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- An Overview and Performance Guide to the 10 Etudes for Guitar by Giulio Regondi – Stephen Lochbaum

- François le Cocq’s Music for the 5-course Guitar: Consideration of Composition and Performance Style

- Stringing it all together: A study in harmony and counterpoint for solo jazz guitar

- The Rosenwinkel Introductions: Stylistic Tendencies in 10 Introductions Recorded by Jazz Guitarist Kurt Rosenwinkel

- Counterpoint and Performance of Guitar Music – Historical and Contemporary Case Studies

- An Evaluation of the Use of Fingernail in Classical Guitar Training According to the Expert Opinions

- Francisco Tarrega the Story of Capricho Arabe

- The Guitar in the Middle Ages and Renaissance

- Anton Webernʼs Guitar as a Model for the Orchestration of His Late Works

- The Emergence of Leo Brouwer’s Compositional Periods: The Guitar, Experimental Leanings, and New Simplicity

- The Progression of Villa-Lobos Compositional Style from the Suite Popular Brasileiro to the Doze Estudo

- An Analysis of Phrase Structures in the first movement of Leo Brouwer´s Elogio de la Danza – Bogdan Vasile Focsaneanu

- Manuel M. Ponce: A critical study of his concierto romantico

- The music of Alberto Ginastera transcribed for guitar. A performance edition of danzas argentinas for guitar quartet – Philip Jason Snyder

- The Early Nineteenth Century Guitar: An Interpretive Context for the Contemporary Performer

- The Influence of Miguel Llobet on the Pedagogy Repertoire and Stature of the Guitar in the Twentieth Century

- Dissertation The Continuation of a Lineage: Applying The Afro-Cuban Son Tradition to Contemporary Jazz Guitar – Gregory David Diamond

- Pierre de Breville’s Fantaisie

- Lennox Berkeley’s Quatre Pieces Pour La Guitare

- Emanuel Wurstisen’s manuscript (CH-Bu Ms. F.IX.70) as a source of German lute tablature

- The arrangements of motets in Wurstisen lute book. More about the process of intabulation

- The classical guitar: a study in structural, technical and musical evolution (1974)

- The History of the Guitar: Its Origins and Evolution

- The guitar in the sixteen-seventies Baroque guitar stringing for the works of Francesco Corbetta and Gaspar Sanz

- The Spanish guitar influence on the piano music of Isaac Albéniz and Enrique Granados: a detailed study of Granada and Asturias of Suite española by Albéniz and Andaluza and Danza triste of Doce danzas españolas by Granados

- Paganini’s 24 Caprices Opus 1: A Transcription for Electric Guitar and analysis and development of the techniques required to perfrom them

- An Analysis of Villa Lobos’s’ Twelve Etudes for Guitar

- The development and validation of an instrument for measuring the music sight-reading skills of classical guitarists at the college entry level

- Creating an improviser ‘s system for jazz standards on the classical guitar

- Design of a composite guitar

- Legato and glissando identification in classical guitar

- Adapting Traditional Kentucky Thumbpicking Repertoire for the Classical Guitar

- Franz Schubert’s Chamber Music with Guitar: A Study of the Guitar’s Role in Biedermeier Vienna.

- A Survey of the Solo Guitar Works Written for Julian Bream

- Guide to the Interpretation of John Dowland’s “Queen Elizabeth’s Galliard P.41,” “Lachrimae Pavan P.15,” “Farewell Fantasy P.3,” and “Forlorn Hope Fancy P.2″ Transcribed for Guitar

- Primary Sources and Editions of Suite Popular Brasileira, Choros No. 1, and Five Preludes, by Heitor Villa-Lobos: A Comparative Survey of Differences

- Identification and analysis of Wes Montgomery’s solo phrases used in ‘West Coast Blues’

- The Birth of the Classic Guitar and Its Cultivation in Vienna Reflected in the Career and Composition of Mauro Giuliani.

- The Lute in the Dutch Golden Age: Musical Culture in the Netherlands 1580-1670

- The technique and artistry of melodic phrasing in the spanish classical guitar tradition

- The developement of the solo classical guitar repertoire 1800-1950

- The relevance of the teaching methods of Dionisio Aguado, Fernando Sor and Andres Segovia for guitara technique in the late 20th century

- The Classical Guitar in Paris: Composers and Performers c.1920-1960

- Exploring the patterns, figures and flowing ideas of Leo Brouwer