Author Archives: admin

- Alberto Ginastera and the Guitar Chord: An Analytical Study

- A Pedagogical and Analytical Study of Dušan Bogdanović’s Polyrhythmic and Polymetric Studies for Guitar

- Compositional practices in Leo Brouwer’s Elogio de la danza : transitions from his early style to the avant-garde

- Lawrence Weiner’s Concerto for Guitar and Orchestra: Analysis and Performance Considerations

- Real-time musical analysis of polyphonic guitar audio

- Thomas Robinson The schoole of musicke : where is taught, the perfect method, of true fingering of the lute (1603)

- Catalogue des sources manuscrites en tablature, Luth et theorbe c1500 c1800

- Guitars are non-linear!

- Imitation, assimilation and innovation : Charlie Christian’s influence on Wes Montgomery’s improvisational style in his early recordings (1957-1960)

- An analitic and comparative study of Francisco Tárrega´s two volumenes of guitar studies

- Tarrega’s Transcriptions of Chopin for Guitar and their Influence on his own Compositions

- Emulating electric guitar effects with neural networks

- Blues improvisation recources. Analysis and applications in clinical improvisation

- Modeling Embellishment, Duration and Energy Expressive Transformations in Jazz Guitar

- An analysis to the guitar Lab´s gesture acquisition prototype with the aim of improving it

- Joes Guitar Method -Toward a jazz improver´s technique

- Electric Guitars design, production and repair

- Classical Guitar Construction in the style Antonio Torres replicating La Suprema 1864 (2) Body Assembly Install Neck,Banding and Purfeling,Fingerboard.

- Building an acoustic steel-string

- Luthierie Software Resources

- Classical Guitar Construction in the style Antonio Torres replicating La Suprema 1864 (1) Hide Glue Preparation, Solera, Neck, Rosette.

- Turkish Oud Construction (2)

- 19th Century North American Guitar Music

- Design of a Classical Guitar

- A method for specifing contours of an arched plate

- Turkish Oud Construction (1)

- 5500 Guitar Chords

- Building the balalaika.A russian folk instrument

- Yes we can chords

- Melody and accompaniment

- Mandolin playing in Minneapolis and Sant Paul

- Guitar Builders 1770-1850

- Exploring bandora solos from a lute players perspective

- The Alfonsine Encyclopaedia of music

- The rules of musical interpretation in baroque era

- Domenico Scarlatti A contribution to our understanding of his sonatas through performance and research

- The Spanish Guitar

- Selected Works of Craig H. Russell

- Two-part didactic music in printed Italian collections of the Renaissance and Baroque (1521-1744)

- Learning every note on the guitar

- Ernest Shand (1868 – 1924) Premier concerto pour guitarre

- Joan Carles Amat (1572-1642) The spanish guitar- Which shows how to tune and how to play chords “rasgado” in a wonderful manner

- Tomas de Santa Maria and the printing of instrumental music in sixteenth-century Spain

- The african guitar