Categoría: Analisys of musical works

- The approach to tango, by classical guitarist

- The Spanish guitar influence on the piano music of Isaac Albéniz and Enrique Granados: a detailed study of Granada and Asturias of Suite española by Albéniz and Andaluza and Danza triste of Doce danzas españolas by Granados

- Fernando Sor’s Theory of Harmony Applied to the Guitar: History, Bibliography and Context 

- Stefano Landi’ s Arie a una voce and Early Seventeenth-century Italian Guitar Music with Alfabeto Notation

- Historically informed interpretation: a process in relation to the Deuxi ` eme Grande Sonate op.25 for solo guitar by Fernando Sor

- Mario Castelnuovo-Tedesco´s The Divan of Moses-Ibn-Ezra A cycle of Songs for Voice and Guitar op. 207 (1966)

- Franco Margola ‘ s Chamber Works with Guitar: A Guide and Annotated Catalog

- Pride, Pedagogy, and Performance: Getaran Jiwa, Variations on a Malaysian Song, Op. 125 by John Duarte

- El Murciano´s “Rondeña” and early flamenco guitar music: New findings and perspectives

- Esteban Daza, “El Parnasso”

- The early guitar in Paris: A comparative study of the music of Adrian Le Roy and Guillaume Morlaye

- Flute partita a-minor BWV 1013: arrangement for guitar

- Theme and Variations for guitar Op. 77: an analysis and background of Lennox Berkeley’s brilliant composition for the guitar

- Agustín Barrios and musical identity: Tangos in early twentieth-century guitar repertory

- An Expert System for Guitar Sheet Music to Guitar Tablature

- Two Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Solo Guitar

- Joaquín Rodrigo´s “Cuatro piezas para piano” transcribed for guitar trio

- Participating in the musical tradition of prejjem: Transmitting the guitar culture of għana within and between insular musical communities of islanders in Malta and the Maltese-Australian diaspora

- A Practical Guide for Composing and Performing Guitar-Piano Chamber Music

- The unligigated case: A study of the legality of guitar tablatures

- A conductor’s guide to the poetical and musical style of the “cante jondo” based in the work of Mario Castelnuovo-Tedesco’s “Romancero Gitano”, op.152

- The Siguiriyas song form in flamenco guitar : a historical and comparative study

- A study of multiculturalism in 20th century guitar music and the the Brazilian elements in the music of Roland Dyens

- The cadenzas of the first modern guitar concertos

- A Performance Guide to Latin-American Guitar Quartets: The Quartets of Ernesto Cordero, Leo Brouwer, and Sérgio Assad

- Antonio Jose Martinez Palacios’ “Sonata para Guitarra” (1933), an analysis, performer’s guide, and new edition – Whitehead, Corey E.

- Bridging two worlds: baroque violin performance practices as a model for the transcription of selected movements of J.S. Bach’s sonatas and partitas for solo violin on the modern guitar

- A study of selected works by Canadian guitarists-composers from the perspective of idiomatic composition for the classical guitar

- Barthélemy Trille Labarre, ‘Professeur de Guitare et Compositeur, Élève d’Haydn’, biography and catalogue of works

- The baroque guitar as an accompaniment instrument for song, dance and theatre

- El estilo castellano y el estilo catalan. An introduction to spanish guitar chord notation

- Harpsichord Suite in A Minor by Élisabeth Jacquet de la Guerre Arranged for Solo Guitar

- The Violin Sonatas of Johann Georg Pisendel (1687-1755): A History, Analysis, and Arrangement for Solo Guitar

- Transcribing English Virginal Music for Two Guitars: Historical Perspective, Methodology, and Practical Applications

- Vincenzo Galilei’s “26 Ricercari” from Fronimo, Transcribed for Guitar: Challenges and Solutions for Transcribing and Playing Italian Renaissance Lute Tablature on the Modern Guitar

- A String of Confusion Some Thoughts on A. Strummer’s Book Review of Italian Guitar Music of the Seventeenth Century

- Collaborating with the Guitar: The exploration of collaborative practices between three non-guitarist composers and a guitarist performer in the creation of new works for the classical guitar

- ‘Caprice de chaconne’ (1671): Symmetry and proportions in Francesco Corbetta’s work for Baroque guitar

- Journal des Troubadours Avec Accompagnement de Guitare ou Lyre with its Unusual Dating Code and Ferdinando Carulli as Composer and Arranger

- Jazz Standards Arranged for Classical Guitar in the Style of Art Tatum

- Campanelle in Seventeenth-Century Guitar Music, Bells and Riddles

- A critical and performance edition of Agustin Barrios´s Cueca

- Early Seventeenth-Century Harmonic Practice: A Corpus Study of Tonality, Modality, and Harmonic Function in Italian Secular Song with Baroque Guitar Accompaniment in Alfabeto Tablature

- Guitar Passacagli and Vocal Arie