Categoría: THE SPANISH GUITAR

- Alberto Ginastera and the Guitar Chord: An Analytical Study

- A Pedagogical and Analytical Study of Dušan Bogdanović’s Polyrhythmic and Polymetric Studies for Guitar

- Compositional practices in Leo Brouwer’s Elogio de la danza : transitions from his early style to the avant-garde

- Lawrence Weiner’s Concerto for Guitar and Orchestra: Analysis and Performance Considerations

- Guitars are non-linear!

- An analitic and comparative study of Francisco Tárrega´s two volumenes of guitar studies

- Tarrega’s Transcriptions of Chopin for Guitar and their Influence on his own Compositions

- An analysis to the guitar Lab´s gesture acquisition prototype with the aim of improving it

- Classical Guitar Construction in the style Antonio Torres replicating La Suprema 1864 (2) Body Assembly Install Neck,Banding and Purfeling,Fingerboard.

- Building an acoustic steel-string

- Luthierie Software Resources

- Classical Guitar Construction in the style Antonio Torres replicating La Suprema 1864 (1) Hide Glue Preparation, Solera, Neck, Rosette.

- 19th Century North American Guitar Music

- Design of a Classical Guitar

- A method for specifing contours of an arched plate

- Yes we can chords

- Guitar Builders 1770-1850

- The Spanish Guitar

- Learning every note on the guitar

- Ernest Shand (1868 – 1924) Premier concerto pour guitarre

- Joan Carles Amat (1572-1642) The spanish guitar- Which shows how to tune and how to play chords “rasgado” in a wonderful manner

- The african guitar

- Strategies for the recovery of guitar: Music of the early seventeenth century

- Rischel & Birket-Smith´s Collection of guitar music • The hypertext catalog of facsimile sources

- The C. F. Martin story

- Spanish guitar bridges evolution

- During the restoration of a Lacote Guitar Observations and reflections brought us to construct a facsimile of the famous “tripodison”

- Practicing efficiently: Developing a daily workout,Repertoire

- The guitarist´s studio: Performance practique

- The Panormo guitar and its makers

- Lacote á Paris

- Louis David Pons, Paris 1827 Guitar with adjustable neck

- Spanish guitar history

- The guitar transition to 6 strings

- Songs with guitar from the age of Napoleon

- The restoration of antique instruments deontologies and techiques

- The guitar in europe: four centuries of master pieces

- The spanish baroque guitar and seventeenth-century triadic theory

- With, or Without Nails ?

- The Baroque Guitar Made Simple

- The chitarra atiorbata and guitare theorbée

- The Guitar Under Lully (Gerard Rebours interviewed by Elizabeth Benson)

- Angiol Michele Bartolotti (c.1615–c.1682) Prince of the Muses

- A polyphonic mode of listening: Luciano Berio´s “Sequenza XI” for guitar