The guitar and plucked string instruments
Blog by the guitarist Nacho Bellido
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Categoría:
THE SPANISH GUITAR
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Giovanni Paolo Foscarini (fl. 1600 – 1647) Plagiarist or Pioneer? (li cinque libri della chitarra alla spagnola)
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New guitar method (1903)
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Guitar tunig and acoustic-powerpoint
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New melodic school for the guitar. A complete progressive method of systematic instruction in all branches of guitar playing (1901)
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The guitar music of Peter Sculthorpe
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The Role of the Guitar in the Rise of Monody: The Earliest Manuscripts
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Nova scelta di sonate per la chitarra spagnola- Foriano Pico, (Napoles 1608) Tablature
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The Case of the Purloined Letter Tablature: The Seventeenth-Century Guitar Books of Foriano Pico and Pietro Millioni
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Learn to play the guitar: A prosthetic´s viewpoint
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The Baroque Guitar: players, paintings, patrons and the public
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Recording acoustic guitar
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10 Guitar Speed Training Exercises No Guitar Played Should Be Without
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Howe´s instructor for the guitar ( Boston 1851)
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A collection of the most celebrated songs set to music by several eminent authors, adapted for the guitar (1774)
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Sitting with the Guitar
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Rasgueados Are For Everyone: the guitarist’s rasgueado method
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Arpeggio and Scale Resources. A guitar Encyclopedia
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Heitor Villa-Lobos, Valsa concerto n-2 op 8 (1904)
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Learning every note on the guitar
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History of the Guitar in Canada
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Attitudes and perspectives of pre-college guitar students
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A Two-Year Classical Guitar Ensemble for Pre-College Educational Settings
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Guckert’s complete rapid diagram chord book for the guitar : without notes or teacher
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Classical guitar instruction for the pre-college clasroom
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Some introductory remarks on 19th -century guitar performance practique-
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Fernando Sor master composer for guitar?
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On “period” guitars and 19 th century guitar music
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The Tiled Rosette of the Flattop Guitar
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The place of the guitar in the musical history of Yugoslavia
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Evolution of the 19th Century Guitar
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Villa-Lobos’ Guitar music: Alternative Sources and Implications for Performance
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19th-Century Guitar Methods Anyone?
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The “El estudio de arte guitarristico” of manuel López Ramos
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The guitar chamber trio from 1780 to 1830: its style and structure
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Modern Music a guide for the perplexed
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Coping with nail breakage
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The ‘a’ finger – taking a closer look
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An introduction to sight-reading
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The Baroque Suite
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Give your guitar a rest – a player’s guide to keeping both feet on the ground
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The “Guitar” In Britain 1753 – 1800
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Radical innovations,social revolution and the baroque guitar
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Santiago de Murcia´s Cifras selectas para guitarra:A new source for the baroque guitar
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The five course guitar (viola) in Portugal and Brasil in late seventeenth and early eighteeenth centuries
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THE ELECTRIC GUITAR
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THE LUTE
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THE SPANISH GUITAR
Acoustic and tuning
Analisys of musical works
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THE VIHUELA
Tablature
CATEGORIES
GENERAL
Articles about music
Historical studies related to the guitar
THE ELECTRIC GUITAR
Construction and repair
Jazz / Blues guitar
Maintenance
pickups
Sound
THE LUTE
THE PLUCKED STRING INSTRUMENTS
THE SPANISH GUITAR
Acoustic and tuning
Analisys of musical works
Construction and repair
Guitar technique
Historical research
Methods and pedagogy
THE VIHUELA
Tablature