Categoría: Historical research

- The Role of the Guitar in the Rise of Monody: The Earliest Manuscripts

- Nova scelta di sonate per la chitarra spagnola- Foriano Pico, (Napoles 1608) Tablature

- The Case of the Purloined Letter Tablature: The Seventeenth-Century Guitar Books of Foriano Pico and Pietro Millioni

- The Baroque Guitar: players, paintings, patrons and the public

- A collection of the most celebrated songs set to music by several eminent authors, adapted for the guitar (1774)

- History of the Guitar in Canada

- Fernando Sor master composer for guitar?

- On “period” guitars and 19 th century guitar music

- The place of the guitar in the musical history of Yugoslavia

- Evolution of the 19th Century Guitar

- Villa-Lobos’ Guitar music: Alternative Sources and Implications for Performance

- The guitar chamber trio from 1780 to 1830: its style and structure

- Modern Music a guide for the perplexed

- The Baroque Suite

- The “Guitar” In Britain 1753 – 1800

- Radical innovations,social revolution and the baroque guitar

- Santiago de Murcia´s Cifras selectas para guitarra:A new source for the baroque guitar

- The five course guitar (viola) in Portugal and Brasil in late seventeenth and early eighteeenth centuries

- Jaime Bosch (1826-1895) and the guitar in Paris at the end of the 19th century

- Some Considerations of 19th Century Guitar Music and Its Performance Today.

- The Early Guitar and Biographies of Important Guitarists in Japan

- Guitar Composers of the Classical and Early Romantic Period

- The history of Boccherini’s quintets with guitar

- The myth of Schubert and the guitar

- Strining and Tuning the renaissance four course guitar:Interpreting the primary sources

- How Barrios was rescued from obscurity

- Isaac Albéniz –An essay on the man,his music and his relationship to the guitar

- The barroque guitar as an accompaniment instrument for song,dance and theatre

- Franz Schubert music with guitar:A study of the guitar´s role in Biedermeier Vienna

- Strining of the five course guitar

- The Early History of the Guitar in America

- The Guitar and the Birth of American Music

- Santiago de Murcia (1673-1739):new contributions on his life and work

- The Royal College Dias – guitar or vihuela?

- The guitarra latina.Spain ca 1620 from the Cantigas de Santa María

- The siguiriyas song form in flamenco:a historical and comparative study

- Key factors that contributed to the guitar developing into a solo instrument in the early 19th century

- The progresion of Villa-Lobos compositional style from the Suite Popular Brasileiro to the Doze Estudos

- Santiago de Murcia: The French Connection in Baroque Spain

- The Musicologist Behind the Composer: The Impact of Historical Studies upon the Creative Life in Joaquín Rodrigo’s Guitar Compositions

- The Arrangements of Roland Dyens and Sérgio Assad: Innovations in Adapting Jazz Standards and Jazz-influenced Popular Works to the Solo Classical Guitar

- The early guitar in Paris: A comparative study of the music of Adrian Le Roy and Guillaume Morlaye

- Agustin Barrios Mangore:A study in the articulation of cultural identity

- J. A. Hudleston (1799-1865) A Guitarist in Nineteenth Century India