, cultural and artistic concerns, and composition is used primarily to test a thesis, wherein a portfolio of original compositions, presented as recordings and understood  as phonograms,  comment  upon and reflect upon modes of performativity: instrument specific performance, introspection, virtuosity, mediation by technology and performance subjectivities.

uk.bl.ethos.445577 Roderick Sinclair

http://ethos.bl.uk/

Acoustic guitar practice and acousticity : establishing modalities of creative practice

VOL 1

VOL 2

 

http://bibliotecadelaguitarra.com

This entry was posted in Acoustic and tuning, THE SPANISH GUITAR and tagged , , , , , . Bookmark the permalink.


Leave a Reply

Your email address will not be published.

vsKC0

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>