Categoría: THE SPANISH GUITAR

- Key factors that contributed to the guitar developing into a solo instrument in the early 19th century

- The progresion of Villa-Lobos compositional style from the Suite Popular Brasileiro to the Doze Estudos

- An Analysis of Mario Castelnuovo-Tedesco’s Vogelweide: Song Cycle for Baritone and Guitar

- Santiago de Murcia: The French Connection in Baroque Spain

- Gitara gasy:Guitar Music of Madagascar

- The Musicologist Behind the Composer: The Impact of Historical Studies upon the Creative Life in Joaquín Rodrigo’s Guitar Compositions

- The influence of Flamenco on the guitar works of Joaquin Turina.

- The Arrangements of Roland Dyens and Sérgio Assad: Innovations in Adapting Jazz Standards and Jazz-influenced Popular Works to the Solo Classical Guitar

- The early guitar in Paris: A comparative study of the music of Adrian Le Roy and Guillaume Morlaye

- Elements of Symmetry and Flamenco Tradition in Loris O. Chobanian’s “Concerto del Fuego”

- Luigi Rinaldo Legnani: His life and position in European music , with an annotated performance edition of selections from 36 Capricci Opus 20.

- A History of Bluegrass Guitar in Western North Carolina

- Agustin Barrios Mangore:A study in the articulation of cultural identity

- Hillbilly music and the roots of Bluegrass guitar

- An Unknown French Song by Fernando Sor in Sweden

- Two unknow guitar works by Fernando Sor

- Georgina Gregory guitar manuscript.Edimburg c.1830-40

- J. A. Hudleston (1799-1865) A Guitarist in Nineteenth Century India

- Transcribing the gamba music of Marin Marais to the guitar

- Solo Lyra Viol music of Tobias Hume (1579-1645):Historical context and transcription for modern guitar

- The role of development of the guitar and the changing performance techniques on evolution of “folia variations” writen for the guitar

- Bach’s Lute Suites: This Myth is Busted

- Modernist representation of the guitar and the instrument´s classical revival in the 1920s

- An overview of the six-course guitar

- Performer’s Guide to Michael Tippett’s The Blue Guitar

- The guitar, the musette and meaning in the “fêtes galantes” of Watteau

- La folía de España:Dances for guitar

- Fretboard Harmony for University Study: Method and Historical Context

- The guitar and the mandolin: Biographies of Celebrated Masters and Composers for these instruments

- Schizophonic Performance: Guitar Hero, Rock Band, and Virtual Virtuosity

- The Transcriber’s Art articles

- Stalking the oldest six-string guitar

- Mysteries in the history of the spanish guitar

- Bossa Nova for guitar

- Complete Study of tremolo

- Modality and technique in guitar improvisation of Joe Satriani and Steve Vai

- Ornamentation and the guitar:An overview of Style and technique

- The art of ragtime guitar

- Rethinking guitar pedagogy

- Creating an improviser system for jazz standars on the classical guitar

- Single string scale technique and the classic guitar

- Some introductory remarks on 19th-century guitar performance practica

- Preludes, Cadences and Composition for Guitar in 19th-Century Teaching Practice

- Acoustics for violin and guitar makers