Categoría: Historical research

- Pierre de Breville’s Fantaisie

- Lennox Berkeley’s Quatre Pieces Pour La Guitare

- The classical guitar: a study in structural, technical and musical evolution (1974)

- The History of the Guitar: Its Origins and Evolution

- The guitar in the sixteen-seventies Baroque guitar stringing for the works of Francesco Corbetta and Gaspar Sanz

- Franz Schubert’s Chamber Music with Guitar: A Study of the Guitar’s Role in Biedermeier Vienna.

- A Survey of the Solo Guitar Works Written for Julian Bream

- The Birth of the Classic Guitar and Its Cultivation in Vienna Reflected in the Career and Composition of Mauro Giuliani.

- The technique and artistry of melodic phrasing in the spanish classical guitar tradition

- The developement of the solo classical guitar repertoire 1800-1950

- The relevance of the teaching methods of Dionisio Aguado, Fernando Sor and Andres Segovia for guitara technique in the late 20th century

- Rethinking tradition : towards an ethnomusicology of contemporary flamenco guitar

- Marco Pereira: Brazilian Guitar virtuoso

- The flute and guitar duo: the development of an equal partnership

- A Survey of Four Original Works for Clarinet and Guitar and Their Effect on Compositional Output for the Repertoire

- Contemporary Mexican Classical Guitar Music at the Turn of the Twenty-First Century: Selected Compositions 1988-2003

- Music of Ceyhun Saklar. How does Saklar use Anatolian Music on his Compositions?

- The Impact of Anatolian Music on Classical Guitar Repertoire

- A Humanistic Reading of Gaspar Sanz “Instruccion de música sobre la guitarra Española”

- Mauro Giuliani: Instrumental and Vocal Style in Le Sei Rossiniane

- The Seven-String Guitar in 19th-Century Russian Culture

- Heinrich Albert and the First Guitar Quartet

- The stringing of the 5-course guitar

- Guitar Performance in the Nineteenth Centuries and Twentieth Centuries

- Good Vibrations, Strings Attached: The Political Ecology of the Guitar

- Rethinking tradition : towards an ethnomusicology of contemporary flamenco guitar

- The five-course guitar and seventeenth-century harmony : Alfabeto and Italian song

- The Guitar in the Romantic Period: its musical and social development, with special reference to Bristol and Bath

- The Guitar in the Romantic Period: its musical and social development, with special reference to Bristol and Bath

- A physical investigation into some factors affecting the musical performance of the guitar

- Early Romantic Guitar Sheet Music Sources

- Early Romantic Guitar Publishing Practice

- The Baroque Guitar- Players,painting,patrons and the public

- The baroque guitar in France,and its two main figures: Robert de Viseé and François Campion

- Guitar music in the Library of Congress

- An analitic and comparative study of Francisco Tárrega´s two volumenes of guitar studies

- Tarrega’s Transcriptions of Chopin for Guitar and their Influence on his own Compositions

- The Spanish Guitar

- Joan Carles Amat (1572-1642) The spanish guitar- Which shows how to tune and how to play chords “rasgado” in a wonderful manner

- The african guitar

- Strategies for the recovery of guitar: Music of the early seventeenth century

- The C. F. Martin story

- The Panormo guitar and its makers

- Lacote á Paris