Categoría: Analisys of musical works

- Two Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Solo Guitar

- Joaquín Rodrigo´s “Cuatro piezas para piano” transcribed for guitar trio

- Participating in the musical tradition of prejjem: Transmitting the guitar culture of għana within and between insular musical communities of islanders in Malta and the Maltese-Australian diaspora

- A Practical Guide for Composing and Performing Guitar-Piano Chamber Music

- The unligigated case: A study of the legality of guitar tablatures

- A conductor’s guide to the poetical and musical style of the “cante jondo” based in the work of Mario Castelnuovo-Tedesco’s “Romancero Gitano”, op.152

- The Siguiriyas song form in flamenco guitar : a historical and comparative study

- A study of multiculturalism in 20th century guitar music and the the Brazilian elements in the music of Roland Dyens

- The cadenzas of the first modern guitar concertos

- A Performance Guide to Latin-American Guitar Quartets: The Quartets of Ernesto Cordero, Leo Brouwer, and Sérgio Assad

- Antonio Jose Martinez Palacios’ “Sonata para Guitarra” (1933), an analysis, performer’s guide, and new edition – Whitehead, Corey E.

- Bridging two worlds: baroque violin performance practices as a model for the transcription of selected movements of J.S. Bach’s sonatas and partitas for solo violin on the modern guitar

- A study of selected works by Canadian guitarists-composers from the perspective of idiomatic composition for the classical guitar

- Barthélemy Trille Labarre, ‘Professeur de Guitare et Compositeur, Élève d’Haydn’, biography and catalogue of works

- The baroque guitar as an accompaniment instrument for song, dance and theatre

- El estilo castellano y el estilo catalan. An introduction to spanish guitar chord notation

- Harpsichord Suite in A Minor by Élisabeth Jacquet de la Guerre Arranged for Solo Guitar

- The Violin Sonatas of Johann Georg Pisendel (1687-1755): A History, Analysis, and Arrangement for Solo Guitar

- Transcribing English Virginal Music for Two Guitars: Historical Perspective, Methodology, and Practical Applications

- Vincenzo Galilei’s “26 Ricercari” from Fronimo, Transcribed for Guitar: Challenges and Solutions for Transcribing and Playing Italian Renaissance Lute Tablature on the Modern Guitar

- A String of Confusion Some Thoughts on A. Strummer’s Book Review of Italian Guitar Music of the Seventeenth Century

- Collaborating with the Guitar: The exploration of collaborative practices between three non-guitarist composers and a guitarist performer in the creation of new works for the classical guitar

- ‘Caprice de chaconne’ (1671): Symmetry and proportions in Francesco Corbetta’s work for Baroque guitar

- Journal des Troubadours Avec Accompagnement de Guitare ou Lyre with its Unusual Dating Code and Ferdinando Carulli as Composer and Arranger

- Jazz Standards Arranged for Classical Guitar in the Style of Art Tatum

- Campanelle in Seventeenth-Century Guitar Music, Bells and Riddles

- A critical and performance edition of Agustin Barrios´s Cueca

- Early Seventeenth-Century Harmonic Practice: A Corpus Study of Tonality, Modality, and Harmonic Function in Italian Secular Song with Baroque Guitar Accompaniment in Alfabeto Tablature

- Guitar Passacagli and Vocal Arie

- Villa-Lobos 12 Études: how the manuscripts affect the performance

- Phrase Structure and Linear Progression in Villa-Lobos Preludes 1, ,2 and 5 for Guitar

- William Walton’s Five Bagateles for Guitar

- A comparison of the piano and guitar version of Isaac Albeniz´s Spanish Suite Op.47

- Expressing Ourselves: Carcassi Op. 60

- Warlock, Dowland and Segovia

- To Prelude (v.): The Art of Preluding and Applications for the Modern Classical Guitarist

- The Toccatas of Johannes Hieronymus Kapsberger’s Libro Primo D’Intavolatura Di Lauto: Analysis, Performance Practice, and Transcription for Modern Classical Guitar

- Henri Sauguet’s unpublished guitar music

- Divergence and convergence in Spanish classical and flamenco guitar traditions (1850-2016) -

- Grand Solo Op.14 & Rondo Op2. N3: The Sonority of the Classical Era

- Six Keyboard Sonatas of Manuel Blasco de Nebra: Transcriptions for Guitar and Analysis of Spanish Folk Music Influences, and Use of Keyboard Techniques that Imitate the Guitar, as Inspired by Domenico Scarlatti

- J.S. Bach’s Suite in G Minor, BWV 995: A Comparison of Manuscripts for Violoncello, Lute and Lute Intabulation as a Model for a Guitar Arrangement of the Suite in D Major BWV 1012

- Concerto for Guitar and Small Orchestra by Heitor Villa-Lobos: Critical Commentary and Transcription for Two Guitars

- The folia: Manuel Ponce and his variations