Categoría: Historical research

- Revising the Origins of the Brazilian Seven-string Guitar Through Musical Analysis

- The Impact of Print Technology on the Early Guitar Repertoire – Gideon Brettler

- Early Seventeenth-Century Harmonic Practice: A Corpus Study of Tonality, Modality, and Harmonic Function in Italian Secular Song with Baroque Guitar Accompaniment in Alfabeto Tablature

- Villa-Lobos 12 Études: how the manuscripts affect the performance

- Evolution of a “National Linguagen” in the Guitar Music of H. Villa-Lobos

- Santiago de Murcia: a survey of his Baroque guitar books

- Gaspar Sanz and the Stringing of the Italian Baroque Guitar Masters – Samuel Zachary Vierra

- Expressing Ourselves: Carcassi Op. 60

- Warlock, Dowland and Segovia

- Cyril Scott, Segovia and the Sonatina for Guitar

- Segovia and the Russians

- Italian Guitar Music in the second half of the eighteenth century

- New Light on the Provenance of the Guitar Quintets by Luigi Boccherini

- Some observations on the origins and authorship of Aguado’s Escuela

- Two Madeiran Manuscripts from the 19th Century for Classical Guitar” in Música para Viola

- Towards a classificatory organology of the viola and the violão in nineteenth-century Rio de Janeiro

- Records, radios and guitars in Brazil (1902-2013)

- The Seven-String Guitar in 19th-Century Russian Culture

- The Toccatas of Johannes Hieronymus Kapsberger’s Libro Primo D’Intavolatura Di Lauto: Analysis, Performance Practice, and Transcription for Modern Classical Guitar

- A Brief History of the Russian Seven-String Guitar

- Alla [vera] spagnola: Hearing Spain and Playing Guitar in Early Modern Italy

- In search of François de Fossa

- Henri Sauguet’s unpublished guitar music

- Divergence and convergence in Spanish classical and flamenco guitar traditions (1850-2016) -

- The Impressionistic Guitar: Is there a mutual influence between the Spanish guitar and the Impressionist masters?

- The classical guitar in Australia: Foundations

- The Guitar in England 1800-1924

- Six Keyboard Sonatas of Manuel Blasco de Nebra: Transcriptions for Guitar and Analysis of Spanish Folk Music Influences, and Use of Keyboard Techniques that Imitate the Guitar, as Inspired by Domenico Scarlatti

- J.S. Bach’s Suite in G Minor, BWV 995: A Comparison of Manuscripts for Violoncello, Lute and Lute Intabulation as a Model for a Guitar Arrangement of the Suite in D Major BWV 1012

- John Williams: An Evaluation of his Impact Upon the Culture of the Classical Guitar

- Nationalism in the Guitar Music of Early Twentieth-Century Spanish Composers: De Falla, Turina, and Torroba.

- Regino Sainz de la Maza

- From Spain to the United States: Joaquín Rodrigo’s Transatlantic Legacy

- Francisco Tarrega the Story of Capricho Arabe

- The Guitar in the Middle Ages and Renaissance

- Anton Webernʼs Guitar as a Model for the Orchestration of His Late Works

- The Emergence of Leo Brouwer’s Compositional Periods: The Guitar, Experimental Leanings, and New Simplicity

- The Influence of Miguel Llobet on the Pedagogy Repertoire and Stature of the Guitar in the Twentieth Century

- Pierre de Breville’s Fantaisie

- Lennox Berkeley’s Quatre Pieces Pour La Guitare

- The classical guitar: a study in structural, technical and musical evolution (1974)

- The History of the Guitar: Its Origins and Evolution

- The guitar in the sixteen-seventies Baroque guitar stringing for the works of Francesco Corbetta and Gaspar Sanz

- Franz Schubert’s Chamber Music with Guitar: A Study of the Guitar’s Role in Biedermeier Vienna.