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Blog by the guitarist Nacho Bellido
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Rethinking tradition : towards an ethnomusicology of contemporary flamenco guitar
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The assimilation of jazz aesthetics in the work of post 1970′s electric guitarist composers
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The Confluence of jazz and classical music from 1950 to 1970
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John Dowland, celebrity lute teacher
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Form in Paul Simon’s music
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Classical Guitar Method Volume I (Beginner)
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New optical process of making a guitar
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Acoustic Timbre Enhancement of Guitar Pickup Signal with Digital Filters
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Marco Pereira: Brazilian Guitar virtuoso
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Improvisation and learning processes in organizations: A metaphor applying the brazilian rhythm choro
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Villa-Lobos´s Cinq Preludes: An analysis of influences
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Analytical Perpectiveson on Three Groundbreaking Composers for Guitar: Villa-Lobos, Martin and Britten
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An Analysis of Astor Piazzolla’s Histoire du Tango for Flute and Guitar and the Influence of Latin Music on Flute Repertoire
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The flute and guitar duo: the development of an equal partnership
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A Survey of Four Original Works for Clarinet and Guitar and Their Effect on Compositional Output for the Repertoire
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The Solo Guitar Music of Carlo Domeniconi: An exploration of the diverses influences
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An Annotated Bibliography of Works by the Brazilian Composer Sérgio Assad
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Sérgio Assad’s Aquarelle and Fantasia Carioca: A Performer’s Guide
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Guidelines for Transcribing Baroque Lute Music for the Modern Guitar, Using Silvius Leopold Weiss’s Sonata
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Contemporary Mexican Classical Guitar Music at the Turn of the Twenty-First Century: Selected Compositions 1988-2003
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Music of Ceyhun Saklar. How does Saklar use Anatolian Music on his Compositions?
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The Impact of Anatolian Music on Classical Guitar Repertoire
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A Humanistic Reading of Gaspar Sanz “Instruccion de música sobre la guitarra Española”
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Mauro Giuliani: Instrumental and Vocal Style in Le Sei Rossiniane
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Turkish Musical Influences upon Carlo Domeniconi’s Variations on an Anatolian Folk Song and Koyunbaba: Implications for Performance
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A transcription and style analysis of the fantasias of Esteban Daza’s Libro de musica en cifras para Vihuela intitulado el Parnasso
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Brief History of Hawaiian Slack Key Guitar
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The Seven-String Guitar in 19th-Century Russian Culture
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A performance edition with critical commentary on Joaquin Rodrigo’s “Invocación y Danza”
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Heinrich Albert and the First Guitar Quartet
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The stringing of the 5-course guitar
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At Court and at Home with the Vihuela de mano: Current Perspectives of the Instrument, its Music and its World
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Santa Maria and the Printing of Instrumental Music in Sixteenth-Century Spain
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Jazz Guitar Chord Melody Basics
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Strategies in jazz guitar improvisation
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Guitar Performance in the Nineteenth Centuries and Twentieth Centuries
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Teaching materials (jazz guitar)
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Jazz Etudes for guitar
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Interpretive Left-Hand Fingerings for Lute in Nicholas Vallet’s “Le Secret des Muses”
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Subjective preference of classical guitar strokes “apoyando” and “tirando” related to its harmonic components and autocorrelation function
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Paradigm for effective pre-college classical guitar methodology: a case study of two models of effective instruction
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Modal parameter variability in industrial electric guitar making: Manufacturing process, wood variability, and lutherie decisions
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The Sound of Trees: Wood Selection in Guitars and Other Chordophones
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Good Vibrations, Strings Attached: The Political Ecology of the Guitar
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CATEGORIES
GENERAL
Articles about music
Historical studies related to the guitar
THE ELECTRIC GUITAR
Construction and repair
Jazz / Blues guitar
Maintenance
pickups
Sound
THE LUTE
THE PLUCKED STRING INSTRUMENTS
THE SPANISH GUITAR
Acoustic and tuning
Analisys of musical works
Construction and repair
Guitar technique
Historical research
Methods and pedagogy
THE VIHUELA
Tablature