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- The Seventeenth-Century Battaglie for Lute in Italy

- Towards Overcoming the Guitar’s Color Research Gap

- Preservation and Study of Historical Guitars Museu de la Musica, Catalunya : Methodology Proposal to Play the Unplayable

- Sound radiation measurements on guitars and other stringed musical instruments

- The guitar works of Mario Castelnuovo-Tedesco : editorial principles, comparative source studies and critical editions of selected works

- Biomechanical modelling of musical performance : a case study of the guitar

- Strategies in jazz guitar improvisation

- Acoustic guitar practice and acousticity : establishing modalities of creative practice

- Cuban Artist, Leo Brouwer, and his solo guitar works: Pieza Sin Titulo To Elogio de la Danza. A contextual-analytical study

- A suggestopaedia-based method of guitar instruction

- Music for Classical guitar By South African Composers. A historical survey, notes on selected works and a general catalogue

- Melodic improvisation on a twelve bar blues model : an investigation of physical and historical aspects and their contribution to performance

- Designing and Evaluating a Tablet Application for Guitar Effect Control

- Electric guitar pickup caracterization and modelling

- The Role of the Jazz Guitarist in Adapting to the Jazz Trio , the Jazz Quartet, and the Jazz Quintet

- Rethinking tradition : towards an ethnomusicology of contemporary flamenco guitar

- The assimilation of jazz aesthetics in the work of post 1970′s electric guitarist composers

- The Confluence of jazz and classical music from 1950 to 1970

- John Dowland, celebrity lute teacher

- Form in Paul Simon’s music

- Classical Guitar Method Volume I (Beginner)

- New optical process of making a guitar

- Acoustic Timbre Enhancement of Guitar Pickup Signal with Digital Filters

- Marco Pereira: Brazilian Guitar virtuoso

- Improvisation and learning processes in organizations: A metaphor applying the brazilian rhythm choro

- Villa-Lobos´s Cinq Preludes: An analysis of influences

- Analytical Perpectiveson on Three Groundbreaking Composers for Guitar: Villa-Lobos, Martin and Britten

- An Analysis of Astor Piazzolla’s Histoire du Tango for Flute and Guitar and the Influence of Latin Music on Flute Repertoire

- The flute and guitar duo: the development of an equal partnership

- A Survey of Four Original Works for Clarinet and Guitar and Their Effect on Compositional Output for the Repertoire

- The Solo Guitar Music of Carlo Domeniconi: An exploration of the diverses influences

- An Annotated Bibliography of Works by the Brazilian Composer Sérgio Assad

- Sérgio Assad’s Aquarelle and Fantasia Carioca: A Performer’s Guide

- Guidelines for Transcribing Baroque Lute Music for the Modern Guitar, Using Silvius Leopold Weiss’s Sonata

- Contemporary Mexican Classical Guitar Music at the Turn of the Twenty-First Century: Selected Compositions 1988-2003

- Music of Ceyhun Saklar. How does Saklar use Anatolian Music on his Compositions?

- The Impact of Anatolian Music on Classical Guitar Repertoire

- A Humanistic Reading of Gaspar Sanz “Instruccion de música sobre la guitarra Española”

- Mauro Giuliani: Instrumental and Vocal Style in Le Sei Rossiniane

- Turkish Musical Influences upon Carlo Domeniconi’s Variations on an Anatolian Folk Song and Koyunbaba: Implications for Performance

- A transcription and style analysis of the fantasias of Esteban Daza’s Libro de musica en cifras para Vihuela intitulado el Parnasso

- Brief History of Hawaiian Slack Key Guitar

- The Seven-String Guitar in 19th-Century Russian Culture

- A performance edition with critical commentary on Joaquin Rodrigo’s “Invocación y Danza”