The guitar and plucked string instruments
Blog by the guitarist Nacho Bellido
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Analisys of musical works
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Two Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Solo Guitar
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Joaquín Rodrigo´s “Cuatro piezas para piano” transcribed for guitar trio
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Participating in the musical tradition of prejjem: Transmitting the guitar culture of għana within and between insular musical communities of islanders in Malta and the Maltese-Australian diaspora
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A Practical Guide for Composing and Performing Guitar-Piano Chamber Music
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The unligigated case: A study of the legality of guitar tablatures
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A conductor’s guide to the poetical and musical style of the “cante jondo” based in the work of Mario Castelnuovo-Tedesco’s “Romancero Gitano”, op.152
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The Siguiriyas song form in flamenco guitar : a historical and comparative study
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A study of multiculturalism in 20th century guitar music and the the Brazilian elements in the music of Roland Dyens
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The cadenzas of the first modern guitar concertos
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A Performance Guide to Latin-American Guitar Quartets: The Quartets of Ernesto Cordero, Leo Brouwer, and Sérgio Assad
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Antonio Jose Martinez Palacios’ “Sonata para Guitarra” (1933), an analysis, performer’s guide, and new edition – Whitehead, Corey E.
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Bridging two worlds: baroque violin performance practices as a model for the transcription of selected movements of J.S. Bach’s sonatas and partitas for solo violin on the modern guitar
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A study of selected works by Canadian guitarists-composers from the perspective of idiomatic composition for the classical guitar
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Barthélemy Trille Labarre, ‘Professeur de Guitare et Compositeur, Élève d’Haydn’, biography and catalogue of works
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The baroque guitar as an accompaniment instrument for song, dance and theatre
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El estilo castellano y el estilo catalan. An introduction to spanish guitar chord notation
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Harpsichord Suite in A Minor by Élisabeth Jacquet de la Guerre Arranged for Solo Guitar
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The Violin Sonatas of Johann Georg Pisendel (1687-1755): A History, Analysis, and Arrangement for Solo Guitar
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Transcribing English Virginal Music for Two Guitars: Historical Perspective, Methodology, and Practical Applications
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Vincenzo Galilei’s “26 Ricercari” from Fronimo, Transcribed for Guitar: Challenges and Solutions for Transcribing and Playing Italian Renaissance Lute Tablature on the Modern Guitar
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A String of Confusion Some Thoughts on A. Strummer’s Book Review of Italian Guitar Music of the Seventeenth Century
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Collaborating with the Guitar: The exploration of collaborative practices between three non-guitarist composers and a guitarist performer in the creation of new works for the classical guitar
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‘Caprice de chaconne’ (1671): Symmetry and proportions in Francesco Corbetta’s work for Baroque guitar
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Journal des Troubadours Avec Accompagnement de Guitare ou Lyre with its Unusual Dating Code and Ferdinando Carulli as Composer and Arranger
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Jazz Standards Arranged for Classical Guitar in the Style of Art Tatum
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Campanelle in Seventeenth-Century Guitar Music, Bells and Riddles
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A critical and performance edition of Agustin Barrios´s Cueca
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Early Seventeenth-Century Harmonic Practice: A Corpus Study of Tonality, Modality, and Harmonic Function in Italian Secular Song with Baroque Guitar Accompaniment in Alfabeto Tablature
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Guitar Passacagli and Vocal Arie
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Villa-Lobos 12 Études: how the manuscripts affect the performance
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Phrase Structure and Linear Progression in Villa-Lobos Preludes 1, ,2 and 5 for Guitar
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William Walton’s Five Bagateles for Guitar
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A comparison of the piano and guitar version of Isaac Albeniz´s Spanish Suite Op.47
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Expressing Ourselves: Carcassi Op. 60
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Warlock, Dowland and Segovia
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To Prelude (v.): The Art of Preluding and Applications for the Modern Classical Guitarist
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The Toccatas of Johannes Hieronymus Kapsberger’s Libro Primo D’Intavolatura Di Lauto: Analysis, Performance Practice, and Transcription for Modern Classical Guitar
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Henri Sauguet’s unpublished guitar music
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Divergence and convergence in Spanish classical and flamenco guitar traditions (1850-2016) -
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Grand Solo Op.14 & Rondo Op2. N3: The Sonority of the Classical Era
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Six Keyboard Sonatas of Manuel Blasco de Nebra: Transcriptions for Guitar and Analysis of Spanish Folk Music Influences, and Use of Keyboard Techniques that Imitate the Guitar, as Inspired by Domenico Scarlatti
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J.S. Bach’s Suite in G Minor, BWV 995: A Comparison of Manuscripts for Violoncello, Lute and Lute Intabulation as a Model for a Guitar Arrangement of the Suite in D Major BWV 1012
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Concerto for Guitar and Small Orchestra by Heitor Villa-Lobos: Critical Commentary and Transcription for Two Guitars
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The folia: Manuel Ponce and his variations
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CATEGORIES
GENERAL
Articles about music
Historical studies related to the guitar
THE ELECTRIC GUITAR
Construction and repair
Jazz / Blues guitar
Maintenance
pickups
Sound
THE LUTE
THE PLUCKED STRING INSTRUMENTS
THE SPANISH GUITAR
Acoustic and tuning
Analisys of musical works
Construction and repair
Guitar technique
Historical research
Methods and pedagogy
THE VIHUELA
Tablature