The guitar and plucked string instruments
Blog by the guitarist Nacho Bellido
nachobellido.com
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GENERAL
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The Lutes in the Museo de la música de Barcelona
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The lute and the polyphonist
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Practicing efficiently: Developing a daily workout,Repertoire
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The guitarist´s studio: Performance practique
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The Panormo guitar and its makers
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Lacote á Paris
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Louis David Pons, Paris 1827 Guitar with adjustable neck
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Spanish guitar history
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The guitar transition to 6 strings
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Songs with guitar from the age of Napoleon
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Vincenzo Capirola (1474-1548?) Compositione di meser Vincenzo Capirola
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Imagination,books and community in medieval europe
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The restoration of antique instruments deontologies and techiques
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The guitar in europe: four centuries of master pieces
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The spanish baroque guitar and seventeenth-century triadic theory
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The vihuela Fantasia: A comparative study of forms and styles
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With, or Without Nails ?
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The Baroque Guitar Made Simple
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An Investigation Into Arcangelo Corelli’s Influence On Eighteenth-Century Spain
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The chitarra atiorbata and guitare theorbée
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The Guitar Under Lully (Gerard Rebours interviewed by Elizabeth Benson)
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Angiol Michele Bartolotti (c.1615–c.1682) Prince of the Muses
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A polyphonic mode of listening: Luciano Berio´s “Sequenza XI” for guitar
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Giovanni Paolo Foscarini (fl. 1600 – 1647) Plagiarist or Pioneer? (li cinque libri della chitarra alla spagnola)
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New guitar method (1903)
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Guitar tunig and acoustic-powerpoint
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New melodic school for the guitar. A complete progressive method of systematic instruction in all branches of guitar playing (1901)
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The guitar music of Peter Sculthorpe
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Fray Juan Bautista Sancho: Tracing the origins of california first composer
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The “Guerra manuscript” (c1680) and the rise of solo song in Spain
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Lute music of the Renaissance for guitar or lute
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The Building of Boutique Effects Pedals—The “Where”of Improvisation
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The Role of the Guitar in the Rise of Monody: The Earliest Manuscripts
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Nova scelta di sonate per la chitarra spagnola- Foriano Pico, (Napoles 1608) Tablature
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The Case of the Purloined Letter Tablature: The Seventeenth-Century Guitar Books of Foriano Pico and Pietro Millioni
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Learn guitar blues easy
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Blues Origins: Spanish Fandango and Sebastopol
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Sylvester Weaver: The First Blues Guitarist on Record
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Music in new worlds
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Les Paul: Guitarist, Inventor, Inspiration
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The “Californios” Historic Culture Preservation
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Emergent harmony in a discordant land: The creolization of music in the eighteenth-century tidewater
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Learn to play the guitar: A prosthetic´s viewpoint
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Female guitarrist in modern music
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GENERAL
Articles about music
Historical studies related to the guitar
THE ELECTRIC GUITAR
Construction and repair
Jazz / Blues guitar
Maintenance
pickups
Sound
THE LUTE
THE PLUCKED STRING INSTRUMENTS
THE SPANISH GUITAR
Acoustic and tuning
Analisys of musical works
Construction and repair
Guitar technique
Historical research
Methods and pedagogy
THE VIHUELA
Tablature
CATEGORIES
GENERAL
Articles about music
Historical studies related to the guitar
THE ELECTRIC GUITAR
Construction and repair
Jazz / Blues guitar
Maintenance
pickups
Sound
THE LUTE
THE PLUCKED STRING INSTRUMENTS
THE SPANISH GUITAR
Acoustic and tuning
Analisys of musical works
Construction and repair
Guitar technique
Historical research
Methods and pedagogy
THE VIHUELA
Tablature